"KEEP BUSTIN'."

Archive for the ‘Drama’ Category

Downtime (1997)

Monday, April 1st, 2024

DOWNTIME is a 1997 British film set in a dilapidated apartment building. I feel like somebody might’ve recommended it to me here years ago, but maybe it’s just in my head because the cover says “MOVE OVER BRUCE WILLIS, A BRITISH ACTION MOVIE TO DIE FOR.” I didn’t really think of it as an action movie, but the DIE HARD connection is obvious: it’s mostly set in one building, and much of it involves elevator-related danger, including climbing up onto the top of the elevator, climbing around inside the shaft, and the elevator falling and exploding. And it’s got a good look to it, with the camera moving around confidently (courtesy of ENEMY MINE and FIREBIRDS d.p. Tony Imi), so maybe there’s some McT influence in there.

But what makes it interesting to me is how much it still feels like something different. While DIE HARD is a pure action movie strengthened by the relationship drama in the middle of it, this feels like it’s a relationship drama that sometimes gets interrupted by some DIE HARD stuff, and keeps trying to brush it off and stay on track. Obviously straight ahead action is my preference, but I appreciate the originality of this approach, and it kept surprising me which directions it went. (read the rest of this shit…)

Tony Manero

Thursday, March 21st, 2024

After watching EL CONDE, I was reminded that Pablo Larraín was also the director of TONY MANERO, a movie I’d always wondered about where a guy is obsessed with John Travolta’s character from SATURDAY NIGHT FEVER. I think I even considered watching it back when I reviewed SATURDAY NIGHT FEVER and STAYING ALIVE last summer, but it didn’t pan out until now.

It’s from 2008, and it’s Larraín’s second film, following FUGA (2006). And watching it plays as kind of a distant cousin to EL CONDE in that it’s a distinct mix of the creepy and the absurd, plays off of movie iconography in strange ways, is not a fan of Chile’s tyrannical past, and is not easily classifiable. It’s basically a character study about a guy named Raúl who dreams of being the best Tony Manero impersonator in Santiago, and also sometimes kills people. Mostly the former, though, honestly. I’ve seen plot summaries that describe him as a serial killer, which is technically true, but this doesn’t play like a serial killer movie. Killing is not where he puts most of his energy.
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Rana’s Wedding

Wednesday, March 13th, 2024

A few weeks ago I watched the very good, Oscar nominated Palestinian film OMAR (2013), followed by the same director, Hany Abu-Assad’s English-language DTV action movie THE COURIER (2012) starring Jeffrey Dean Morgan. Because that’s how I roll. I enjoyed those and want to watch some more from Abu-Assad, so the obvious choice is his earlier Oscar nominee PARADISE NOW (2005). But for now I wanted to watch one that’s not about terrorism, so I went with his 2002 film RANA’S WEDDING, aka JERUSALEM, ANOTHER DAY. This isn’t as much of a thriller as the others I’ve seen, closer to a romance, a story about a woman trying to marry her boyfriend on very short notice. It’s just about this character and this situation, but because of where she lives that can’t help but be political. (read the rest of this shit…)

Omar

Wednesday, February 14th, 2024

Right now, maybe even more than usual, there’s a horrible tragedy going on in the world. It’s painful to dwell on, but I can’t ignore it. I feel with every cell in my body that what Israeli soldiers and American weapons are doing to human beings in Gaza right now is unjustifiable in any context, with any history. But I also know that nothing I do or write can change anything about it. And I’m not trying to start a debate. That doesn’t help anybody. So I can only try to keep doing what I do in a way I feel is constructive.

What I do is write about movies, and one thing I love about movies is the way they can connect us to other people, other places, show us the world through the eyes of others, make us feel things maybe we wouldn’t have otherwise, to understand the world in a different way. So I thought I should see a movie from Palestine. I didn’t know anybody to ask about the subject, so I just looked at the small Palestine section at Scarecrow Video and OMAR (2013) was the one I found that looked most interesting. I don’t remember ever hearing of it, but I had to have when it was nominated for the Best Foreign Language Film Oscar. (Italy’s THE GREAT BEAUTY won that year. I didn’t see that either.) (read the rest of this shit…)

Nights and Weekends

Tuesday, February 13th, 2024

Hey, you know Greta Gerwig, director of last year’s biggest movie, BARBIE? Whose two previous films LADY BIRD and LITTLE WOMEN were also great and also best picture nominated? Do you remember that she used to be an actress in no budget talkie film festival movies?

It’s cool how quickly we can adjust to those transformations. They seem so strange at first, but then they stick. Stuff like “Bradley Cooper, Oscar nominee” seems unlikely and amusing at first, then pretty soon it’s the most normal thing in the world. At first Gerwig was this rising star of indie movies, she had cool hair, played adorable space cadets, seemed like somebody I would’ve wanted to be friends with or had a crush on when I was younger. I don’t think I saw LOL or HANNAH TAKES THE STAIRS, the two Joe-Swanberg-directed movies that got her started, so I first knew her from BAGHEAD and THE HOUSE OF THE DEVIL. (read the rest of this shit…)

Fighting Back

Thursday, February 1st, 2024

FIGHTING BACK (1982), a.k.a. DEATH VENGEANCE a.k.a. STREET WARS, is another vigilante drama produced by Dino De Laurentiis, obviously wanting to follow up on his success with DEATH WISH after selling that off to Cannon. DEATH WISH II came out about three months before this, but if Laurentiis was trying to take the wind out of its sails, he was not successful. Cannon kept all the wind and this one remains fairly obscure, despite a nice blu-ray release from Arrow.

