Summer Rental

August 9, 1985

I don’t review that many straight ahead comedies, but I admit sometimes there’s something kinda comforting about watching a mediocre one from when I was younger. I thought maybe I’d seen this one at the time, but if so it didn’t seem familiar. But it’s not the kind of movie you necessarily remember for 35 years.

It’s the story of Jack Chester (John Candy, THE SILENT PARTNER), an overworked air traffic controller – pushing tin, you know – who has a bad day on the job and is compelled by his boss to use the five weeks of vacation he has saved up. So he packs up the family – his wife Sandy (Karen Austin, S.O.B.), teenage daughter Jennifer (Kerri Green, who had only been in THE GOONIES), younger son Bobby (Joey Lawrence, Gimme a Break!) and toddler Laurie (Aubrey Jene, didn’t take up acting) – and heads for the beach town of Citrus Grove, Florida.

It was kind of fun watching it with no memory of its contents, or even its premise, because it actually took me a bit to figure out where it was headed. Okay, so they’re staying at a pretty fancy place, what is the tension gonna be here? It seems like the rich neighbors are pretty snooty, must be a conflict with them. I figured it out at dinner time when they go to a lobster restaurant with a long wait – this really captures the cumbersome feeling of family vacations – and Bobby comments on all the photos of this guy Al Pellet, who has won the regatta seven times in a row. Even before I realized the guy in the photos was Richard Crenna (BODY HEAT) I thought “Wait, this is a boat racing movie?”

It takes a while to get to that, well after Al and Jack fight over a table and the Chesters have to go to have dinner at a dive bar that I guess is built onto an old ship, though I didn’t realize it at the time. I did immediately guess the hook-handed pirate-talking owner of the establishment, Scully (Rip Torn, CITY HEAT), was gonna have to be his boating mentor. Eventually.

Since I mainly know Crenna as Colonel Trautman, it’s funny to see him playing a really broad goofball villain, a guy that delights in being a snobby, petty asshole and lord over everybody like they should give a shit about his sail boat excellence. It’s not a slow boil – he flips out in his introductory scene, when Jack accuses him of stealing his table. “Oh, is this your table?” Al asks, banging on the table, and soon is asking “Is this your wife?” as he starts shoving his own wife for some reason.

Candy was known from SCTV and many smaller parts in things like 1941 and THE BLUES BROTHERS. But SPLASH had been somewhat of a breakout for him, and here he finally had a starring role. He was very good at this mild but relatable type of comedy where he keeps getting the shit end of every stick, and tries to stay positive about it. His buffoonery is mostly innocent than Clark Griswold’s – he’s generally not an asshole. There are jokes about a horrible sunburn, a long slapstick scene about walking through a crowded area accidentally leaking cooler water over everybody, plus one I should’ve seen coming where they find out they’ve been staying in the wrong house. I thought that scene was pretty funny – a long drawn out awkwardness as Jack carries everything out while making small talk with the owners to avoid acknowledgment of his humiliation. The wife (Saundra Dunson-Franks, THE LAST MOVIE STAR) politely responds, while the husband (Dick Anthony Williams, UPTIGHT, THE LOST MAN, MO’ BETTER BLUES, BLOOD AND BONE) fumes.

You also got your extended comic tangents, like the next door neighbor (Lois Hamilton, INVITATION TO HELL) who invites him over for iced tea and then takes off her bikini top to ask his opinion on her recent boob job. He thinks this is going to get him killed by her husband (Carmine Caridi, KISS MEETS THE PHANTOM OF THE PARK), but it turns out she does this all the time, and he just wants Jack to tell her they look good so she’ll feel better about herself.

That scene goes right into another little sketch based on the premise that while he stepped out somebody went into his cabin to use the bathroom and next thing you know everybody else was inviting themselves in. It’s just like mother! When he comes back it’s like a scene from mother!, the place completely filled with entitled intruders, including a guy sprawled out on his bed refusing to leave because “I’m tryin to watch The Smurfs.”

