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Archive for the ‘Action’ Category

Baby Assassins 2

Tuesday, September 24th, 2024

A while ago I reviewed BABY ASSASSINS, the really fun 2021 Japanese action-comedy about two teenage assassins forced by their organization to get an apartment and day jobs. It has a bunch of top notch martial arts action choreographed by the great Kensuke Sonomura (MANHUNT, HYDRA, BAD CITY), but it’s mainly about the friendship, personality conflicts and growing-up-struggles of these two goofballs who have fun killing people but mostly enjoy laying on the couch eating desserts and talking about anime and stuff.

There’s actually a part 3 coming out, it played the New York Asian Film Festival in July and Fantastic Fest yesterday and I’ve seen more than one person saying it’s one of the best action movies of the year. Also, in Japan it’s already continuing as a TV mini-series called Baby Assassins Everyday (I watched the first episode on Youtube, and it’s a delight). So, shit, I better get caught up by finishing my review of part 2! (read the rest of this shit…)

The Killer’s Game

Monday, September 23rd, 2024

You bet your ass I’m gonna go see a theatrically released Dave Bautista vehicle directed by action legend J.J. Perry. THE KILLER’S GAME came out during the week I was traveling and it’s already down to limited showings but I got in there in time. I’m glad I did, but I gotta admit I can already feel it dissolving from my memory as I type this. I didn’t know it was based on a book and that it’s been in development since the ’90s (more on that later), but coming now it’s very well-worn material within the familiar Wacky Assassins mode of action filmmaking (think THE BIG HIT, LOVE AND A BULLET, THE TOURNAMENT, SMOKIN’ ACES, BULLET TRAIN, POLAR, ACCIDENT MAN and its sequel or HOTEL ARTEMIS, which even features both of THE KILLER’S GAME’s leads).

Bautista (MASTER Z: THE IP MAN LEGACY) stars as Joe Flood, elite assassin who in the opening scene kills an arms dealer in the balcony of an opera house. All he really has to do is come in wearing a tux and kill a couple guards to get up there. It’s kind of funny that this is the last role before Bautista decided to slim down from his giant wrestler body, because his huge size seems like a disadvantage in this job (along with his attention-grabbing hand and neck tattoos). That’s not a complaint, though! I enjoy improbable muscleman characters – Schwarzenegger playing scientists, etc. (read the rest of this shit…)

Rebel Ridge

Thursday, September 19th, 2024

REBEL RIDGE is the latest from writer/director Jeremy Saulnier, who’s now five for five in my book. He did the gory art world satire MURDER PARTY (2007), then broke through with the revenge deconstruction BLUE RUIN (2013), followed by the punks vs. skinheads gem GREEN ROOM (2015) and the eerie Alaskan Gothic HOLD THE DARK (2018). Like that last one, REBEL RIDGE is a straight-to-Netflix movie, but it already seems to be more of a crowdpleaser (being their number one movie for a week) and I appreciate that I’ve been able to watch it twice already, even if I would’ve loved to see it in a theater. (read the rest of this shit…)

The Crow (2024)

Monday, August 26th, 2024

Can you believe they finally really did it? They remade THE CROW! We don’t need to go into the whole litany of attempts, but they’ve been announcing versions of this for 16 years. And now they did it. And they released it.

The people I hear from online are, to put it mildly, not eager to welcome this new little birdy into the world. Many people hold the original 1994 movie, and sometimes the James O’Barr comic book it was based on, sacred. It’s a cool movie, people a little younger than me saw it as angsty teens, they feel connected to the soundtrack, and of course it’s a movie about tragedy that you can’t separate from the actual tragedy of Brandon Lee. There are people who instinctively pull out the torches and pitchforks for any remake announcement no matter what, but this one feels more religious, like when THE LAST TEMPTATION OF CHRIST came out.

It’s possible that’s an internet exclusive. When a real life friend brought up the remake a while back and I mentioned people being up in arms about it she was completely baffled. But now the reviews are out and critics too are acting like a pile of rotting garbage crawled out of a dumpster, rang their doorbell and asked if it could wear their favorite shirt. (It’s at 29 on Metacritic.) A movie as rejected and disreputable as its hero.

