Posts Tagged ‘Jon Bernthal’
Thursday, August 13th, 2026
There’s a scene in SPIDER-MAN: BRAND NEW DAY where Peter Parker (Tom Holland, THE ODYSSEY) sees his high school best friend Ned (Jacob Batalon, THE WRECKING CREW) at the bodega. Ned doesn’t remember him due to a spell Dr. Strange had to do to save the world from multi-dimensional doom (long story, and I don’t remember it), so Peter just watches as he tells the clerk to never let him buy a certain type of energy shot that he’s addicted to. Then he asks to buy one last bottle. Then two.
Yeah, that’s sorta like the MCU these days. We all say we’re over it, then this movie has the biggest opening weekend of all time. It sure doesn’t give me the same kick it once did, but maybe my body craves an approximation, and this will do for now.
I wouldn’t go to bat for BRAND NEW DAY. It’s definitely more of the MCU episodic dilly-dallying and not the compact, standalone cinematic storytelling that used to be the goal. Seems like a lost art in the days of late stage comic book movie – is that why they gave up on doing a new BLADE? But this one has plenty that works, particularly in Peter’s relationships with MJ (Zendaya, THE ODYSSEY) and Frank Punisher (Jon Bernthal, THE ODYSSEY). The love story with MJ has been built up over three previous movies, while his even knowing The Punisher happened (I believe) off screen between movies. But Peter will long for his lost love until they meet again, and he’ll butt heads with his street vigilantism rival until they’re a mismatched buddy pair. One of those classic teams, the friendly neighborhood Spider-Man and the severely traumatized mass murdering gun and bomb freak who hides out in a squalid industrial barge. (read the rest of this shit…)
Tags: Andre Royo, Destin Daniel Cretton, Fan Xiaoshuang, Florence Pugh, Jacob Batalon, Jon Bernthal, Jude Poyer, Marisa Tomei, Mark Ruffalo, MCU, Reinaldo Marcus Green, Robert Elswit, Sadie Sink, Tom Holland, Zendaya
Posted in Reviews, Action, Comic strips/Super heroes | 23 Comments »
Wednesday, August 5th, 2026
THE ODYSSEY. Good movie. Christopher Nolan (executive producer: ZACK SNYDER’S JUSTICE LEAGUE) gives us his take on the ancient poem, as filtered through his heavy duty filmatism, shot on IMAX film, with some of his beloved non-linear structure, a ridiculously stacked cast and a weird Ludwig Göransson (THE TOWN THAT DREADED SUNDOWN) score. It’s classic Nolan material but with the welcome addition of some monsters and horror, because it’s set in “a time of apparent magic.”
Nolan has joined the category of Spielberg and Eastwood, where I’ll see anything he makes and know I’ll probly like it even if it’s something I wouldn’t otherwise be interested in. Even if it seems like homework. Obviously THE ODYSSEY sounds like more of a popcorn movie than DUNKIRK or OPPENHEIMER, but I sure do feel like I’m supposed to already have opinions about Homer and epic poems. By the time I saw the movie the discourse revolved around a lengthy takedown in the London Review of Books by classicist Emily Wilson, whose 2017 translation Nolan cites as an influence. But even regular movie critics seem to be full of thoughts about The Odyssey and The Iliad and what not.
This is all valuable, but I must say up front that I have none of that background. Instead I come to THE ODYSSEY as someone who actually liked the remake of CLASH OF THE TITANS and paid to see such Fantasy Sword Dude movies as KING ARTHUR: LEGEND OF THE SWORD, BEOWULF (in IMAX 3D), CONAN THE BARBARIAN 2011, HERCULES 2014, WARCRAFT, GODS OF EGYPT, and IN THE LOST LANDS, as well as Elevated Fantasy Sword Dude movies THE GREEN KNIGHT and THE NORTHMAN. And I enjoyed most of those. Not to brag. (read the rest of this shit…)
Tags: Anne Hathaway, Bill Irwin, Charlize Theron, Christopher Nolan, Corey Hawkins, elevated fantasy sword dudes, fantasy sword dudes, Greek mythology, Himesh Patel, James Remar, John Leguizamo, Jon Bernthal, Logan Marshall-Green, Ludwig Goransson, Lupita Nyong'o, Matt Damon, Mia Goth, Robert Pattinson, Samantha Morton, Tom Holland, Travis Scott, Will Yun Lee, Zendaya
Posted in Reviews, Fantasy/Swords | 29 Comments »
Monday, April 28th, 2025
In THE ACCOUNTANT2 – yes, that’s the onscreen title – Ben Affleck (DAREDEVIL) returns to his brilliantly ludicrous role of Christian “The Accountant” Wolff (Chris for short), autistic math genius raised in the martial arts who works as a forensic accountant for the mob and on the side helps people with their taxes or with things that require shooting people. In this one part 1 supporting character Ray King (J.K. Simmons, DARK SKIES) is nervously waiting at a bar to meet with a legendary assassin called Anaïs (Daniella Pineda, JURASSIC WORLD: FALLEN KINGDOM/DOMINION) when unknown gunmen ambush them and kill him. If I had remembered that he was just a guy from the Treasury Department and not some underworld friend of Chris’ I would’ve gotten a kick out of how good of a fight he puts up. But the scene is kind of upsetting because there are so many bystanders running away screaming and it reminds me of a mass shooting.
