THE MATRIX is, I continue to believe, one of The Great Movies. It absolutely holds up today, and also it reminds me so much of then. I will always remember what it felt like when this was a new movie, and our entire understanding of the MATRIX story. When we all imagined where it would go next, and then we we had a couple years enjoying or rolling our eyes at all the movies obviously influenced by it, whether that means corny outfits and techno music or that brief, glorious window when Hollywood actors could be convinced to spend months preparing for action scenes with the great Hong Kong choreographers. But mostly I like to remember what it felt like to be surprised by it. Going in wondering if it would be good and then coming out knowing it was this.
I did have hopes. I had come to respect Keanu Reeves’ taste in movies after SPEED and, say what you will, JOHNNY MNEMONIC. I liked BOUND and it was exciting to see directors like that doing a sci-fi movie. And then a day or two before it came out I heard something about there being kung fu in it? So it wasn’t completely out of the blue that it was good. But I don’t think I was expecting something that a couple decades later would still be thought as highly of as the fucking MATRIX is. (read the rest of this shit…)
June 7, 1985
For most of my writing career I’ve had a policy of being ambiguous about my age, because I wanted to seem like a crusty old man, regardless of how little that seemed to fit with the particular things I was knowledgeable about. As I get closer to being authentically old and crusty I’m starting to be more lax about that, so at last the truth can be told: I am exactly the right age to have grown up loving this movie. In fact, I did grow up loving this movie. And I’ll even go you one further: I saw it twice in one day. My mom took me and my friends to see it on my birthday, and since there wasn’t room in the car for my siblings, she brought them to see it later in the day, and I went that time too.
“Excuse me everyone – I surrender!”
In this one Bruce plays a cop from a long line of cops. Which of course means his uncle is played by Dennis Farina. You also got John Mahoney as his dad and Tom Sizemore and Robert Pastorelli as his knucklehead cousins. All cops. Sarah Jessica Parker is the love interest, also a cop but not related, so they can fuck in one part. The movie takes place in Pittsburgh and I guess they even got local people to work on the movie, because I recognized the editor’s name, Pasquale Buba, from watching DAWN OF THE DEAD a thousand times. The director also has a familiar name, Mr. Rowdy Herrington of ROADHOUSE fame.
disclaimer from the future: Back in ’96 when BOUND came out and then in 2002 when I wrote this I really believed the movie to be the work of two men who were horny to watch lesbian sex and trying to pass it off as enlightenment. This turned out to be not so accurate! But I will leave this review as-is for the historical record.
