"KEEP BUSTIN'."

Posts Tagged ‘Josh Lucas’

Ford v Ferrari

Wednesday, January 29th, 2020

FORD v FERRARI: VROOM OF JUSTICE is a perfectly enjoyable, kind of square and obvious, know-it-all-car-guy underdog racing picture. It has been widely described as a “dad movie,” and sure enough a one-day awards season engagement drew a different crowd than I usually see at the Cinerama, with a higher contingent of gray-haired men. Everyone applauded and cackled at the sticking of it to the man, and in recognition of all the lines from the trailer. A good time was had by all.

It’s the story of Caroll Shelby (Matt Damon, TITAN A.E.), one of the only Americans to ever win the 24-hour-Le-Mans, now retired from driving due to a heart condition, making his living building and selling cars and sponsoring a racing team. Then one day he’s approached by Lee Iacocca (Jon Bernthal, THE ACCOUNTANT), who has convinced Henry Ford II (Tracy Letts, who also played the grouchy boss in LITTLE WOMEN and maybe other best picture nominees) that the way to make his grandpa’s car company into Not Your Grandpa’s Car Company is to build a car that beats Ferrari in Le Mans. It’s a tall order, but Shelby agrees to give it a shot and recruits his friend Ken Miles (Christian Bale, POCAHONTAS), a “difficult” automotive genius, to help develop and drive the car. (read the rest of this shit…)

The Weight of Water

Friday, January 18th, 2013

tn_weightofwaterI’ve been thinking about Kathryn Bigelow lately because of ZERO DARK THIRTY, and I realized she has two theatrical releases that I never saw. We’ll call them the “in between STRANGE DAYS and HURT LOCKER” period. So I decided to fill that in.

Alot of times when directors make a movie that’s really different from what they’re known for it’s cool, because it shows that they’re challenging themselves and stretching and experimenting and all that. I’m sure some people feel that way about THE WEIGHT OF WATER, but I gotta admit I’m not that into this movie. It’s well made and shows some of the things Bigelow’s good at. But it’s not about surfing bank robbers or nomadic vampires or the manhunt for Osama bin Laden. In my opinion it’s about two couples on a boat trip having relationship problems while one of them reads old files about a murder that happened in 1873.

It is from the producer of ON DEADLY GROUND though. (read the rest of this shit…)

Stolen

Thursday, November 29th, 2012

From the director of THE EXPENDABLES 2 and a synonym for the word “TAKEN” comes this mediocre Cager about a “master thief” whose disgruntled ex-partner kidnaps his daughter.

Mr. Cage plays Will “Gum” Montgomery, the leader of a crew of thieves about to heist $10 million in cash from a bank vault. The FBI (Danny Huston and Mark Valley) are hot on their trail, staking the place out, SWAT team at the ready. But when I say “the place” I mean some diamond place that the crew decoy-cased to throw the man off their scent. (read the rest of this shit…)

Stealth

Thursday, August 11th, 2005

Director Rob Cohen’s STEALTH, which would be called WHOOOSSSHHHH! if it was up to me, takes place in the near future. In the near future, the world’s three best and also sexiest pilots have been specially trained to combat terrorism. The way this works is, they fly around and drop bombs on the terrorists. They got this shit down to an art, so for example the CIA calls and says listen up super flyers, we know for sure that three evil terrorist cell leaders who are planning an imminent and deadly attack are going to be meeting up in 24 minutes in a completely empty skyscraper in Rangoon. Have at it, kids.

Even though they know for sure that there are no innocent office workers, janitors or burglars inside the building, our three top guns check out some statistics on their onboard computers to make sure this is morally sound. They know this is in the middle of downtown so they have to plan out a way to implode the building so that it will be all neat and tidy and no bricks will fall on anybody’s heads or anything. And they pull it off! (read the rest of this shit…)

American Psycho

Saturday, April 15th, 2000

I got mixed feelings about this piece because it works on one level but then in my opinion it oughta work on another level too. This is the movie version of the controversial book about Pat Bateman, the yuppie who is obsessed with designer clothes and mutilating women.

In the movie, Pat says right upfront that he has no insides, but I don’t think he really believes it. I think some part of him believes that because he has this secret life stabbing homeless dudes and chainsawing women, he is a little bit different from all the soulless, materialistic businessmen he keeps getting confused with. He has something that makes him stand out. And not to give anything away, because I’m not sure I really understood the ending otherwise I would give it away, but I think it has kind of an ironic Twilight Zone type ending that all this may have been a delusion so he doesn’t even have THAT to make him unique. The sap. (read the rest of this shit…)