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Posts Tagged ‘Tessa Thompson’

Creed III

Wednesday, March 8th, 2023

You know I love the CREED movies and the ROCKY movies. ROCKY V is easily the weakest of all of them, and I even like that one. I don’t expect there ever to be another one as impressive as CREED, a miraculous rebirth by a brilliant director who deeply loved Stallone’s movies and evolved them into something new, so I enjoyed CREED II for what it was. I was thrilled that it brought back Dolph Lundgren as Ivan Drago and let us care about him the way I always wanted to. As I wrote in my review at the time, “He was a human specimen in ROCKY IV, and now he’s a human.”

CREED II is a solid sequel, but CREED III is a truly great one. It’s the directorial debut of Michael B. Jordan, and being populated only by characters from the CREED part of the series it stands more on its own, less on our nostalgia and good will. It follows the ROCKY sequel template in that it checks in with Adonis Creed (Jordan) at a new stage of his career and life, catches up with his family, introduces a new rival, and builds up a conflict that will result in a big match wrapped up in personal meaning. To his credit, Jordan also introduces a bit of stylization in the fight scenes that stands out from the others in the series. But most importantly he tells a story that genuinely has things to say about life and relationships that to me is as exciting as any of the boxing. (read the rest of this shit…)

Thor: Love and Thunder

Thursday, August 11th, 2022

I’m very late to this one, but I have finally seen and written down words about Thor picture #4, THOR: LOVE AND THUNDER, directed by the suddenly controversial Taika Waititi. I see most of the Marvel movies right away, but various other happenings conspired to make me wait until three weeks later on this one, and honestly it was kind of nice to miss most of the conversation and see it after the storm had passed. I’m curious to see if this review will still generates anything close to a new release level of discussion, or if the interest in such topics dissipates with exposure to oxygen. I honestly don’t know the answer.

It was also good to see later because I was aware that the response had been much more widely negative than for most MCU movies, and especially than the in-my-experience-universally-popular THOR: RAGNAROK from the same director and general attitude. Before that I had taken for granted that it would be one of the better Marvel movies. I concede that it’s the opposite. But maybe the lowered expectations contributed to me still being entertained and not hating it. (read the rest of this shit…)

Make It Happen

Tuesday, December 21st, 2021

As you know, I sometimes enjoy the dance movies. So when I was preparing my review for KATE a while back and realized there was one starring Mary Elizabeth Winstead, I knew I had to see it.

It’s called MAKE IT HAPPEN and it’s about a young lady who tries to make it happen. It came out in 2008, when Winstead had just done DEATH PROOF and LIVE FREE OR DIE HARD and was about to do SCOTT PILGRIM VS. THE WORLD. She plays Lauryn Kirk, a small town Indiana dancer who dreams of going to a prestigious dance school in Chicago. It’s the standard “Ever since Mom and Dad died…” situation: her and her older brother Joel (John Reardon, WHITE CHICKS, FALLEN, later “Young Kevin Flynn / Clu [body double]” in TRON LEGACY) only had each other and are very close and he’s overly protective of her. They run their dad’s garage, with her working as bookkeeper, but she’s going to Chicago to audition for the school, and he’s in denial that she might really be leaving.

Of course, the auditions are hard, and she fails to impress the openly snobbish admissions guy (Gordon Tanner, HOME ALONE: THE HOLIDAY HEIST). To be fair, her standard hip hop moves don’t seem impressive, but he really should be more friendly when giving her the terrible advice to be “softer, more sensual and feminine.” (read the rest of this shit…)

Little Woods

Thursday, June 25th, 2020

LITTLE WOODS is the debut of writer/director Nia DaCosta, who followed it with the upcoming CANDYMAN (2020), sequel to CANDYMAN (1992). I’m not sure how much they’ll have in common, because this one’s not horror, and it takes place in a rural area, but it’s very good, and raises my expectations for the other one even higher.

Tessa Thompson (CREED) is great as Ollie (short for Oleander), who lives in her late mother’s busted up house in North Dakota and is almost done with her probation. While mom was sick she would go into Canada to get medicine for her, but she also had a whole pill-selling enterprise going, and she got caught at the border.

Now she does stuff like go out to construction sites and sell coffee and sandwiches out of the back of her pickup. People still ask her for Oxy and she explains she doesn’t do that anymore. Everybody still likes her. The local opiate pusher Bill (Luke Kirby, HALLOWEEN: RESURRECTION) thinks that makes her a good saleswoman and tries to get her to work for him. (read the rest of this shit…)

Creed II

Monday, November 26th, 2018

CREED was a perfect movie, a miracle that unexpectedly resurrected the ROCKY series. CREED II, coming from a different director and writers, cannot match it. But it’s a solid continuation of beloved characters from both the original series and the new one that brings them to new places in life, with some boxing, training montages and dramatic music in between. Kinda like ROCKY II.

And of course there are other parallels. Adonis (Michael B. Jordan, RED TAILS) becoming champ, getting married and becoming a father, and also being embarrassed to be seen by the media while coming out of the hospital all beat up. But he doesn’t get a tiger jacket, so it’s not a remake of ROCKY II. Mostly it’s a direct sequel to CREED and ROCKY IV.

Before they ever even announced a CREED II, you and I and everybody else were dreaming of the same thing: a sequel where Adonis meets the man who killed his father in the ring, Ivan Drago, and has to fight his son. It’s one of those things that’s so obvious that they sort of had to do it. If the sequel was about anything else, no matter how exciting, you’d just think “Yeah, but why not Ivan Drago?” (read the rest of this shit…)

Sorry To Bother You

Monday, July 23rd, 2018

SORRY TO BOTHER YOU is an absurd, inventive new comedy that’s so playful and funny that its acidic satire of soul-crushing capitalism comes across a little more like an inspirational rallying cry than blind fury at a seemingly insurmountable wall of corporate greed and dehumanization. Though it’s that too.

