"KEEP BUSTIN'."

Posts Tagged ‘Louis Gossett Jr.’

Jaws 3-D (40th anniversary revisit)

Thursday, July 20th, 2023

July 22, 1983

JAWS 3-D (viewed by me in its shameful flat version) is another summer of ’83 movie that I’ve previously reviewed. But that was 13 years ago, and if I’m doing a summer movie series I can’t really skip over a sequel to the movie that kinda invented the summer blockbuster. I also thought it would be a good marker on the timeline, much like how RETURN OF THE JEDI and STAYING ALIVE indicate how much culture had changed in the six years since STAR WARS and SATURDAY NIGHT FEVER. In eight years we went from a popular beach read elevated by a knockout directorial vision to a gimmicky studio product sequel with twice the budget but a fraction of the style or substance.

It’s tempting to see sequels as emblematic of the ‘80s, but the truth is I counted almost as many released in 1975 as in 1983*. I suppose a difference is that 8 of the 10 in ’75 were part 2s, whereas 1983 gave us such part 3s as this, RETURN OF THE JEDI, SUPERMAN III, AMITYVILLE 3-D, and SMOKEY AND THE BANDIT PART 3. THE OMEN, FRIDAY THE 13TH, HALLOWEEN and ROCKY series’ had also hit part three in 1981 or 1982. So maybe it really was a different movie landscape. The era of part threes, heading into part fours. (read the rest of this shit…)

El Diablo / The Resurrection of Broncho Billy

Thursday, February 9th, 2023

EL DIABLO is a mediocre 1990 made-for-cable western that I watched because it’s based on an old John Carpenter script. As a Carpenter-once-removed movie I thought it would make a good followup to yesterday’s ASSAULT ON PRECINCT 13 remake review.

The original script was written in the ‘70s, and was reportedly set to be Carpenter’s directorial followup to THE FOG, but he got nervous about doing a western. I couldn’t find any mention of the project in John Carpenter: The Prince of Darkness by Gilles Boulenger, but the last question in that great interview book is about why he never directed a a straight western. “There is a part of me that worries about making a western, that worries about the horses, that worries about ending up in a film I wouldn’t understand,” Carpenter said. “I don’t know why. I can’t explain that. Maybe people who had made westerns intimidate me. I don’t really want to compete with them. Perhaps I’m a coward, but I feel more at ease competing in the horror genre than competing with Howard Hawks or John Ford or any of the greats.” (read the rest of this shit…)

Diggstown

Thursday, September 22nd, 2022

“This ain’t about money anymore.”

DIGGSTOWN, released August 14, 1992, is a pretty entertaining meat and potatoes movie, with the meat being a sports movie and the potatoes being a con movie. It’s directed by Michael Ritchie (PRIME CUT, FLETCH) and written by Steven McKay (between HARD TO KILL and DARKMAN II: THE RETURN OF DURANT) based on the novel The Diggstown Ringers by Leonard Wise.

James Woods (BEST SELLER) stars as Gabriel Caine (no relation to RAISING CAIN), a master manipulator doing time in a Georgia prison for selling counterfeit art, now making money on the side helping other prisoners escape. When he’s released he heads to nearby Diggstown with a complicated scheme targeting unofficial ruler of the town John Gillon (Bruce Dern, THE DRIVER). Gillon was once the manager of local boxing legend Charles Macom Diggs (Wilhelm von Homburg, DIE HARD, NIGHT OF THE WARRIOR). Now he manages the small boxing venue Diggstown Arena, but makes enough money to buy his his son Robby (Thomas Wilson Brown, the neighbor kid in HONEY, I SHRUNK THE KIDS) a ’56 Corvette. (read the rest of this shit…)

Iron Eagle On the Attack

Wednesday, March 6th, 2019

IRON EAGLE ON THE ATTACK is part IV of the IRON EAGLE saga, made at a time when the series had transcended numbers. And theatrical releases. Specifically that time was 1995, so this is a little movie over on the fringes trying to keep the dream of the ’80s alive while DIE HARD WITH A VENGEANCE, GOLDENEYE, DESPERADO, CRIMSON TIDE, HEAT, BRAVEHEART, UNDER SIEGE 2: DARK TERRITORY, RUMBLE IN THE BRONX, SUDDEN DEATH and yeah, sure, MORTAL KOMBAT were keeping us occupied in theaters. So I guess I didn’t notice it.

According to IMDb, ON THE ATTACK went straight to cable in the U.S., but it doesn’t feel like as huge a step down in quality as some of the other TV sequels such as DIRTY DOZEN: NEXT MISSION or FIRESTARTER REKINDLED. It feels legit. Sydney J. Furie returns to the director’s cockpit, this time with a new writer, Michael Stokes (JUNGLEGROUND, NO CONTEST II, Paw Patrol).

The first thing you need to know about ON THE ATTACK: it’s the IRON EAGLE movie that sources its pilot team from a reform school. So it’s got the DREAM WARRIORS teen underdog thing going for it. (read the rest of this shit…)

Aces: Iron Eagle III

Tuesday, March 5th, 2019

ACES: IRON EAGLE III is an impressive sequel because it brings back Louis Gossett, Jr. as Colonel Charles “Chappy” Sinclair in yet another humble day job, and then recruits him for yet another off-the-books missile-run into foreign lands, yet it switches the scenario around enough to still feel very new. See, this time he’s not mentoring a young hot shot – if anything, he is the young hotshot. He works at an aviation show with an international squad of surviving WWII pilots who perform simulated combat firing red paint bullets at each other. (Yes, a bad guy later replaces some of the paint bullets with real rounds.)