There’s some kind of sweet fatherhood stuff, especially a scene where his daughter gives him kind of a pep talk. The sailing comes from an attempt to bond with his son, after he remembers it as one thing he was actually good at when he was young. But he crashes his rental boat into fancypants Al Pellet, starting a real feud that escalates until Jack decides to make a crazy bet on the regatta. The pretty cool underdog conceit is that no, he’s not some rich dude with a boat, but he convinces the crusty old bartender Scully they can refurbish his restaurant ship and enter it in the race.

In addition to the Chester family, the crew includes Scully’s weirdo buddies Angus (Richard Herd, SCHIZOID), who’s practically a live action Groundskeeper Willie, Cortez (Santos Morales, THE EXTERMINATOR) and Yorku (Harry Yorku, VICE VERSA).

John Larroquette (CAT PEOPLE) has a weird role as a charming rich dude named Don who runs into Sandy and the kids at the movies, pays for their tickets and invites them to go out on his boat, where they have a great time and his son and Jennifer are obviously smitten with each other. It seems like there will be tension, because Sandy already seems to be out of Jack’s league, and he’s too distracted to notice this dude is kind of stealing her and his family from him… except nothing comes of it, other than Don being in the audience cheering for them at the regatta. I wonder if there was originally a thing where Don makes a move and she’s tempted but realizes she loves her husband and Don honorably concedes and becomes friends and they realized this was way too much for a movie like this and cut it out? His part definitely seems abbreviated.

Following the precedent of my DAY OF THE DEAD review, I had to figure out what movies were supposed to be playing at this Florida theater (the Beach Theatre of Saint Pete Beach, Florida, still standing but not in operation, judging by the Google Street View).

This time there are more posters, and they’re all Paramount releases, but they’re easy to make out, no research necessary. FOOTLOOSE and TOP SECRET! are the posters on the outside of the theater. Those were released in February and June of 1984. In the small lobby we can see another FOOTLOOSE, plus UNCOMMON VALOR (December 16, 1983), FRIDAY THE 13TH: A NEW BEGINNING (March 22, 1985), DRAGONSLAYER (June 26, 1981) and AIRPLANE II: THE SEQUEL (December 10, 1982). The building doesn’t look like it could’ve fit very many screens, so I doubt all of these movies were still playing. But I guess it’s possible that people here only care about the beach and aren’t gonna notice that there’s a four year old not-that-great dragon movie still playing.

This is overall a competent piece of middle of the road filmmaking, but there’s an above average amount of ADR jokes, hearing conversations while we just see the car driving or the outside of the house or something. And there’s one straight up bizarre moment when little Laurie asks, “Mommy, can I play in the basement with Yorku?” and it’s clearly dubbed by an adult doing a kid voice, like an old GAMERA. If you can get past the voice it’s still the most off-putting part of the movie because… I mean, Yorku is this old weirdo and I think there’s an implication that they might not want the kid to be alone with him? I mean, what else would the joke be? (We later see her innocently combing his hair. It’s fine.)

And setting that aside, Yorku is still intriguing because it’s unclear if he’s an employee of the bar or just a drunk who hangs out there, and he’s one of those oddball characters who seems like he might be an actual weirdo just being himself, which is supported by them calling him by his actual name (though the credits call him “Pirate Musician”). It turns out he’s only in two other movies, one of them released one week after this one, and he doesn’t seem to be a musician or anything. Just a mystery. Luckily I found this interesting tidbit from a lady who went to see SUMMER RENTAL and thought oh shit, that’s Harry-san from Aikido class! She seems to have already viewed him as a legendary figure.

I will say two nice things about the end of the movie. One, I like the implausible touch that he’s able to win (spoiler) using a random piece of air traffic control knowledge. Two, it’s what I call a “That’ll do, pig” ending – not that it’s in any way moving like the ending of BABE, but it uses that method of immediately ending after they win the race (spoiler) instead of pretending like we need to spend a couple minutes winding down after that.