Anyway he manages to write “FIND THE ACCOUNTANT” on his arm before he dies, so another part 1 character, Treasury agent Marybeth Medina (Cynthia Addai-Robinson, COLOMBIANA), does just that while trying to figure out what her boss was working on and finish the case. One cool gimmick is that Ray’s landlords cleaned the apartment, pulling down his wall of photos, receipts and tax documents related to the case and dumping them in a box. She hangs them back up in an order that seems logical to her, then falls asleep and Chris completely rearranges them into what looks like a bizarre pattern, but of course he’s figured out what ever little piece of it means. (read the rest of this shit…)
Tags: Ben Affleck, Bill Dubuque, Cynthia Addai-Robinson, Daniella Pineda, Dominique Domingo, Gavin O'Connor, John Patrick Jordan, Jon Bernthal, Vlad Rimburg
Posted in Reviews, Action | 7 Comments »
Wednesday, July 14th, 2021
THOSE WHO WISH ME DEAD is a movie I was highly anticipating ever since I first read it was in the works. When it finally came out as one of these pandemic same-day-on-HBO-Max releases and it turned out it wasn’t quite the A+ movie I was hoping for, it kind of entered and left my consciousness without much incident. But I did think it was a cool movie taken on its own terms, and worthy of documentation with a review. And then it started to seem better the more I wrote about it.
Reasons I had high hopes:
1. It’s directed and co-written by Taylor Sheridan, who previously directed WIND RIVER and wrote SICARIO, HELL OR HIGH WATER and WITHOUT REMORSE. I just really like his style of quasi-realistic, contemporary-western-ish crime/action with tough, broody characters and a heightened atmosphere of doom.
2. It stars Angelina Jolie, who we don’t see in too many movies these days, but who I believe has an advanced understanding of badass screen presence. I base this partly on WANTED, a ridiculous movie I don’t necessarily love, but that she really stood out in. I always remember reading that she took the script and crossed out a bunch of her dialogue that she didn’t feel she needed, and said that Clint Eastwood taught her to do that. That really seemed to work for her there.
3. Also because I read the cool-sounding premise: a national park fire fighter on lookout duty helps a kid escape from assassins during a forest fire. Is this gonna be pretentious FIRESTORM? Starring an Oscar-winning actress instead of an NFL player? I can dig that! (read the rest of this shit…)
Tags: Aidan Gillen, Angelina Jolie, Finn Little, forest fire, Jake Weber, Jon Bernthal, Medina Senghore, Nicholas Hoult, Tory Kittles, Tyler Perry, Tyler Sheridan
Posted in Action, Crime, Reviews, Thriller | 42 Comments »
Wednesday, January 29th, 2020
FORD v FERRARI: VROOM OF JUSTICE is a perfectly enjoyable, kind of square and obvious, know-it-all-car-guy underdog racing picture. It has been widely described as a “dad movie,” and sure enough a one-day awards season engagement drew a different crowd than I usually see at the Cinerama, with a higher contingent of gray-haired men. Everyone applauded and cackled at the sticking of it to the man, and in recognition of all the lines from the trailer. A good time was had by all.
