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Archive for the ‘Comedy/Laffs’ Category

True Lies (30th anniversary revisit)

Thursday, July 18th, 2024

July 15, 1994

I already reviewed TRUE LIES back in 2007, so I considered skipping it in this series. But it was a big hit (knocked FORREST GUMP out of the #1 slot for a week, became third highest grosser of the year), and such a straight up summer blockbuster, that it seems like it needs to be addressed. And I thought some people would be disappointed if I didn’t include it. But if you’re one of the many who consider it an action classic you might wish I abstained.

My arc with TRUE LIES goes like this: at the time I was hugely disappointed. It was an impressive action spectacle but it struck me as painfully racist and misogynistic. That wasn’t unheard of in those days, and I had a kneejerk revulsion to anything that seemed jingoistic or militaristic, so there were many beloved ‘90s hits that I watched feeling like the guy who didn’t belong at the rally. But I took TRUE LIES as a real betrayal from Cameron, who I admired so much for what he did with Ripley in ALIENS and Sarah Connor in T2, and whose TERMINATOR movies warned of out of control worship of military hardware. Now his big achievement was being the first guy allowed to film a particular war plane he thought was awesome. (read the rest of this shit…)

Forrest Gump

Thursday, July 11th, 2024

July 6th, 1994

We associate the summer movie season with a certain type of blockbuster. There have been many years where the biggest movie was about a Batman, a Spider-Man, a Terminator, some dinosaurs, some Jedis. 1994 had a different approach – the real behemoth was a cutesy romp through 20th century American history, a bit of a comedy, a bit of a weepy. FORREST GUMP was the year’s highest grossing movie at the domestic box office (#2 to THE LION KING worldwide), its soundtrack album reached #2 on the Billboard album charts (also below THE LION KING) and went twelve times platinum. The movie won Oscars for best picture, director, actor, adapted screenplay, visual effects and editing, and it even inspired a chain of seafood restaurants. So fuck THE LION KING.

It’s funny, I remember going to see this movie right when it came out, not expecting any of that. I was going as a fan of Robert Zemeckis’ obsession with pushing technology forward. I had read about the scenes where Tom Hanks as Forrest Gump is made to appear in footage with John F. Kennedy, Gerald Ford and other real people. It was a new technological feat at the time and this was the guy who had combined animation with live action so well in WHO FRAMED ROGER RABBIT and made a digital hole through Goldie Hawn in DEATH BECOMES HER. Remember how that seemed like the coolest thing ever? (read the rest of this shit…)

Beverly Hills Cop: Axel F

Wednesday, July 10th, 2024

BEVERLY HILLS COP: AXEL F is a perfectly entertaining, perfectly obvious long-awaited nostalgia sequel, perfect for streaming once and forgetting. Eddie Murphy (DOLEMITE IS MY NAME) returns to play Detroit police detective Axel Foley 40 years after the original and 30 years after the disappointment of BEVERLY HILLS COP III. He still has the same job, same basic outfit, the soundtrack repeats “The Heat Is On,” “Neutron Dance” and part II’s “Shakedown,” and the score by Lorne Balfe (TERMINATOR GENISYS, BAD BOYS FOR LIFE, TOP GUN: MAVERICK) reworks Harold Faltermeyer’s beloved “Axel F Theme” and mimics some of his 1984 synth sounds.

So this is not a “He’s having to face age and change!” sequel like ROCKY BALBOA or a “He’s passing the torch” one like CREED. Instead it’s a “He’s still here, not much has changed!” His boss in Detroit was killed in part III, but his old partner Jeffrey Friedman (Paul Reiser, WHIPLASH) is the chief now. Jeffrey tries to convince Axel to visit Beverly Hills not for a case, but to reconnect with his grown up, estranged daughter Jane (Taylour Paige, ZOLA). He moved her to Beverly Hills when she was young and then divorced her mother, they have not spoken in years but somehow she’s family to his 90210 cop friends Billy Rosewood (Judge Reinhold, GREMLINS) and Taggart (John Ashton, HIDDEN ASSASSIN). Billy was pushed off the force and became a private detective (but still loves Rambo), Taggart is the chief now. (read the rest of this shit…)

Baby’s Day Out

Wednesday, July 3rd, 2024

July 1, 1994

BABY’S DAY OUT was a financial flop panned by critics, and from what I remember kind of a breaking point where for a while John Hughes became thought of more as the kids-movies-about-testicle-smashing guy instead of the beloved-‘80s-teen-coming-of-age movie guy. I don’t really have a strong opinion about his work but I found this one for the most part unfunny and annoying. I’ll try not to be too mean about it.