If I was required by law to describe it in terms of movies that already exist, I’d say “low-wage OFFICE SPACE by way of Michel Gondry.” But fuck the law, because it feels like something very new, distinctive and of the moment, from the cast headed by Lakeith Stanfield and Tessa Thompson to the soundtrack to even the cool fonts and logos by children’s book illustrator J. Otto Seibold. Stanfield plays Cassius Green (yes, it’s a pun), who lives in his uncle (Terry Crews, STREET KINGS)’s garage until he finds his calling (oh shit, another pun) at a new telemarketing job. I mean, the place is a hellhole on the verge of a strike led by Squeeze (Steven Yeun, formerly of The Walking Dead), but he turns out to be really good at it after co-worker Langston (Danny Glover, PREDATOR 2) teaches him the secret of the “white voice.” It’s not mere code-switching, but a near supernatural channeling of a voice with no worries that he manifests by being dubbed by David Cross (ALVIN AND THE CHIPMUNKS). It’s a broad and hacky joke made almost profound by its layers of subtext and power to creep out his friends and loved ones. (read the rest of this shit…)

Annihilation

Monday, March 12th, 2018

In ANNIHILATION, the sophomore directorial work of Alex Garland (EX_MACHINA, also author of The Beach and screenwriter of 28 DAYS LATER, SUNSHINE, NEVER LET ME GO and DREDD), Natalie Portman (LEON THE PROFESSIONAL) takes a journey into the heart of weirdness. Her character Lena is a cell-loving ex-Army biology professor at Johns Hopkins University (also the alma mater of Gil Scott-Heron, Wes Craven and Wolf Blitzer) whose presumed-K.I.A. husband Kane (Oscar Isaac, SUCKER PUNCH, THE NATIVITY STORY) suddenly shows up alive and odd and unable to explain anything. Sort of like the also mourning Amy Adams character in the also brainy-adapted-from-an-acclaimed-novel-sci-fi-movie ARRIVAL, she’s taken to a site (Area X) where soldiers and scientists face an unexplained, unprecedented phenomenon. In this case it’s not a spaceship but a sort of slowly expanding spectral bubble they call “The Shimmer” that surrounds a chunk of land and no one who has entered it has ever come back out. Until Kane. (read the rest of this shit…)

Thor: Ragnarok

Thursday, November 9th, 2017

Recently some friends and I were choosing favorites between Marvel’s three Chrises. It’s a tough call because Evans (the Captain America one) has the best Marvel series in my opinion, plus he seems like a cool guy in real life and starred in SNOWPIERCER. But Pratt (the Star Lord one) is the funniest and most down-to-earth Chris, and he has the more irreverent Marvel series. I even like his hypermasculine hold-on-I-need-to-roll-up-my-sleeves-so-you-can-see-my-forearms turn in JURASSIC WORLD.

Still, I chose Hemsworth (the Thor one) as my favorite Chris, because here is the most potentially embarrassing of the major Marvel characters, and frankly their least memorable series, but they got this Australian guy I never heard of who looks like He-Man and still was able to fuel the entire first movie on the power of his charisma. I really realized I was a fan when he did Michael Mann’s BLACKHAT. Not only is it a movie I really liked, but it was the first time in a while that one of these new guys displayed the type of manly magnetism that inspired me in the action movies of the ’80s and ’90s. I’m older than him but he made me want to grow up to slick my hair back and do hand stand pushups and read about philosophers.

So thank God his signature character Thor finally gets a movie worthy of his charms. Taika Waititi, the New Zealand writer-director best known for WHAT WE DO IN THE SHADOWS and the great HUNT FOR THE WILDERPEOPLE, completely reinvents the series as a colorful comedy much more in the vein (and sci-fi landcape) of GUARDIANS OF THE GALAXY than of the previous THORs. He quickly makes him funny, destroys his hammer, puts him on another planet and has cyborg Stan Lee cut his hair short. So it’s different. (read the rest of this shit…)

Creed

Monday, November 30th, 2015

tn_creedThe world is hard and shitty sometimes, but also sometimes it’s beautiful, and with some luck, some talent and some very hard work, unlikely things can happen. For example, what are the chances that director Ryan Coogler, after his true story police shooting drama FRUITVALE STATION won awards at Sundance and Cannes, would want to use his window of opportunity to pitch a movie about Apollo Creed’s son? And then what are the chances he’d convince Sylvester Stallone to play Rocky Balboa in it and a studio to make it? And finally what are the chances that it would both honor the history of the ROCKY movies and chart its own path to be something new? I don’t know what the odds are, but CREED beat ’em.

Michael B. Jordan (who also starred in FRUITVALE) plays Adonis “Donnie” Johnson who, as an orphaned teenager in and out of group homes, discovered he was the son of the most famous boxer in the world. Moving to the Creed mansion with his father’s wife Mary Anne (now played by Phylicia Rashad instead of Lavelle Roby or Sylvia Meals) takes his life straight from ROCKY to ROCKY III. Hungry to comfortable. As an adult he’s successful in a corporate job, but sneaks off to Tijuana for small time fights.

At his dad’s home gym Delphi in Los Angeles (who must’ve inherited some money from him if that’s supposed to be the same gym from III) nobody will train Adonis. It may be at Mrs. Creed’s request or maybe they just don’t believe in him, but they think it’s too dangerous. His father died in the ring. I love how much of this film’s drama comes specifically from what happened in the most ridiculous sequel. Maybe this will redeem IV for those who think it ruined the series by removing Apollo from it. (read the rest of this shit…)