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Posts Tagged ‘Jon Hamm’

No Sudden Move

Wednesday, September 29th, 2021

Like many citizens of the world, I love most of Steven Soderbergh’s movies. Still, the nature of streaming services and the lack of urgency their releases seem to inspire in my brain have left me behind in his return-from-retirement period. I haven’t seen the basketball one, the app one, the laundromat one, surely others.

But my favorite Soderberghs are the crime ones: #1 OUT OF SIGHT, #2 THE LIMEY, #3 the OCEAN’S series. And there was another one about a lady beating people up that I raved about for ten years, but that’s on hiatus for a while. These are all very different from each other in most respects other than quality. But his most recent one was released straight to Home Box Office Maximum and although this review is very late I actually managed to watch that one right away. And I loved it.

NO SUDDEN MOVE is another new mode of Soderbergh crime picture. Maybe it’s closest to THE LIMEY in tone: serious, with a high level of tension, but plenty of dry, dark, odd humor coming out of the characters and situations. Set in Detroit in 1956, it’s the story of small time criminal Curt Goynes (Don Cheadle, THE METEOR MAN), recently out due to overcrowding, still disgraced in the underworld after whatever the fiasco was that got him busted. So it’s either real lucky or awfully damn suspicious that someone he doesn’t know – white middle man Doug Jones (Brendan Fraser, MONKEYBONE) – is offering him five grand for what’s described as “a simple babysitting job” that will take three hours of his time. He doesn’t have to know he’s in a movie to have a pretty good hunch it’ll end up being more complicated than that. (read the rest of this shit…)

Richard Jewell

Wednesday, March 18th, 2020

Even before that fake baby in AMERICAN SNIPER, people were talking like Clint Eastwood was some confused old man who doesn’t know how to direct a movie anymore. Gotta disagree. I know I’m far from the only one who really enjoyed and was surprised by THE MULE, and now that I’ve caught up with Clint’s latest director-only drama, RICHARD JEWELL, I’m here to tell you that’s a good one too. Really good, and to me it’s by far the most compelling of what now seems to be a Real American Heroes series with SNIPER, SULLY and THE 15:17 TO PARIS*.

Okay, yeah, so there’s a part where kids drinking beer in a dorm room have a poster on the wall that says “Beer 2 Night.” Have fun with that one. I didn’t notice the fake baby before so maybe there’s some in this one, I honestly don’t care. It’s a fascinating story, it made me laugh, it moved me, it has one of if not the best lead performance of last year. My friends, I have Jewellmania. (read the rest of this shit…)

Baby Driver

Monday, July 3rd, 2017

There’s this baby-faced young man who in fact goes by the handle of Baby (Ansel Elgort, who impressed me as Tommy Ross in the CARRIE remake) and he’s a whiz kid of a getaway driver for armed robberies. He loves listening to music, and uses his favorite songs to inspire and time his driving, which is spectacular. He can maneuver and slide and spin and he is living proof that not everybody followed the disclaimer at the end of TOKYO DRIFT.

(He would’ve been about twelve when it came out, and surely influenced by it during his driver’s exam.)

Some have described this is a musical, which makes some sense. At times it feels like a movie based on the current trailer fad of editing gunshots and other sound effects as percussion playing along with the music.

After they get away, when the gang meets up to split the money, they make Baby go buy the coffee. Here’s one thing they carefully edited out of the trailers: he’s a total dork. In the car, but also at home, or walking in public, he listens to his earbuds and sings along and does little dance moves and shit. The whole walk to and from the coffee shop he seems like he’s on the verge of busting into a full on SINGIN’ IN THE RAIN number. I wonder if they considered casting Moose from the STEP UP sequels in this. (read the rest of this shit…)