
Oscar 2026 preview
Hereās my quick Oscar preview, just because I wanted a place for everyone to share their hopes or predictions and then their thoughts after the show, if they want to.
This year I did manage to see everything in the major categories (picture, director, writing, acting) and reviewed most of them.Ā Itās an exciting year because I loved some of them, didn’t hate any of them, there is some suspense about many of the categories, and some of my favorites seem to be frontrunners. On the other hand there wasnāt that magic of the movie I only watched for homework purposes and ended up really liking. I pretty much meant to see all of them anyway. The only real victory was that I was wise enough to put off watching WICKED: FOR GOOD even though everybody said it would be nominated. (read the rest of this shit…)
The Salute of the Jugger (a.k.a. The Blood of Heroes)
Last time I saw THE SALUTE OF THE JUGGER it was called THE BLOOD OF HEROES. That only version available in the U.S. was about ten minutes shorter, but still kinda legendary as a slept-on gem by some of us. That version was recently put in its proper place as bonus material for the original 104 minute Australian version on a 4K/blu-ray combo from Umbrella Entertainment.
Itās written and directed by David Webb Peoples, his only time directing a feature, but heād written BLADE RUNNER and went on to write UNFORGIVEN, 12 MONKEYS and SOLDIER. Not a bad run. This one has a bit of the sci-fi and a bit of the western, because its heroes (blood and all) are travelers in a post-apocalyptic wasteland. But mostly itās a sports movie. (read the rest of this shit…)
Song Sung Blue (2025)
SONG SUNG BLUE (2025) is a feel good (but also sad) movie about the power of music, based on a 2008 documentary I hadnāt heard of about a Neil Diamond tribute band. There is a family member not mentioned in the movie who says itās āall lies,ā but from what Iāve read the basic outline stays reasonably close to the true events, and that leads to an unusual structure. For a while it hews pretty closely to a familiar underdog musician dramedy formula. Then life, even in its streamlined-for-narrative-purposes form, throws in some curveballs that make the story seem pretty crazy.
I wanted to watch it because itās written and directed by Craig Brewer, and its first chunk is like a family friendly version of some of what made his breakthrough HUSTLE & FLOW so appealing – this group of regular nobodies coming together and trying to achieve their musical dreams, which are small time by movie standards but huge in their lives and in their hearts. Mike Sardina (Hugh Jackman, VAN HELSING) is a singer and guitar player who performs under the name Lightning, wears a lightning bolt insignia on his jacket and medallion, likens it to being a super hero, but mostly heās just a regular Clark Kent working as a mechanic, going to meetings, trying not to be a terrible father to his teenage daughter Angelina (singer-songwriter King Princess). (read the rest of this shit…)
Manborg

As a fan of writer/director Steven Kostanskiās last three movies, PSYCHO GOREMAN, FRANKIE FREAKO and DEATHSTALKER, I decided it was time to check out one of his older works. MANBORG is his first feature, released in 2011. He had already done several shorts (best title: Lazer Ghosts 2: Return to Laser Cove) while working in the makeup departments of larger productions including CAPOTE and TAMARA.
I would say MANBORG is a tongue-in-cheek movie played with a slightly straighter face than the other three Kostanskis Iāve seen, or at least with fewer straight up jokes. So itās maybe his purest example of what I think of as a movie in quotes – a feature film that plays more like itās saying āwouldnāt it be funny if there was a movie like this?ā than like it actually is that movie. To enjoy it is to play along and pretend that it is. (And I did enjoy it.) (read the rest of this shit…)
Protector
Last week when I went to see BLADES OF THE GUARDIANS: WIND RISES IN THE DESERT I saw some exciting trailers, including one for a kidnapped daughter action vehicle starring the great Milla Jovovich (THE THREE MUSKETEERS). And it was coming out this week. January came late this year, fellas! I hope this doesnāt mean Milla wants to abdicate her crown as the queen of digital FX horror/fantasy action movie bullshit (RESIDENT EVIL, ULTRAVIOLET, HELLBOY 2019, MONSTER HUNTER, IN THE LOST LANDS, etc.), but I was excited to see her in a straight ahead TAKEN type deal. So you bet I was at the 12:10 pm Friday matinee of PROTECTOR.