According to Wikipedia, SUMMER RENTAL was filmed from March 18, 1985 to May 15, 1985 (fast turnaround!), so the Jason movie is the one that would’ve been most likely to really be playing at the time. I’m gonna guess that is not the movie Sandy brought the kids to. Upon further examination, I see that FOOTLOOSE is marked as now playing, and TOP SECRET! coming soon. So she didn’t have the same experience my mom had of contemplating making us leave after the baby cow sucks the guy’s dick.

SUMMER RENTAL is directed by Carl Reiner (between ALL OF ME and SUMMER SCHOOL), written by TV writer Jeremy Stevens (The Diahann Carroll Show, The Electric Company, Fernwood Tonight, The Richard Pryor Show, Barbara Mandrell and the Mandrell Sisters, Thicke of the Night) and Mark Reisman (just Thicke of the Night). It was produced by George Shapiro (Andy Kaufman’s manager who was played by Danny Devito in MAN ON THE MOON). But the idea came from executive producer Bernie Brillstein, based on his experiences as a heavy man taking a family vacation to California. (I don’t know if he entered a boat race.)

The movie opened at #2, a little above PEE-WEE’S BIG ADVENTURE. But it ultimately made less money and, I’m gonna go ahead and guess, less of an impact on humanity. It gave me a few minor chuckles, though. I didn’t really expect more than that.


Summer of 1985 connections:

John Candy of course already co-starred in BREWSTER’S MILLIONS and had a cameo in FOLLOW THAT BIRD, Kerri Green was Andy in THE GOONIES, Richard Crenna was Colonel Trautman in RAMBO: FIRST BLOOD PART II, and Carmine Caridi was in BREWSTERS MILLIONS. Alan Silvestri knocked out the scores for both this and BACK TO THE FUTURE. This one is more of a smooth TOOTSIE type vibe with some steel drums, which represents beach. Cinematographer Ric Waite also did BREWSTER’S MILLIONS.

Like NATIONAL LAMPOON’S EUROPEAN VACATION it has a part where the tourist family ordering food and not knowing that in the kitchen they just heat up a frozen meal for them. The joke is a little different, though, because here its observably a dive, whereas in EUROPEAN VACATION it was supposedly fancy French cuisine (I was unsure if this joke was that such a thing is a fraud or that they didn’t want to cook their regular food for these American assholes).

It follows the trend of having a major artist provide an original song – “Turning Around” by Jimmy Buffett. It’s used during a boat-fixing montage and the end credits.

Pop Culture:

Jennifer is constantly listening to headphones, and the two times we get to hear what she’s listening to it’s “Axel F Theme” and “Footloose.” Like I told you, movie theme songs were popular in those days. That actually seems accurate.

Jack and Scully get in a drunken who-would-win-in-a-fight argument in which Scully claims that “Jimmy Cagney will disintegrate your Sylvester Stallone.” He also drunkenly sings the theme from Love Boat.

This entry was posted on Friday, August 14th, 2020 at 5:19 pm and is filed under Comedy/Laffs, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

18 Responses to “Summer Rental”

  1. Republican Cloth Coat

    August 14th, 2020 at 5:37 pm

    It always bugged me that he was an air traffic controller just a couple of years after Reagan fired them all for striking. Candy’s character was a scab!

  2. I think I’ve seen this about one and a half times, in 15-minute chunks while flipping back and forth on the TV. It’s that kind of movie. Candy had already had the lead role in GOING BERSERK, by the way, which is sort of an unofficial SCTV film.

  3. Scully ain’t wrong about Cagney, though.

  4. Weird, I don’t think I’ve ever heard of that movie, yet the story of John Candy competing in a boat race seems oddly familiar.

  5. I’ve seen this a couple of times, but I’m always confusing it with THE GREAT OUTDOORS. I was actually going to write that Candy and Aykroyd should have changed roles. But that would have made even less sense than my usual contributions.

