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Posts Tagged ‘DTV sequels’

Howling VI: The Freaks

Wednesday, June 16th, 2021

This isn’t like me, but I have not followed the THE HOWLING franchise. Before now I’d only seen 2 of the 8. I’d seen the original THE HOWLING a couple of times and HOWLING III: THE MARSUPIALS once, and I’d liked both. But I figured I could jump right to HOWLING VI: THE FREAKS, which falls into the Summer of ’91 since it was released DTV on June 13, 1991 according to IMDb. I guessed correctly that it’s not connected to previous entries (although production company Allied Vision had been behind the series since part IV).

It’s directed by Hope Perello, who I believe is the only woman to direct a HOWLING to date. She’d worked as a production coordinator (TROLL, FROM BEYOND and DOLLS) and producer (DEADLY WEAPON) and was producer and second unit director of PUPPET MASTER, but this was her first time as a director. Screenwriter Kevin Rock, who apparently loosely incorporated a few elements from the third installment in the Howling book series by Gary Brandner, was also a rookie.

The movie opens with a typical monster-P.O.V.-chasing-a-little-girl thing. Or, wait— no, it’s an adult woman, I just assumed it was a little girl because she was clutching a teddy bear. Anyway, she gets killed by an unseen howler, and then we go to a sunny desert road where a mysterious David-Duchovny-looking drifter named Ian Richards (Brendan Hughes, RETURN TO HORROR HIGH, BAD INFLUENCE, and apparently the werewolf in AN AMERICAN WEREWOLF IN LONDON!) is carrying her teddy bear. Hmm. (read the rest of this shit…)

Turbulence 3: Heavy Metal

Friday, January 8th, 2021

I kinda liked TURBULENCE, but TURBULENCE 3: HEAVY METAL is definitely the gem of the trilogy. That’s not to say that it’s well made exactly, but it’s just such an exuberant mix of different types of ridiculous bullshit that you gotta respect it. That starts (but does not end) with the setup: controversial rock star Slade Craven (who seems to be a mix of King Diamond, Marilyn Manson and Alice Cooper, but doing more of an industrial rock type of thing) has invited a small group of fans to see his farewell concert, which will take place on a “specially designed, absolutely radical” airplane while it’s in flight.

Since this was released in 2001 it sort of goes without saying that it’s one of those “live internet broadcast” movies, a format that is almost always terrible, but generally provides at least a few chuckles. I get a kick out of how they always have a big board that tells them how many people are watching and somehow it has an immediate, instantaneous relation to what’s happening live. Like, if something exciting happens (usually somebody getting killed), suddenly more viewers are watching. (Yes, they have a reader board on the plane to update them on how many.) (read the rest of this shit…)

Turbulence 2: Fear of Flying

Thursday, January 7th, 2021

I reviewed the ruckus-on-an-airplane thriller TURBULENCE a little before Christmas, and I knew it had two non-holiday-specific DTV sequels, so obviously I wasn’t going to let them go unexamined. TURBULENCE 2: FEAR OF FLYING is from 1999, two years after the first one, made by different people and without any connected characters. But faced with the question “What makes a TURBULENCE movie a TURBULENCE movie?” director David Mackay (ICE SCULPTURE CHRISTMAS) and writers Rob Kerchner (BLOODFIST IV-VII, CARNOSAUR 3: PRIMAL SPECIES, CASPER: A SPIRITED BEGINNING, WARGAMES: THE DEAD CODE) & Brendan Broderick (THE DEATH ARTIST) & Kevin Bernhardt (3000 MILES TO GRACELAND, PEACEFUL WARRIOR, ELEPHANT WHITE) decided “there’s a hijack attempt during a flight and they have to fight it off and somebody who’s not the pilot has to land the plane with direction from somebody on the ground.” Logical enough. Let’s go with it.