When the chips are down these grumpy old man space cowboy tough guys come out of retirement for one last job to prove that pilots were better before all these fancy pants doodads and what not. “Agh, flying computers, Captain. In our day it used to be the man, not the machine.”

They convince their boss, (Fred Dalton Thompson, DIE HARD 2) to let them soup up their air show planes even though he says they’re “priceless antiques” – he seems less concerned that the pilots are too – and they fly into action. (read the rest of this shit…)

Iron Eagle II

Monday, March 4th, 2019

I don’t think I’ve ever seen any IRON EAGLE sequels, and I always love to see how the franchises unfold, so let’s do it. Part two came two years later, in 1988, with director Sydney J. Furie returning after SUPERMAN IV: THE QUEST FOR PEACE. The script once again is credited to Furie and Kevin Elders (Albert Pyun’s RAVENHAWK).

I was glad to see Jason Gedrick back as Doug Masters, now graduated from the academy that Chappie got him into at the end of part I. Oddly call-signed “Thumper,” he’s still popping in the rock ‘n roll cassette tapes to inspire his F-16 hotshottery. I was less glad to realize a couple scenes later that it was supposed to be his jet that got blown up in an encounter with Russian MiGs when they accidentally went into Soviet air space while fucking around, and that part II is about his just-introduced best friend Captain Matt “Cobra” Cooper (Mark Humphrey, FAMILY OF COPS II-III). (read the rest of this shit…)

Iron Eagle

Thursday, February 28th, 2019

I always remembered IRON EAGLE as a chintzy ripoff of TOP GUN, but in fact it came out six months earlier. Shame on you, TOP GUN. Did you think we’d never find out the truth? You’ve got alot to answer for.

Both movies involve hot-shot rule-breaking F-16/F-14 pilots who have run-ins with Russian MIGs, but IRON EAGLE is the only one that uses a stencil font at the beginning. That means it’s a legit b-action movie and therefore follows two tried and true traditions:

1) the UNCOMMON VALOR/RAMBO FIRST BLOOD PART II/MISSING IN ACTION off-the-books P.O.W. rescue mission

and

2) the RED DAWN/TOY SOLDIERS teens-take-matters-into-their-own-hands wish fulfillment adventure (read the rest of this shit…)

Roots: The Gift

Friday, December 16th, 2016

There have been many types of Christmas TV specials over the years: the beloved cartoons like A Charlie Brown Christmas and How the Grinch Stole Christmas, the stop motion ones like Rudolph the Red-Nosed Reindeer, the musical variety shows like the ones Johnny Cash did, the very special episodes of sitcoms. December 1988 brought us Christmas episodes of China Beach, L.A. Law, Thirtysomething, The Wonder Years, Day By Day, It’s Garry Shandling’s Show, Just the Ten of Us, 227, Amen, Dear John, Full House, Murphy Brown, Night Court, Perfect Strangers, Punky Brewster, The Tracey Ullman Show (including the Simpsons short), Who’s the Boss, Wiseguy, Beauty and the Beast, and Pee-wee’s Playhouse (still a perennial classic), plus the specials The Care Bears Nutcracker Suite, Christmas in Tattertown (directed by Ralph Bakshi), Bob Hope’s Jolly Christmas Show (special guests Orel Hershiser, Don Johnson, Florence Griffith Joyner and Dolly Parton) and the famous TV movie reunion A Very Brady Christmas.

But do you think it’s weird that there was also a special Christmas movie based on Alex Haley’s acclaimed 1977 slavery mini-series ROOTS? I thought it was kinda weird so I decided to watch it and see what the deal was. (read the rest of this shit…)

Toy Soldiers (1991)

Thursday, December 8th, 2016

TOY SOLDIERS is a kid’s movie clashing with an action movie. It’s rated-R and surprisingly legit, opening with chaos in Colombia, where Luis Cali (Andrew Divoff, WISHMASTER), the son of a captured narco-terrorist, has a court room held hostage. Within the first four minutes of the movie they throw a woman out of a high window and a judge out of a helicopter (an impressive skydiving stunt). Later they will take over a boarding school full of the children of American politicians and super-riches, and being that Columbine has not happened they will have no compunction about shooting the place up.

But when we meet our young protagonists jogging into The Regis School and spray painting it to say “The Rejects School”, Robert Folk (POLICE ACADEMY)’s score goes from sounding like a Chuck Norris movie to an episode of Amazing Stories or The Young Indiana Jones Chronicles. Oh, youth. They have self-owned themselves as rejects because they’re supposed to be the fuckup rich kids who got kicked out of every other prep school. Now they will endure the gauntlet of action-movie-scenario to prove their true worth. (read the rest of this shit…)

The Punisher (1989)

Monday, July 17th, 2006

Two years ago, I saw and accidentally enjoyed the 2004 movie THE PUNISHER starring Thomas Jane. It was another attempt at a movie version of some Marvel Comics Book which had once been made by none other than Dolph Lundgren. After I saw that movie, I wrote a review (see below), then I looked into the eyes of the universe and I made a solemn vow that one day maybe I would see the Dolph Lundgren version, who knows.

Well today I saw Dolph’s version and I’m here to report that it’s okay. I liked Thomas’s version the best but this one definitely has its moments. Like the 2004 one, this is definitely more in the action movie/vigilante style than some kind of Batman or Superman deal. The main comic book element is that Punisher lives in the sewers and has tunnels to bring him everywhere. Also he has a wacky sidekick who is some kind of homeless guy who always claims to be a theater actor, and who always rhymes. (read the rest of this shit…)