  6. “Like I told you, movie theme songs were popular in those days. That actually seems accurate.”

    Or rather, movies don’t really have theme songs these days to be popular.

  7. I also don’t remember a thing about this one and would have, if asked, assured you that, no, ONE CRAZY SUMMER was the one with the climactic regatta. But since this review brought up THICKE OF THE NIGHT, I will use this opportunity to remind you all that THICKE OF THE NIGHT had the greatest TV show theme song of all time. How that show wasn’t a hit I will never know.


    Disfruta los videos y la música que te encantan, sube contenido original y compártelo con tus amigos, familiares y el resto del mundo en YouTube.

  8. That bit with the adult voice on the kid asking to go in the basement of the boat with the weirdo is one thats stuck with me, even at a young age. It was so weird and bizarre and out of nowhere (I guess they had to show the kid was with the family and to track where she was, but still)

    I also always confuse the ending of this where the hero cleverly figures out how to win the boat race with One Crazy Summer’s hero clever method of winning the boat race.

    Still, i have fond memories of this one. And Rip Torn is always a treat on screen.

  9. According to IMDB Candy was John Hughes’ first choice to play Cameron in FERRIS BUELLER.
    No idea how true that is, but the first thing I thought of when reading that is this movie where he was playing a middle-aged guy with kids. Funny thing is is that Alan Ruck was 29, only 5 or so years younger than Candy when he did the movie.

    Carl Reiner recently passed away. He was quite active on Twitter, with his last tweet urging people to vote. He seemed to me to be as kind as he was talented. I loved his turn in the OCEAN’S movies for Soderbergh, his elder-statesman presence somehow being able not to be outshone by the stars. The scene where Pitt’s character recruits him in the first one at the dogtrack is maybe one of my favorite scenes of the whole franchise.

  10. [i]Candy had already had the lead role in GOING BERSERK, by the way, which is sort of an unofficial SCTV film.[/i]

    I remember that movie as pretty goddamn funny, although I was probably 11 when I saw it and haven’t seen it since.
    However, I do remember the bit where Candy is handcuffed to the guy who has to make a call on his old lady (and ensuing shenanigans). So it was memorable. I don’t remember much of anything about Summer Rental other than it turns into a sports movie in the last 15 minutes…

  11. Ugh, sorry
    I always forget that this is one of the last remaining sites that uses regular html

  12. Is this the one where Candy thinks he’s rented his own beach, tells some kids to get off it, one of whom points to a sign saying “Public Beach”, then Candy sheepishly grants others with “hi, I’m John Public, welcome to my beach” ? If so I saw this when I was 8, and that’s the only bit I remember.

  13. You’re so right about these mediocre comedies from the ‘80s and ‘90s. There’s something a lot more comforting about that formula than the modern idea of “let them improv and we’ll cut it together later.” Even when they were the same, you still wanted to see how they’d work out their premise.

    One Crazy Summer ends in a boat race too, right?

  14. Pacman2.0 – yes, that’s the one.

  15. Cool. I can…know that now, I guess.

  16. Great review Vern, you hit the nail on the head regarding this movie as being good for a few chuckles. Also thanks for pointing out the St Pete Beach theatre was the theatre they went to as I have seen this movie 3 or 4 times and have never noticed it (But by god everyone in St Pete knows they filmed Cocoon in town). Quick note sadly the St Pete beach theatre is no more, a great place to see mostly under the radar indies or midnight cult films ( My first NC-17 film I ever saw there-Orgazmo!) if your ever in the Tampa Bay Area make sure to check out the Tampa Theatre its a blast back to the 1930’s for cinema.

  17. Actually Kerri Green is the one who did the voice for the infamous “Mommy can I play in the basement with Yor-ku?” line. You can find info about this online. I always found it funny that they felt the need to loop a substitute voice into a scene that didn’t need to be in the movie at all anyway. Like a doctor, a movie scene’s first oath should be “Do no harm.” This scene adds nothing to the story but does do a little harm by: (a) taking the audience out of the movie because of the weird voice; and (b) taking the audience out of the movie because of the pedophilia-adjacent vibes.