The new spin they came up with, as indicated in the subtitle, is that most of the people on this flight, including our intrepid heroes, have a phobia of flying. They’re part of a class trying to overcome said fear first in a simulator and then on an actual flight from Seattle to L.A. And they’re not very relaxed about it since one of the flight attendants accidentally left the intercom on while talking about a storm that will make the flight “Hell.” (read the rest of this shit…)

Mimic 2

Tuesday, November 24th, 2020

One thing we’ve learned from sci-fi and horror films is that monsters and weird things find ways to survive, to evolve, to adapt, to keep coming back. It was true in the case of the Judas Breed, a bug genetically engineered by Dr. Susan Tyler to be a sellout traitor that kills off the diseased roaches of the Manhattan sewers and then dies out, that instead managed to squirt out tens of thousands of generations in a couple years and evolve into a six foot termite-mantis that can mimic the shape of a human to survive on the streets. It was also the case with the MIMIC movie series itself. Guillermo Del Toro and the Miramax marketing department created an identifiable enough brand, the Weinsteins or somebody okayed a direct-to-video sequel, and with a third of the budget and no need to attract box office I suspect it was able to be hatched with less of their scrutiny and meddling. While MIMIC is an interesting movie that doesn’t entirely deliver as slick mainstream entertainment, its sequels are in a good position to exceed expectations. They’re better than you fear and different than you expect, thus fulfilling the potential of the DTV sequel format. (read the rest of this shit…)

The Hidden II

Wednesday, October 14th, 2020

Now that I’ve finally caught up with the greatness of THE HIDDEN, it was also important to experience the let down of its six-years-later DTV sequel. None of the same people are involved, except in re-used footage, and it’s cheap and crappy. It does at least give me a little bit of a laugh from its audacious short cuts and the extremely dated choice to set a large portion of it at a rave.

Let me tell you about those shortcuts. The movie starts with 2 minutes of credits over black. Then it says it’s 15 years ago, and there are about 2 minutes of green text representing Kyle MacLachlan’s alien character sending messages back home, asking for backup. Then it goes into the end of the first movie, but not even just the climactic showdown like they do in, for example, some of the FRIDAY THE 13TH sequels. No, you get a whole shootout, then the climax, then the epilogue in the hospital. They add some new stuff in the middle to show a dog pick up a weird egg at the death scene, get implanted by an alien and then go to a warehouse, where slimy eggs crawl out of him. But it’s more than 15 minutes into the movie when it finally gets to the end of part 1 and says “15 years later.” I’m surprised they didn’t include the full end credits. (read the rest of this shit…)

Welcome to Sudden Death

Monday, October 12th, 2020

WELCOME TO SUDDEN DEATH is Michael Jai White’s new… addition to the SUDDEN DEATH franchise? I had heard it was officially a sequel to the 1995 Jean-Claude Van Damme DIE-HARD-alike directed by Peter Hyams, but I didn’t notice any continuity connecting them. It’s just a rehash of the same premise. So you could call it a remake, but since it doesn’t use any of the same names I suppose it is in the spirit of rehash DTV sequels like HOLLOW MAN 2, THE MARINE 2, WILD THINGS 2, THE BUTTERFLY EFFECT 2, KINDERGARTEN COP 2 and I’LL ALWAYS KNOW WHAT YOU DID LAST SUMMER.

White plays Jesse Freeman, ex-special-ops guy who has a new job as a stadium security job after rehabilitating from some shrapnel he got after escaping torture and kung-fu-ing insurgents overseas. His wife (Sagine Sémajuste) thinks he’s away from the family too much, so he brings his worshipful daughter Mara (Nakai Takawira, Young Simone Biles, THE SIMONE BILES STORY: COURAGE TO SOAR) and unimpressed son Ryan (Lyric Justice) with him when he works the opening game for the Phoenix Falcons. You know, of the National Basketball League. (read the rest of this shit…)

Hellraiser: Judgment

Tuesday, February 13th, 2018

It wasn’t much more than two years ago that I finally bit the bullet and reviewed the entire HELLRAISER series. I’d always had an attachment to the four theatrical ones (HELLRAISER and HELLBOUND: HELLRAISER II are still classics, HELLRAISER III: HELL ON EARTH is ridiculous, HELLRAISER: BLOODLINE is a mess with its hellbound heart in the right place) but had previously stayed the hell away from the DTV sequels (HELLRAISER: INFERNO (directed by Scott Derrickson), HELLRAISER: HELLSEEKER, HELLRAISER: DEADER, HELLRAISER: HELLWORLD and HELLRAISER: REVELATIONS). That last one feels for all the world like they just had to shit something out by the end of the month to maintain the movie rights, and that’s what they came up with. Yet they’ve gone almost seven years without making a new one or a remake. Could it be that they finally decided to let it–

AH, FUCK. They made another one. And you know me, I’m a completist, I can’t be the guy who’s watched nine of the ten HELLRAISER movies. I had no choice but to watch this shit.