The director is Adrian Grünberg (GET THE GRINGO). Fortunately it doesnāt have all the problems of his movie RAMBO: LAST BLOOD, but it has a similar brain-fried-by-Facebook world view. An even-more-heavy-handed-than-the-rest-of-the-movie intro tells us that while American soldiers were being sent overseas a war was being fought at home against human trafficking. Iām not sure who or what that refers to though because our story is about one of the people who is overseas who will later begin a one-woman war against said criminal activity. (read the rest of this shit…)
Kick or Die
There is a movie that was released by American International Pictures in 1987 thatās still only available on VHS, and the name of the movie is KICK OR DIE. If you need any more information than that, please enjoy this review.
KICK OR DIE is a particular type of ā80s b-movie that I have a soft spot for because itās very serious but has a deranged view of human behavior, and every once in a while the drum machine and the synthesizers kick in and people start fighting. Itās far from the best of this sort, but itās novel because it lumps together a couple different popular movie types of the era that you wouldnāt necessarily expect to overlap: 1) night stalker whodunit 2) karate movie 3) lady trying to make it as a singer.
That first one might understandably keep some people from watching it. A serial rapist has been attacking women on a college campus. The scenes of the attacks are over quick, but obviously unpleasant to sit through. In the daylight the campus is swarmed with media and protesters as the board of directors or whatever meet about what to do. The football coach says āI say we hire a karate expert to come and teach the girls how to kick his god damn balls in!ā (read the rest of this shit…)
Blades of the Guardians
BLADES OF THE GUARDIANS is the new movie thatās gonna make me even more confused when Iām trying to remember which OF THE GUARDIANS movie is the owl one and which is the Jack Frost/Easter Bunny one. But Iām willing to face that challenge in exchange for a new movie directed by the now 80-year-old legend of martial arts choreography Yuen Woo-ping. (Holy shit, MASTER Z: THE IP MAN LEGACY was almost 8 years ago?)
(Note: the full on screen title is BLADES OF THE GUARDIANS: WIND RISES IN THE DESERT. Man, I love movies!)
Wu Jing (LEGENDARY ASSASSIN, KILL ZONE 2, WOLF WARRIOR 2) stars as Dao Ma, a bounty hunter and bodyguard for hire whoās also the second most wanted fugitive in the empire. I actually didnāt recognize him for a second because he has long hair and looks a little older and smaller than I think of him as. In a good way, though. He kinda looks like Vampire Hunter D with his all black outfit and wide brimmed hat. He travels with his young nephew Xiao Qi, but itās not like LONE WOLF AND CUB because he tries to cover the kidās eyes when thereās violence. (read the rest of this shit…)
The Secret Agent (2025)
THE SECRET AGENT (O Agente Secreto) is the last 2025 best picture nominee I hadnāt seen, but I was gonna see it anyway. By coincidence I had just caught up with writer/director Kleber MendonƧa Filhoās 2019 film BACURAU (which he co-directed with Juliano Dornelles) right when this came out here. THE SECRET AGENT is slightly more normal, but still very distinct, and a leap forward in terms of filmmaking prowess. As far as Oscars itās a surprising choice because itās in Portuguese and itās odd and puzzling and and takes its sweet time letting you know what itās about. But also it kinda makes sense because itās unique and great and though itās about Brazil in 1977 it has many echoes of things going on right now over here and elsewhere.
Last year also had a Brazilian best picture nominee – IāM STILL HERE – a haunting story about how people tried to go on living while authoritarianism and corruption were corroding their society in the ā70s. This tackles overlapping material in a completely different way, a little more comparable to my favorite movie of the year, ONE BATTLE AFTER ANOTHER. Itās serious and tragic but also very funny and satirical, a realistic world peppered with the surreal, the absurd, the arguably exaggerated thatās somehow truer than if it wasnāt. And itās that rare pleasure of a movie where I truly have no idea what itās going to be about or sense of where itās going but I stay enraptured. (read the rest of this shit…)


YOUR MONSTER is a 2024 romantic comedy with a fantastical genre concept. Laura (Melissa Barrera, 

