  18. As soon as they started commenting on how beautiful the house was I figured they must be in the wrong house. But the movie still managed to surprise me, because it let them stay in the house just long enough for me to let my guard down and forget to be anxious about the real owners showing up—and that’s when the real owners show up. So, you got me, movie. Touché.

    Rip Torn looks cool as Scully. He’s either much thinner here than he usually was or the beard and baggy pirate clothes are slimming. Either way it’s a surprisingly attractive look. I didn’t get that the restaurant was the boat at first either. I assumed it was just floating next to the restaurant.

    The movie also got me, in a fun way, when the boob lady’s husband turns out not to be a scary monster, but just wants Jack to reassure his wife that her breasts are nice. Also I thought he was Vic Tayback at first.

    The guy watching TV on the bed made me upset when he told Jack to fuck off. I wanted Jack to kill him. But I loved it earlier when he was the one person to stop and answer Jack’s question about why everyone was walking past his house, and instead of answering with words he just burps loudly and points.

    If I hadn’t read the credits I wouldn’t have recognised Richard Herd as Angus. He looks good like that too.

    Like you I was expecting that John Larroquette’s character would try to court Jack’s wife and she would be tempted because Jack was too busy to spend time with her at that point in the story. So I was pleasantly surprised that that didn’t happen. I guess they just wanted the two teenagers to meet. The way they synchronised their Walkmen was charming.

    When the youngest child asks to play with Yorku her mom has a line to the effect that she’ll still be able to see and watch them, so we have even less to worry about. I agree with the Winchester, it was probably just to establish where she was since she was too young to be operating the boat. The impression I had was that Yorku is an employee of the restaurant, that he’s the musical entertainment.

    I hate when movies just end like that. When it’s an action movie my friends and I call it “Villain Dead, Movie Over.” I want some closure, some aftercare. I have to know that Jack was refreshed and able to go back to work, and made plans to come back to Citrus Grove every year, and the renovators got his beach house finished. I need to see the photo his wife snapped of Pellet when he realised he was losing. I couldn’t believe it would just end like that. What a rip-off! And since I watched it on TV this time, the credits were super-sped-up, so I didn’t even get proper credits! It should be against the law for them to do that to the credits.

    The worst “Villain Dead, Movie Over” I’ve seen so far is DELTA FORCE II. It freeze-frames as Billy Drago’s character is in mid-air, falling to his death, and goes to credits. The villain’s not even dead and the movie is over!

    I wonder if SUMMER RENTAL’s premise was John Candy’s idea. I read that when he was buying his house in California he was looking for somewhere where the climate and landscape were similar to the lake country he remembered from Ontario. It sounds like he was happiest there.

    Republican Cloth Coat: That thought occurred to me too, but from another angle. As I was watching the movie I wondered if Jack’s burnout was because of the Reagan strike-break and deregulation. There’s another 1980s comedy where an air traffic controller gets too stressed out, MODERN PROBLEMS (from the director of THE GROOVE TUBE).

    Matthew B.: I like GOING BERSERK too. It’s not great, but it’s good. It has a cool theme song.

    Mr. Majestyk: Another SCTV connection: they made fun of THICKE OF THE NIGHT with “Maudlin of the Night,” in which late-night talk-show host Sammy Maudlin (Joe Flaherty) gets an extremely 1980s makeover. His usual afro has been trimmed into a mullet, he has a blazer with the sleeves pushed up, he breakdances, and instead of a sidekick he has a cast of “zanies” including a brutal parody of Howie Mandel played by Martin Short.

    onthewall2983: That’s bizarre to think that John Candy was almost cast as Cameron. It’s as jarring as his character in STRIPES becoming a teen idol in the closing-credits where-are-they-now montage.

Leave a Reply

XHTML: You can use: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>