Hughes is the writer/producer, but the director is Patrick Read Johnson, who was a miniature model maker on 2010: THE YEAR WE MAKE CONTACT, BILL & TED’S EXCELLENT ADVENTURE and WARLOCK, second unit director of DEAD HEAT, and writer/director of SPACED INVADERS. It makes sense that this would come from someone with that background, because it’s a big live action cartoon with FX by ILM, including one of the first c.g. three-dimensional cityscapes and whatever tricks are involved in making it look like an actual baby is crawling around a city being lifted around by cranes, barely avoiding getting run over, etc. (read the rest of this shit…)

I Love Trouble

Tuesday, July 2nd, 2024

 

June 29, 1994

I LOVE TROUBLE is a romantic comedy mystery thriller about two reporters at rival Chicago newspapers competing to get the scoop about a series of deaths of people connected to a particular project at a chemical company. Peter Brackett (Nick Nolte, 48 HRS.) is a womanizing columnist so famous and “off the charts hot” that he’s in Gap ads and constantly recognized in public. We meet him when he’s dropped off at work by a very satisfied groupie he picked up at a signing for his new novel White Lies. Meanwhile, Sabrina Peterson (Julia Roberts, THE PLAYER) is new in town, introduced into the movie pumps and legs first, noticed for her looks but quickly establishes herself to the point of having a full-sized photo on the side of a delivery truck that crosses paths with the one that has Peter’s photo on it. I wondered if somebody saw the introduction to Siskel & Ebert and thought, “Hmmm. What if one was a lady, and they fell in love? And solved a mystery?”

(read the rest of this shit…)

Riddle of Fire

Thursday, June 20th, 2024

RIDDLE OF FIRE is a distinct and very funny movie about three hellraising dirt bike rider kids named Alice (Phoebe Ferro), Hazel (Charlie Stover) and Jodie (Skyler Peters). Their day long quest to get a blueberry pie for Hazel and Jodie’s sick mother (Danielle Hoetmer, bit part in one episode of every TV show) so they can play video games strands them deep in the woods with a family/cult of witchcraft-practicing poachers called the Enchanted Blade Gang. This takes place in rural Ribbon, Wyoming, but it’s filmed in Park City, Utah by rookie feature director Weston Razooli, who grew up there.

The kids are introduced hiding behind ski masks, but with their names written on the racing plates of their bikes. There’s a montage of loading and assembling their paint guns, the attention to the metal clinks and air canister pffts as fetishistic as any actual-gun preparation sequence you’ve ever seen. Now armed, they break into a warehouse and pull some ninja shit to steal an Otomo Angel video game system. When they’re caught by a worker, Hazel distracts him with a handful of gummi worms. (read the rest of this shit…)

Getting Even With Dad

Monday, June 17th, 2024

June 17, 1994 was such a big day that in 2010 Brett Morgen released an ESPN 30 For 30 documentary called JUNE 17TH, 1994. It covered Arnold Palmer playing his final round at the U.S. Open, the commencement of the first FIFA World Cup hosted by the United States, a ticker tape parade for the New York Rangers after winning the Stanley Cup, Game 5 of the 1994 NBA Finals, Ken Griffey Jr. tying a Babe Ruth home run record, oh yeah and O.J. Simpson’s infamous slow police chase in the Ford Bronco. One important event of the day that it did not cover was the release of Mike Nichols’ WOLF starring Jack Nicholson and Michelle Pfeiffer. And I will not be covering it either, despite its story of an older generation getting all macho to compete with a younger one stealing their jobs and women, because I already wrote about it in my Summer Flings series.