But it has some good people behind it. It’s directed by Lewis Teague between ALLIGATOR and CUJO, written by Tom Hedley (FLASHDANCE) and David Zelag Goodman (STRAW DOGS, LOGAN’S RUN, THE EYES OF LAURA MARS, FREEDOM ROAD). Rather than a badass like Charles Bronson it stars the more everyman-ish Tom Skerritt (who would follow this with THE DEAD ZONE, TOP GUN and SPACECAMP) and it seems to be going for a less pulpy, more down to earth approach… except in the important matter of the inciting incident. For that they provide us with as hysterical of a “crime is out of control these days” exaggeration as we could ever ask for. (read the rest of this shit…)

The Zone of Interest

Monday, January 29th, 2024

If they were in America, Rudolf (Christian Friedel, THE WHITE RIBBON) and Hedwig (Sandra Hüller, who just got a best actress nomination for ANATOMY OF A FALL) would say they were living the American dream. They’re in a big new house near a river where they can swim and fish. They have a bunch of kids and a dog and their backyard is huge, with an elaborate garden, cobblestone paths, a huge greenhouse, a nice deck, and a small swimming pool with a slide. They even have servants. All because Rudolf’s doing so good in his job. And they live right next to work, so he doesn’t have to commute at all, he’s home right after work to spend time with the family. The kids love him (they got him a canoe for his birthday), and he and Sandra get along well, they make each other laugh, they talk about the trips they’ll go on after all this.

It’s the biggest possible “all this,” though: World War II. And I think you’ll share my objection to Rudolf’s job. He’s the commandant of Auschwitz. A very bad person. The conceit of writer/director Jonathan Glazer (SEXY BEAST, BIRTH, UNDER THE SKIN)’s gut punch of a movie is to matter-of-factly depict the mundane activities of this family as they go through their daily activities without a thought to the suffering they’re causing and benefiting from on the other side of the wall. (read the rest of this shit…)

Nyad

Wednesday, January 24th, 2024

I didn’t know what a NYAD was, but it’s the last name of a real life person, Diana Nyad, a marathon swimmer who broke a bunch of distance records in the ‘70s and in 1978 tried to swim from Havana to Key West. She made it about 76 miles in 42 hours but had to quit.

Now it’s 2010, she’s played by Annette Bening (MARS ATTACKS!), she’s been retired since her 30th birthday, and she’s just hitting her 60th. She spends her time with Bonnie (Jodie Foster, HOTEL ARTEMIS), they seem like a couple at first, but they’re just best friends. Quirky lesbian pals. Since she’s been angsty about aging, Bonnie convinces her to get back into exercise, and she swims for the first time in years. That goes well, so she announces out of the blue that she’s going to try the Cuba swim again. Bonnie is kinda like jesus christ lady you cannot be serious and then somehow agrees to be her coach. (read the rest of this shit…)

Anatomy of a Fall/American Fiction

Monday, January 22nd, 2024

Awards Season Catchup Double Feature: ANATOMY OF A FALL and AMERICAN FICTION

There’s a specialized little genre of music I love – modern funk bands doing covers of classic hip hop songs. It’s just a best of both worlds kind of situation, combining my two favorite types of music, and bringing things full circle in a way. So much of hip hop comes from curating and collaging the best parts of old funk songs, and now we’ve got new funk bands curating the best hip hop songs and filtering the sound through their instruments. Many of them also have a working knowledge of the sampled works, covering them as well or mixing them with a song that sampled them. That happens on the two albums of Wu-Tang Clan covers by El Michels Affair, as well as Brownout’s Public Enemy tribute Fear of a Brown Planet. I also have this record called Expansions by the German group Bacao Rhythm & Steel Band where they cover Jay-Z’s “Dirt Off Your Shoulder,” but also “Space,” Galt MacDermot’s song famously sampled in “Woo Ha” by Busta Rhymes. And they play them with steel drums! So I immediately recognized their cover of 50 Cent’s “P.I.M.P.” when it started playing at the beginning of the Palme d’or winning French legal drama ANATOMY OF A FALL (Anatomie d’une chute), and I was surprised. I was even more surprised when it turned out to be an important part of the story, played about as much as “Fight the Power” is in DO THE RIGHT THING. Wouldn’t have guessed that in a million years, even with hints. I hope they play it every time it’s up for anything at the Oscars or any of those. (read the rest of this shit…)

Ferrari

Wednesday, January 17th, 2024

My favorite Michael Mann Mode (MMM) is crime movie mode. Or guy chasing another guy mode. Moody guy looking out a window talking to another guy across the city mode. The mode you can feel coming in the air tonight, oh lord.

FERRARI is obviously not that mode. It’s biopic mode, I’ve got a 496-page biography to recommend to you mode, I’ve been obsessed with this guy for years and hopefully I can articulate some of the reasons why plus some side info about car engines and racing teams mode, Ferrari started manufacturing in 1947 and the events depicted here take place in 1957 but we’ll have some text at the end explaining what happened to everybody later mode. Not my favorite MMM, no, but the nice thing about his modes is that he’s good at all of them. (read the rest of this shit…)