"KEEP BUSTIN'."

Posts Tagged ‘Michael Pena’

Moonfall

Monday, May 2nd, 2022

“I always used conspiracy theories because, not that I really believe in them in any way, it’s more like it’s kind of the lure of it… There is like endless stuff about the moon. So, in that respect, it was so strange for me that we got supported by NASA. I have no clue why they’re doing this. Honest to God. I have no inkling of an idea why they did this, but obviously, they need it.” 

—Roland Emmerich to Collider

MOONFALL is the most recent picture from director Roland Emmerich (UNIVERSAL SOLDIER), now available on video. It uses pretty much the same character tropes, broad cliches, annoying humor and preposterous approach to plotting that made him briefly an A-list director after (for reasons I still have not been able to discern) people liked those things in INDEPENDENCE DAY. That was a long time ago, and for quite a few years now the public has been less accepting of Emmerich’s product. By now all the destruction in his movies is computer generated, and we’ve seen every single thing everywhere digitally destroyed many times over, so the novelty has worn off. But somehow I’ve grown to get more of a kick out of his wildly ridiculous movies because they seem much more charming now that everybody agrees they’re just some puzzling bullshit that Hollywood made for some reason and not the current state of the art for blockbuster filmmaking.

In other words, this was by far the dumbest shit I’ve seen in a while, so I enjoyed it. (read the rest of this shit…)

The Mule

Wednesday, January 2nd, 2019

Well, it’s a new year, and I’m keeping my tradition of kicking things off with a Clint Eastwood review. I think Warner Brothers may know about this practice, because they keep releasing his new movies at the end of December. (It’s not for Oscars – I heard they didn’t even screen this one for critics.)

Clint has been directing for almost 50 years. You don’t think of him as a guy who changes with the times, but he’s doing something to stay relevant at least some of the time. Here’s a guy from a couple eras ago still working while we have a cultural movement toward taking stock of our pop culture heroes, in some cases realizing that they were assholes the whole time, or worse. We find out about some horrible shit they’ve gotten away with or they say some shitty thing that makes us reconsider our respect for them.

This accountability is a good thing. Nobody should get away with abusing others just by being a movie star or rich or whatever. Personally I try not to have an itchy trigger finger on the “cancel” button though because I think there needs to be room for context and growth and making amends, if and when possible. But if you start to think some movie star has been a toxic force on the earth maybe it’s harder to enjoy watching them, say, appear in a weirdly titled Chinese propaganda movie starring Mike Tyson. I understand separating the art from the artist, but I can’t always do it. (read the rest of this shit…)

The Martian

Friday, October 9th, 2015

tn_themartiana.k.a. Get Your Ass From Mars

THE MARTIAN is what you get with old master Ridley Scott working from a good script (by Drew Goddard, director of THE CABIN IN THE WOODS) based on a book with a real solid, simple premise: an astronaut is left for dead on Mars and is intent on surviving. It’s like ROBINSON CRUSOE ON MARS, but without a monkey! That’s the modern twist. No monkeys.

etAs you know, Matt Damon (HAPPY FEET TWO, HEREAFTER) plays the astronaut, Mark Watney. Just like my boy E.T., Watney is a botanist who’s just minding his own business being on a space mission collecting samples when something bad happens and the crew has to do an emergency take off, and then he doesn’t get on board fast enough. Unfortunately there’s no little Mars boy to hide him in the closet, feed him candy and dress him up as a ghost (or maybe those scenes were cut), but he does use existing equipment to jury-rig a means of communication to let the people back home know to come get him. And then he waits it out.

He has a limited supply of rations, and a long window before any theoretical rescue mission could possibly arrive. So, using seemingly pretty scientifically plausible methods, he figures out ways to use what he has to create more food, water, etc., and to deal with the other problems that arise, of which there are many. He’s in space, for crying out loud. Space is a motherfucker. He doesn’t even have to come across any Ghosts of Mars, there’s all kinds of other problems there. And we learn that a roll of tape is the most important tool anybody could have, followed by clear plastic/construction film.

(read the rest of this shit…)

Fury

Tuesday, November 4th, 2014

tn_furyFURY is an intense, well-made WWII movie. It doesn’t feel like just another forgettable same ol’ same ol’ type of war picture. For one thing, the focus on the crew of one tank makes for some unique and thrilling combat scenes. One battle scene in particular really shows the strategy of tank on tank action. They’re like pirate ship battles waged from inside vans. Or like giant turtles trying to outmaneuver each other. Not all battles are just about who has the most guns. And filming inside real tanks really adds to the realistic feel I think. It’s pretty damn cool.

Also it’s a more violent movie than most, or at least more effectively violent. Always good to hear somebody in the back of the theater loudly gasp right at the beginning of a movie. I guess somebody thought this was gonna be about nice, polite combat.

But I think FURY is signifying something too, and I’m still processing what I think about that. Writer/director David Ayer last did the really enjoyable Schwarzenegger movie SABOTAGE, which was a more fun and pulpy version of his usual topic, the Burnt Out Cops That Cross the Line (END OF WATCH, HARSH TIMES, STREET KINGS, TRAINING DAY). And this is kinda like the soldier version of that.

(read the rest of this shit…)