(read the rest of this shit…)

Cult of Chucky

Monday, October 9th, 2017

I kind of want the CHUCKY cinematic saga to go on forever, or at least as long as Don Mancini wants to keep making them. He’s the guy who wrote the original script BLOOD BUDDY, that became CHILD’S PLAY, and then wrote all six sequels to date, and directed SEED OF CHUCKY (2004), CURSE OF CHUCKY (2013) and now CULT OF CHUCKY (aka CHUCKY NUMBER SLEVIN).

CURSE was the first one made for the DTV market, and CULT follows in its footsteps: lower budget, limited locations, filmed in Winnipeg, more serious tone than BRIDE or SEED except for some broad meta references and some nods to continuity. It also brings back the star, Fiona Dourif (yes, Brad’s daughter) as Nica, innocent paraplegic woman now committed to an asylum, blamed for Chucky’s murders and convinced she imagined him to ease her guilt. Of course, the dumbass doctor (Michael Therriault, The Girlfriend Experience) decides he should bring in a vintage Good Guy doll as part of her therapy, and, you know, shit may or may not happen. (read the rest of this shit…)

Boyka: Undisputed

Tuesday, August 1st, 2017

Note: the Blu-Ray cover calls it BOYKA: UNDISPUTED 4, but you know the rules – I go by what it says onscreen in the actual movie, which is simply BOYKA: UNDISPUTED.

 

Fuck prison fighting circuits. Time for some undisputedness on the outside – doing a flying spinning double kick while breathing the fresh air of freedom, or at least freedomishness. International martial arts superstar Scott Adkins returns to his signature role of Yuri Boyka, defeated villain of UNDISPUTED II who won an international prison fighting tournament in part III and got away at the end. Remember? The first time we ever saw him smile or laugh.

Now we find that new Boyka, the one who has experienced smiling before, in the Ukraine, openly fighting in an underground MMA outfit. The filthy prisoners chanting his name have been replaced by gambler bros in leather jackets. I don’t think it matters to him, because in the now noticeably bigger ring he is alive. I don’t know what kind of new camera/lens/rig they’re using, but it shows him better than ever, putting you in the ring, floating around him, under him, gliding over you like a supernatural force.

When he’s not grouchy he’s broody, because he doesn’t consider the slate clean. He’s still very religious, and feels a duty to donate most of his earnings to his church. The father disapproves of his “violence” and questions whether he can seek salvation while still fighting. But Boyka says “I think God gave me this gift. And I think it would be a sin to waste it.” (read the rest of this shit…)

See No Evil 2

Monday, October 24th, 2016

tn_seenoevil2SEE NO EVIL was the flagship title for the prestigious WWE Films banner. Directed by porn industry legend Gregory Dark, it’s a trashy, ugly slasher movie about a big sexually repressed oaf (WWE Superstar Glenn “Kane” Jacobs) who lives in an abandoned hotel and collects the eyeballs of people he catches having sex. I enjoyed it in a FRIDAY THE 13TH sequel type of way and I have no excuse for why it took me this long to catch up with the 2014 sequel, especially since in my review I swore “on Jacob Goodnight’s piss-smelling grave that I would pay money to see him undead in a sequel.”

Though made eight years later, the sequel picks up immediately after the original as the bodies start arriving at the morgue. It’s not a 2006 period piece, though – there are up-to-date phones, and a mention of Twitter (which was launched about 2 months after part 1 was released). It would be interesting to watch them back to back and see if it works. I can’t really remember if the first one mentions MySpace or says “Gerald Ford is still alive” or anything dated like that.

This one is about Amy (Danielle Harris, MARKED FOR DEATH, THE LAST BOY SCOUT), a medical examiner working a long shift on her birthday. Geeky co-worker Seth (Kaj-Erik Eriksen) surprises her with a cake. I’m not sure about eating something that was put under a blanket on a slab in the morgue for a surprise, but I guess movie morticians are always eating big sloppy sandwiches while they work to show how over it they are. This is tame in comparison. (read the rest of this shit…)