It’s the story of Caroll Shelby (Matt Damon, TITAN A.E.), one of the only Americans to ever win the 24-hour-Le-Mans, now retired from driving due to a heart condition, making his living building and selling cars and sponsoring a racing team. Then one day he’s approached by Lee Iacocca (Jon Bernthal, THE ACCOUNTANT), who has convinced Henry Ford II (Tracy Letts, who also played the grouchy boss in LITTLE WOMEN and maybe other best picture nominees) that the way to make his grandpa’s car company into Not Your Grandpa’s Car Company is to build a car that beats Ferrari in Le Mans. It’s a tall order, but Shelby agrees to give it a shot and recruits his friend Ken Miles (Christian Bale, POCAHONTAS), a “difficult” automotive genius, to help develop and drive the car. (read the rest of this shit…)
Tags: cars, Christian Bale, James Mangold, Jason Keller, Jez Butterworth, John-Henry Butterworth, Jon Bernthal, Josh Lucas, Matt Damon, racing, Tracy Letts
Posted in Drama, Reviews | 26 Comments »
Tuesday, November 20th, 2018
When last we heard from director Steve McQueen U.K., his movie 12 YEARS A SLAVE had won best picture. Five years later he finally has a followup, and it’s a violent, artfully crafted heist movie. Now you’re earning that name, my friend.
It’s credited as “based on ‘Widows’ by Lynda La Plante,” which seems to refer to the 1983 ITV mini-series, though there’s also a book version that says “SOON TO BE A MAJOR MOTION PICTURE” on the cover, and I have found no definitive answer as to which La Plante wrote first. Anyway, McQueen adapted whatever it was he adapted with Gillian Flynn of GONE GIRL (both book and movie) fame.
Liam Neeson (THE DEAD POOL), Jon Bernthal (THE ACCOUNTANT), Manuel Garcia-Rulfo (SICARIO: DAY OF THE SOLDADO) and Coburn Goss (MAN OF STEEL) star as a Chicago-based crew of highly skilled, even highlier armed and armoured robber motherfuckers in the vein of HEAT or L.A. TAKEDOWN or DEN OF THIEVES or POINT BREAK or POINT BREAK REMAKE. And by “star” I mean for a couple minutes at the very beginning we see a tiny bit of their heist intercut with them saying goodbye to their wives beforehand and then they get blown up. You barely even see that last guy’s face. Because this is not about dudes like that. It’s about their loved ones who have to clean up their mess. (read the rest of this shit…)
Tags: based on a TV show, Brian Tyree Henry, Carrie Coon, Chuck Inglish, Coburn Goss, Colin Farrell, Daniel Kaluuya, Elizabeth Debicki, Garrett Dillahunt, heist, Jon Bernthal, Kevin J. O'Connor, Liam Neeson, Lukas Haas, Lynda La Plante, Manuel Garcia-Rulfo, Michael Rocks, Michelle Rodriguez, Robert Duvall, Steve McQueen UK, Viola Davis
Posted in Crime, Reviews | 13 Comments »
Thursday, November 30th, 2017
Bear with me here, but Christian Wolff, a.k.a. The Accountant (Ben Affleck, REINDEER GAMES) has kind of alot in common with Blade. He’s an anti-hero vigilante who works mysteriously in the underground, a good guy but scary and at odds with the law. He’s mostly a loner, but has a few trusted accomplices. He’s very aloof, not good at talking, expressing emotion, connecting. He has traumatic parental issues and a condition that he tries to keep under control with special treatments. He has a well-established operation with a secret headquarters and armory that we sort of learn about piece-by-piece as the movie goes on. He’s nomadic, setting up base in different parts of the world, always prepared to dump everything and move on if he gets burnt.
This time he knowingly breaks protocol to protect a young woman (Anna Kendrick, SCOTT PILGRIM VS. THE WORLD) who gets mixed up in his fight, and he shocks her by giving a glimpse into his crazy world.
One pretty big difference: instead of a half man/half vampire daywalker, this guy is autistic. That’s what causes his social awkwardness. If he were to walk around in broad daylight with a sword on his back it would be understandable.
