Posts Tagged ‘Mary Elizabeth Winstead’
Thursday, November 30th, 2023
The day after I saw THANKSGIVING I decided to sit down and watch the whole GRINDHOUSE double feature for the first time in many years. I saw it twice during its short theatrical run in 2007, saw the longer separate version of DEATH PROOF on DVD (can’t remember if I ever did the same for PLANET TERROR), at some point I bought a Canadian import blu-ray just to have the full double feature when it wasn’t available here yet. Turns out it was still unopened.
DEATH PROOF definitely stands up as a separate movie, but I thoroughly enjoyed having that full experience again. I know online movie people talk too much about runtimes, sort of a dumb topic usually, but I want to point out that this full double feature is only 15 minutes longer than THE BATMAN, 10 minutes longer than OPPENHEIMER, and 15 minutes shorter than KILLERS OF THE FLOWER MOON. But it offers two very different movies, plus short subjects in the form of fake trailers and bumpers, that play off each other kind of like an anthology. For those times when you’re in more of a splattering blood and smashing cars mood than a creation of the atom bomb one it’s a joyful and enriching way to spend an afternoon or evening. (read the rest of this shit…)
Tags: Bruce Willis, Carlos Gallardo, Freddy Rodriguez, Jeff Fahey, Marley Shelton, Mary Elizabeth Winstead, Michael Biehn, Michael Parks, Monica Staggs, Naveen Andrews, Nicky Katt, Quentin Tarantino, Robert Rodriguez, Rosario Dawson, Rose McGowan, Sydney Tamiia Poitier, Tom Savini, Tracie Thoms, Vanessa Ferlito, Zoe Bell
Posted in Reviews, Action, Horror | 50 Comments »
Tuesday, December 21st, 2021
As you know, I sometimes enjoy the dance movies. So when I was preparing my review for KATE a while back and realized there was one starring Mary Elizabeth Winstead, I knew I had to see it.
It’s called MAKE IT HAPPEN and it’s about a young lady who tries to make it happen. It came out in 2008, when Winstead had just done DEATH PROOF and LIVE FREE OR DIE HARD and was about to do SCOTT PILGRIM VS. THE WORLD. She plays Lauryn Kirk, a small town Indiana dancer who dreams of going to a prestigious dance school in Chicago. It’s the standard “Ever since Mom and Dad died…” situation: her and her older brother Joel (John Reardon, WHITE CHICKS, FALLEN, later “Young Kevin Flynn / Clu [body double]” in TRON LEGACY) only had each other and are very close and he’s overly protective of her. They run their dad’s garage, with her working as bookkeeper, but she’s going to Chicago to audition for the school, and he’s in denial that she might really be leaving.
Of course, the auditions are hard, and she fails to impress the openly snobbish admissions guy (Gordon Tanner, HOME ALONE: THE HOLIDAY HEIST). To be fair, her standard hip hop moves don’t seem impressive, but he really should be more friendly when giving her the terrible advice to be “softer, more sensual and feminine.” (read the rest of this shit…)
Tags: Ashley Roberts, Chicago, dance movies, Darren Grant, Duane Adler, Gordon Tanner, John Reardon, Julissa Bermudez, Karen LeBlanc, Mary Elizabeth Winstead, Nicole Avril, Riley Smith, Tessa Thompson, Tracy Phillips
Posted in Drama, Reviews | 2 Comments »
Tuesday, September 28th, 2021
KATE is the straight-to-Netflix Mary Elizabeth Winstead action movie produced by David Leitch and Chad Stahelski’s company 87North (formerly 87Eleven). As you’d expect from that pedigree, it has excellent action scenes, with JOHN WICK fight coordinator Jonathan Eusebio acting as second unit director and stunt coordinator. He did BIRDS OF PREY too, so I gotta wonder if Winstead asked, “You got any more of those JOHN WICKs laying around?”
The screenplay is credited to Umair Aleem (whose only previous credit is EXTRACTION – no, not that one – the Bruce Willis/Kellan Lutz/Gina Carano one), and the story is admittedly more standard than a JOHN WICK or a NOBODY. Elite assassin wanting to retire, yes, but none of the fanciful stuff. Working with her handler Varrick (Woody Harrelson, DOC HOLLYWOOD), who trained her since she was orphaned, Winstead’s titular character adeptly infiltrates, beats up, parkours and rooftop snipes whoever they send her after (which seems to mean Yakuza bosses, since she seems to live and work out of Japan). The first hit we see is successful, but she has to kill the guy in front of his daughter, which upsets her so much she decides she’s retiring after wrapping up the job. The second one we see she misses, making it much more exciting because we get to see her leap and somersault across buildings to get a second shot and then improvise an escape, stealing some dude’s ridiculously pimped out pink and yellow ride for a SPEED RACER/2 FAST 2 FURIOUS neon-blur car chase. (read the rest of this shit…)
Tags: 87North, Athena Perample, Cedric Nicolas-Troyan, Jonathan Eusebio, Jun Kunimura, Mary Elizabeth Winstead, Michiel Huisman, Miku Patricia Martineau, Miyavi, Seng Kawee, Tadanobu Asano, Umair Aleem
Posted in Action, Reviews | 52 Comments »
Friday, February 14th, 2020
BIRDS OF PREY AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN is the movie that says “Okay, we fucked up that SUICIDE SQUAD movie, but Margot Robbie was great as Harley Quinn, right? Didn’t we kinda have something there?” And the answer is yes and yes, so luckily they gave her another movie. It’s the second feature for director Cathy Yan, whose 2018 debut DEAD PIGS takes place in Shanghai but stars Zazie Beetz. She obviously has Robbie’s pre-existing character and David Ayer’s SUICIDE SQUAD sensibilities to build off of here, but I think she makes it distinct – it feels to me like a studio hiring a promising new director to do her thing, not to follow instructions.