I’m posting from an undisclosed location, I know all the exits, I got my go-bag packed, so I’m gonna give it to you straight: I liked THE CROW (2024). Not just “it’s not as bad as they’re saying” – I honestly think it’s pretty good.
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Twilight of the Warriors: Walled In

Wednesday, August 14th, 2024

TWILIGHT OF THE WARRIORS: WALLED IN is the awkward title they ended up with for a movie that’s been in development for like 20 years (originally to be co-directed by John Woo and Johnnie To!) under the title KOWLOON WALLED CITY and DRAGON CITY and maybe some others. I’ve been waiting for it long enough that I already watched a movie called KOWLOON WALLED CITY on Hi-Yah! because I thought, “Oh shit – that finally came out!?” (That one was pretty fun too, I recommend it.)

This one is an event for many reasons, the main one for me being that it’s the latest from Soi Cheang, director of one of my favorite 21st century action movies, KILL ZONE 2, plus other movies I liked including SHAMO and MOTORWAY. The secondary reason is that he’s working with genius action director Kenji Tanigaki (RUROUNI KENSHIN, SAKRA), and the third is that one of the all time greats, Sammo Hung, plays a major character in it.

It’s the story of a refugee in Hong Kong named Lok (Raymond Lam, SAVING GENERAL YANG), who wins an underground fight trying to earn cash to buy a fake ID so he doesn’t get deported. The Triad boss running the fights, Mr. Big (Hung), is also the guy you go to for fake IDs, and when Lok turns down a job offer from him he gets screwed on that. (read the rest of this shit…)

True Lies (30th anniversary revisit)

Thursday, July 18th, 2024

July 15, 1994

I already reviewed TRUE LIES back in 2007, so I considered skipping it in this series. But it was a big hit (knocked FORREST GUMP out of the #1 slot for a week, became third highest grosser of the year), and such a straight up summer blockbuster, that it seems like it needs to be addressed. And I thought some people would be disappointed if I didn’t include it. But if you’re one of the many who consider it an action classic you might wish I abstained.

My arc with TRUE LIES goes like this: at the time I was hugely disappointed. It was an impressive action spectacle but it struck me as painfully racist and misogynistic. That wasn’t unheard of in those days, and I had a kneejerk revulsion to anything that seemed jingoistic or militaristic, so there were many beloved ‘90s hits that I watched feeling like the guy who didn’t belong at the rally. But I took TRUE LIES as a real betrayal from Cameron, who I admired so much for what he did with Ripley in ALIENS and Sarah Connor in T2, and whose TERMINATOR movies warned of out of control worship of military hardware. Now his big achievement was being the first guy allowed to film a particular war plane he thought was awesome. (read the rest of this shit…)

Kill

Wednesday, July 17th, 2024

KILL is a Hindi-language action movie currently playing in U.S. theaters via LionsGate. For some reason I was under the impression it was called KILL!, which is not the case, but the exclamation point is definitely implied.

It’s one of the more internationally accessible Indian films because it’s only 105 minutes, not a musical, and it begins with a very Hollywood sort of premise: DIE HARD on a train except not UNDER SIEGE 2: DARK TERRITORY.

But there’s a cultural aspect to the set up that wouldn’t be in the American version. When special forces commando Amrit (Lakshya, a TV star who gets an “introducing” credit) gets back from a mission, he finds out that his girlfriend Tulika (Tanya Maniktala, MUMBAIKAR) is being forced into an arranged marriage with someone else. So he and his mustachioed soldier buddy Viresh (Abhishek Chauhan, BAHUT HUA SAMMAAN) rush to the engagement party to try to whisk her away before it’s too late. But she fears what her powerful dad, wealthy industrialist Baldeo Singh Thakur (Harsh Chhaya, 24: India), would do, tells Amrit to back off, and later texts that she and her family are taking a train back to New Delhi. (read the rest of this shit…)