There is however one topic I will be covering that was far too provocative and/or non-sports-related to include in the documentary, and that’s the movie GETTING EVEN WITH DAD starring Ted Danson as Dad and Macaulay Culkin as the party getting even.

(read the rest of this shit…)

Ernest Goes to School

Thursday, June 13th, 2024

June 10, 1994

I put ERNEST GOES TO SCHOOL on my schedule because it was on a list of June 1994 releases, but upon further research I realized they didn’t exactly attempt to mount a challenge to SPEED and CITY SLICKERS II. They only gave it a limited release in Connecticut (nickname: “The Ernest State”) before the rest of the country got it on video in December. So I could have very justifiably skipped reviewing it in this series. But never let it be said that I retreated from my search for knowledge. Ernest, going to school!? I mean, how is something like that gonna pan out? I had to know.

It occurs to me that I’ve never reviewed an Ernest P. Worrell movie before, so I’ve never had a chance to note that back in the Ain’t It Cool days some people thought my name was a reference to the off camera character Ernest was talking to in the commercials and TV series he did, or that it was funny to write “Know whut I mean, Vern?” in response to my reviews. Both were incorrect.

This one was the sixth Ernest motion picture, or seventh if you include DR. OTTO AND THE RIDDLE OF THE GLOOM BEAM (1985), where Jim Varney played several characters, including Ernest. There were three more after this, all DTV, and out of the whole series this is the only one not directed by John Cherry. Instead the honor goes to Coke Sams, writer of most of the Ernest works going back to the beginning. (read the rest of this shit…)

City Slickers II: The Legend of Curly’s Gold

Wednesday, June 12th, 2024

June 10, 1994

CITY SLICKERS II: THE LEGEND OF CURLY’S GOLD is the sequel to the Billy Crystal comedy adventure hit I reviewed in my summer of ’91 series. You may remember that Jack Palance won an Oscar for playing the surly trail boss Curly, who teaches Mitch (Billy Crystal, RUNNING SCARED) how to feel like less of a twerp, helps him deliver a baby calf, dies, and is bizarrely buried out in the middle of the desert. The sequel opens with Mitch riding out to visit Curly’s grave, only to have him reach and rise out of it, in a parody of the end of CARRIE. (A nightmare, of course.)

I thought it would be funny if they got Palance back just to do that scene, but this is actually a sequel that follows in the tradition of A BETTER TOMORROW 2, where the stand out character was killed in the first movie so they brought the actor back as his twin brother. Mitch keeps seeing Curly outside his window and shit, his friends think he’s losing it, but in fact Curly’s twin brother Duke is following him around trying to find a treasure map hidden in his brother’s hat, which Mitch has. (read the rest of this shit…)

Hit Man (2024)

Tuesday, June 11th, 2024

HIT MAN (2024) is on the more crowdpleasing side of Richard Linklater movies, a sort of comedy, sort of romance, sort of noir, sort of true story that’s good enough to sort of make me forgive the “based on a true story… sort of” disclaimer and related dad joke vibes. For me it doesn’t quite live up to the hype from the Toronto International Film Festival, where it apparently blew the roof off, but it’s definitely worth watching if you already get Netflix, where it ended up.

This is really a star vehicle for Glen Powell, an Austinite who worked with Linklater in FAST FOOD NATION, EVERYBODY WANTS SOME!! and APOLLO 10 1/2 (an animated/rotoscoped movie that’s also on Netflix, and quite good) before blowing up in TOP GUN: MAVERICK and ANYONE BUT YOU. Now the two of them teamed up to co-write and co-produce this showcase for Powell doing more than just his usual cocky hunky guy thing (but also that). He plays Gary Johnson, a New Orleans psychology professor who lives alone with two cats, enjoys bird watching, and tucks his polo shirts into his cargo shorts. He’s a dabbler who moonlights as a tech guy for the police, recording undercover stings busting people who were asking around about putting a hit out on somebody. When Jasper (Austin Amelio, The Walking Dead) is suspended for excessive force, Gary is pushed into playing the hitman, digs deep to create a macho character, and turns out to be very good at it. (read the rest of this shit…)