Formerly the abused girlfriend/sidekick of The Joker, this is the story of Harley’s life after breaking up with him. No longer enjoying the immunity provided by association with a famous psychopath boyfriend, Harley gets herself into trouble with various factions including but not limited to the gang run by Roman “Black Mask” Sionis (Ewan McGregor, MILES AHEAD, JANE GOT A GUN), police detective Renee Montoya (Rosie Perez, DANCE WITH THE DEVIL, Widows), somebody she punched in a roller derby bout (stuntwoman Keisha Tucker), and somebody who blames her for his face being tattooed like a clown and can’t fucking believe it when she doesn’t remember what he’s mad about (Matthew Willig, FULL CONTACT [1993], 3 FROM HELL). (read the rest of this shit…)
Tags: Cathy Yan, Chad Stahelski, Chris Messina, Christina Hodson, DC Comics, Ella Jay Basco, Ewan McGregor, John Eusebio, Jurnee Smollett-Bell, Margot Robbie, Mary Elizabeth Winstead, Matthew Libatique, Matthew Willig, Rosie Perez
Posted in Action, Comic strips/Super heroes, Reviews | 44 Comments »
Wednesday, November 13th, 2019
GEMINI MAN is your traditional “the greatest assassin anybody ever saw decides to retire and then god damn it I thought they loved me but they’re sending a guy to kill me what the fuck” type scenario. The gimmick is that the guy they send after him is a younger version of himself created through the miracle of cloning. He figures this out a good third or more into the movie, but we know from frame one because of the studio’s decision to advertise the film.
Will Smith (“Nightmare On My Street”) plays both extreme retiree Henry Brogan and the facial expressions of the very advanced digital animation character playing his clone. Junior, as he’s called, gets dispatched after Henry’s Old Buddy From the Marines Jack (Douglas Hodge, THE DESCENT PART 2) and Russian operative Yuri (Ilia Volok, AIR FORCE ONE) tell him that that last guy they had him kill, the terrorist, was actually an innocent scientist being eliminated as part of a cover-up. When Henry hears this information he looks up to the clouds just as the lite on a satellite blinks, but it’s only to tell us someone heard this. He doesn’t seem to figure it out himself.
He does catch on that the new manager at the docks where he keeps his boat is really a D.I.A. agent sent to keep tabs on him. He asks Dani (Mary Elizabeth Lucy McClane Winstead, BOBBY) on a date, maybe just to get her to admit she’s spying on him and convince her he’s not a threat. But when some dudes try to kill both of them they end up on the run together. They head to Colombia to meet up with his Old Agency Friend turned small plane pilot Baron (Benedict Wong, LARGO WINCH). (read the rest of this shit…)
Tags: Andrew Niccol, Ang Lee, Benedict Wong, Billy Ray, Brian Helgeland, Christopher Wilkinson, Clive Owen, Darren Lemke, David Benioff, Douglas Hodge, high frame rate, Ilia Volok, Jeremy Marinas, Jerry Bruckheimer, Jonathan Hensleigh, Marko Zaror, Mary Elizabeth Winstead, Stephen J. Rivele, Will Smith
Posted in Action, Reviews, Science Fiction and Space Shit | 58 Comments »
Monday, March 14th, 2016
A couple weeks ago I reviewed that movie ROOM and even though it was a world class best picture nominee type of movie I said it should have DTV sequels like the similarly locationally limited indie CUBE did about a decade back. It could just be another story about another room that people are stuck in. Well, little did I know that they’d do something like that but it would be released theatrically and it would be a J.J. Abrams (JOY RIDE) production, not called ROOM2 or ROOM: REDEMPTION but 10 CLOVERFIELD LANE.
That title may make you think it’s gonna feature Cloverfield, the popular lasagna swilling, Monday-hating, Nermal, Odie and Jon abusing asshole giant monster character from Matt Reeves’s Abrams production CLOVERFIELD, but it’s not. It’s also not done in found footage style, instead it’s modeled after the look of a professional movie. It would’ve been cool if there was a part where T.J. Miller runs by with a camcorder, but I think the title is just a coincidence. It’s kinda like how Rob Cohen directed DRAGON: THE BRUCE LEE STORY, DRAGONHEART and THE MUMMY: TOMB OF THE DRAGON EMPEROR, but those aren’t necessarily a trilogy in my opinion.