Beverly Hills Cop: Axel F

Wednesday, July 10th, 2024

BEVERLY HILLS COP: AXEL F is a perfectly entertaining, perfectly obvious long-awaited nostalgia sequel, perfect for streaming once and forgetting. Eddie Murphy (DOLEMITE IS MY NAME) returns to play Detroit police detective Axel Foley 40 years after the original and 30 years after the disappointment of BEVERLY HILLS COP III. He still has the same job, same basic outfit, the soundtrack repeats “The Heat Is On,” “Neutron Dance” and part II’s “Shakedown,” and the score by Lorne Balfe (TERMINATOR GENISYS, BAD BOYS FOR LIFE, TOP GUN: MAVERICK) reworks Harold Faltermeyer’s beloved “Axel F Theme” and mimics some of his 1984 synth sounds.

So this is not a “He’s having to face age and change!” sequel like ROCKY BALBOA or a “He’s passing the torch” one like CREED. Instead it’s a “He’s still here, not much has changed!” His boss in Detroit was killed in part III, but his old partner Jeffrey Friedman (Paul Reiser, WHIPLASH) is the chief now. Jeffrey tries to convince Axel to visit Beverly Hills not for a case, but to reconnect with his grown up, estranged daughter Jane (Taylour Paige, ZOLA). He moved her to Beverly Hills when she was young and then divorced her mother, they have not spoken in years but somehow she’s family to his 90210 cop friends Billy Rosewood (Judge Reinhold, GREMLINS) and Taggart (John Ashton, HIDDEN ASSASSIN). Billy was pushed off the force and became a private detective (but still loves Rambo), Taggart is the chief now. (read the rest of this shit…)

Life After Fighting

Wednesday, June 19th, 2024

LIFE AFTER FIGHTING is a 2024 indie action movie starring, written, directed, and choreographed by Australian martial artist Bren Foster. He even has writing credits on some of the songs on the soundtrack. That sounds like a vanity project, which I wouldn’t necessarily be against, but if “vanity project” is someone forcing their way onto the screen when they don’t really belong there, this is not that. This guy is a natural, and it’s a good movie, delivering well within the traditions of the genre and occasionally even transcending them a little. I kinda loved it.

Foster is close to my age, and has been on screen since a bit part in the crazy made-for-TNT kung fu movie INVINCIBLE in 2001. More recently I’ve heard he was good as the villain in DEEP BLUE SEA 3 and as Max in the Mad Max video game. I knew the name was familiar, and sure enough I first encountered him as one of the younger co-stars who takes on most of the fighting in a couple of the later Seagal movies. I didn’t mention him in my MAXIMUM CONVICTION review, but in FORCE OF EXECUTION I noted that he’s basically the main character even though on the cover he’s only seen as a tiny reflection in one lens of Seagal’s sunglasses. I praised his fighting but wrote that “when he’s talking instead of kicking ass he lacks the charisma to be captivating. Maybe it’s partly because he fakes an American accent. Shoulda gone full Van Damme and not worried about it.” Here he does in fact get to use his real accent, but also I think he’s just more comfortable in something coming from his heart. (read the rest of this shit…)

The Last Kumite

Tuesday, June 18th, 2024

THE LAST KUMITE is a movie designed for a very specific demographic some of you may be familiar with. It’s a throwback to ‘90s tournament fighting movies, its cast is heavily populated with venerated icons of the genre, and they even managed to get a score by Paul Hertzog (BLOODSPORT, KICKBOXER), his first since 1991’s BREATHING FIRE. Best of all it features two new songs by the king of montage rock, Stan Bush (if you’re not familiar he did multiple songs on KICKBOXER and BLOODSPORT and “The Touch” from TRANSFORMERS: THE MOVIE).

Knowing all that, and that it was partly funded with Kickstarter and Indiegogo campaigns, you could reasonably expect it to be directed by some young fanboy, but in fact it’s from someone who’s been in the trenches of legit DTV martial arts movies since the ‘90s. Ross W. Clarkson got his start doing cinematography for Ringo Lam (he’s worked with him on five movies) and he did Dolph Lundgren’s THE MECHANIK, Isaac Florentine’s UNDISPUTED II and III and NINJA I and II, and Michael Jai White’s NEVER BACK DOWN: NO SURRENDER. So he knows what he’s doing.
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