(read the rest of this shit…)
Tags: Anna Kendrick, autism, Ben Affleck, Cynthia Addai-Robinson, Gavin O'Connor, J.K. Simmons, Jean Smart, John Lithgow, Jon Bernthal, Ron Yuan, Sam Hargrave
Posted in Action, Reviews, Thriller | 37 Comments »
Wednesday, November 15th, 2017
WIND RIVER, new on video this week, is a thriller written and directed by Taylor Sheridan, who’s on the radar now because he wrote SICARIO and HELL OR HIGH WATER. Jeremy Renner (Catwoman: The Game) plays Cory Lambert, a hunter for the Fish and Wildlife Service in Wyoming. When he drives out to the Wind River Indian Reservation to find what wild animal killed some livestock and spend some time with his son Casey (Teo Briones) he finds a dead woman in the snow. He knows her, her name is Natalie (Kelsey Asbille, THE AMAZING SPIDER-MAN). She’s a good friend’s daughter. When they ask him to help show around FBI Agent Jane Banner (Elizabeth Olsen, OLDBOY) he ends up unofficially joining the investigation with her and tribal sheriff Ben (Graham Greene, DIE HARD WITH A VENGEANCE).
It’s a quiet, broody modern western type of a movie with matter-of-fact badassness in the dialogue and bursts of violence, tonally comparable to the aforementioned Sheridan joints, THE THREE BURIALS OF MELQUIADAS ESTRADA, NO COUNTRY FOR OLD MEN, stuff like that. But unlike any of those the wide-open landscapes are covered in snow. It’s not sweaty, it’s frost-bitten. (read the rest of this shit…)
Tags: Elizabeth Olsen, Gil Birmingham, Graham Greene, Jeremy Renner, Jon Bernthal, Julia Jones, Kelsey Asbille, Martin Sensmeier, Taylor Sheridan
Posted in Action, Mystery, Reviews | 24 Comments »
Monday, July 3rd, 2017
There’s this baby-faced young man who in fact goes by the handle of Baby (Ansel Elgort, who impressed me as Tommy Ross in the CARRIE remake) and he’s a whiz kid of a getaway driver for armed robberies. He loves listening to music, and uses his favorite songs to inspire and time his driving, which is spectacular. He can maneuver and slide and spin and he is living proof that not everybody followed the disclaimer at the end of TOKYO DRIFT.
(He would’ve been about twelve when it came out, and surely influenced by it during his driver’s exam.)
Some have described this is a musical, which makes some sense. At times it feels like a movie based on the current trailer fad of editing gunshots and other sound effects as percussion playing along with the music.
After they get away, when the gang meets up to split the money, they make Baby go buy the coffee. Here’s one thing they carefully edited out of the trailers: he’s a total dork. In the car, but also at home, or walking in public, he listens to his earbuds and sings along and does little dance moves and shit. The whole walk to and from the coffee shop he seems like he’s on the verge of busting into a full on SINGIN’ IN THE RAIN number. I wonder if they considered casting Moose from the STEP UP sequels in this. (read the rest of this shit…)
Tags: Ansel Elgort, car chases, Edgar Wright, Flea, getaway driver, Jamie Foxx, Jon Bernthal, Jon Hamm, Kevin Spacey, Lily James
Posted in Action, Crime, Reviews | 42 Comments »
Monday, October 19th, 2015
Here we go yo, here we go yo, so what’s a what’s a what’s a sicario? In Mexico, the onscreen text tells us, it’s a hitman. And the movie SICARIO is a nightmarish portrait of the byzantine conflict such a hitman would be in the middle of. Literally that would be the War On Drugs but metaphorically, it’s easy to think, it could be about the War On Terror, or any number of seemingly intractable cycles of violence. This is, after all, Canadian director Denis Villeneuve (PRISONERS, ENEMY) making an American movie about Mexico. It’s international and cross-cultural.
Our guide into Hell is Emily Blunt (EDGE OF TOMORROW, LOOPER) as Kate Macer, a new but talented FBI agent who raids a drug house in Phoenix and accidentally finds where a cartel has been stashing bodies. Next thing you know a meeting room full of mysterious higher-ups recruits her to aid in a vaguely defined interagency mission they say will lead her to the people responsible. She finds herself at an Air Force base with a couple dozen macho CIA, Delta Force and US Marshal tough guys who all seem to go way back and know exactly what’s going on and do this kinda mission in their sleep. And next thing you know they’re cruising over the border meeting up with militarized Mexican police forces and God knows who else. Nobody tells Kate anything. She just has to stay quiet and keep up. (read the rest of this shit…)
Tags: Benicio Del Toro, cartels, Denis Villeneuve, Emily Blunt, Jon Bernthal, Josh Brolin, Mexican border, Roger Deakins, War On Drugs
Posted in Action, Crime, Reviews | 25 Comments »