So no, this one is more like ROOM, but with a different lady in a different room with a different skylight and a different idea about the world outside. Mary Elizabeth Winstead (ABRAHAM LINCOLN: VAMPIRE HUNTER) plays Michelle, who in a silent prologue is seen abandoning her husband or fiancee (we never see him, but his telephone voice is Bradley Cooper [THE MIDNIGHT MEAT TRAIN]). Then she gets in a car accident out in the boonies and wakes up in a strange room with an I.V. drip and a leg brace. This doesn’t look like a hospital though, mainly because she’s on a mattress on the floor, and the door is like a vault, and also she’s shackled to a pipe, and she doesn’t even have a call button in case she needs a nurse to help her go to the bathroom. (read the rest of this shit…)
Tags: Bradley Cooper, Damien Chazelle, Dan Trachtenberg, J.J. Abrams, John Gallagher Jr., John Goodman, Josh Campbell, Mary Elizabeth Winstead, Matthew Stuecken
Posted in Reviews, Thriller | 60 Comments »
Thursday, February 14th, 2013
A GOOD DAY TO DIE HARD is directed by John Moore. His previous films are BEHIND ENEMY LINES, FLIGHT OF THE PHOENIX, THE OMEN REMAKE, and MAX PAYNE. Not great. The screenplay is solely credited to Skip Woods. His entire previous filmography is THURSDAY, SWORDFISH, HITMAN, X-MEN ORIGINS: WOLVERINE and THE A-TEAM. So… this is what happens.
I love DIE HARD like I love air, and nothing is as good as it. But I’m easier on the sequels than most people. I feel like we made an agreement as soon as we were okay with The Same Shit Happening To the Same Guy Twice that we would accept increasing levels of absurdity in order to continue our relationship with John McClane. I kinda hold the sequels separate from the original in my mind. They’re not untouchable, but I enjoy watching them.
(read the rest of this shit…)
Tags: Bruce, Bruce Willis, Cole Hauser, Jai Courtney, John Moore, Mary Elizabeth Winstead, post-action, Rash Bukvic, Russia, Skip Woods
Posted in Action, Bruce, Reviews | 216 Comments »
Monday, December 24th, 2012
I skipped BLACK X-MAS for six years ’cause everybody told me it was bottom-of-the-barrel, but after I heard Brian Collins and some guys discuss it on some podcast about their favorite horror remakes I decided to try it out this year. Of course it’s a disgrace to the pioneering original Bob Clark BLACK CHRISTMAS from 1974. But it’s a fun disgrace.
Like the original it’s about some sorority sisters (and one sorority den mother, or whatever it’s called) staying in the house on Christmas break, being harassed on the phone by some weirdo named Billy who stalks them and suffocates one or more of them with a plastic bag and leaves her in the attic in a rocking chair and nobody finds her for a while. It skips the original’s thread about a father going around trying to find his daughter, preferring to keep the cast mostly male-free and most of the running time isolated to the one location. But the biggest and boldest change was to give the killer a backstory.
(read the rest of this shit…)
Tags: Andrea Martin, Christmas, Christmas horror, Crystal Lowe, Glen Morgan, Jessica Harmon, Katie Cassidy, Kristen Cloke, Lacey Chabert, Mary Elizabeth Winstead, Michelle Trachtenberg, remakes, slashers
Posted in Horror, Reviews | 31 Comments »
Thursday, June 28th, 2012
From the time I heard about the book Abraham Lincoln: Vampire Hunter until the second before I saw the trailer for the movie version, I had no interest in the concept. Yeah, I get it – history and horror cliches moosh-up. Wocka wocka wocka. But one second later I saw that trailer and I realized that I hadn’t gotten it at all. As far as you could tell from the trailer, this movie was gonna be treated dead serious. A historical drama that for some reason is also a horror action movie. It looked amazing.
(read the rest of this shit…)
Tags: Abraham Lincoln, Alan Tudyk, Anthony Mackie, Benjamin Walker, Civil War, Dominic Cooper, Mary Elizabeth Winstead, Rufus Sewell, Seth Grahame-Smith, Tim Burton, Timur Bekmambatov, vampires
Posted in Action, Horror, Reviews | 66 Comments »
Friday, March 9th, 2012
Well, here’s the thing…
(get it?)
Let’s say you love John Carpenter’s THE THING so much you want to make a prequel to it explaining what led up to the dog running from the burnt up base. And you’re very careful to stay true to the tone and style of the 1982 movie, and to make all the little details match up. Then what do you call your movie?
Well, THE THING, of course. To mimic THE THING and take its place, like a Thing. (read the rest of this shit…)
Tags: Joel Edgerton, Mary Elizabeth Winstead, premaquels
Posted in Reviews, Science Fiction and Space Shit | 100 Comments »
