Posts Tagged ‘Danny Glover’
Friday, June 10th, 2022
At first I wasn’t sure I needed to revisit LETHAL WEAPON 3 for this series, because I already wrote a perfectly good review of it (and the other three) back in 2014. But it’s clearly the kick off to the real deal summer movie season of ’92 if you look at the box office charts for its opening weekend, May 15, 1992. It took #1 of course, but everything else on the charts had been out fora while: BASIC INSTINCT in its ninth week, BEETHOVEN in its seventh week, WHITE MEN CAN’T JUMP in its eighth week, THE PLAYER in its sixth week, WAYNE’S WORLD in its fourteenth week, etc.
More importantly, I decided it was necessary for comparison. There will be three other big tentpole type sequels this summer, one of them being PATRIOT GAMES (which I’ve also reviewed, but probly won’t revisit) and the other two being, you know… weird. In contrast, this one wants to be exactly what you would imagine a third LETHAL WEAPON to be, no real surprises. As Desson Howe wrote in his review in the Washington Post, “If there’s an original moment in this movie, producer Joel Silver and director Richard Donner sincerely apologize… essentially, they guarantee you the same product you consumed twice before.” (read the rest of this shit…)
Tags: Danny Glover, Jan de Bont, Jeffrey Boam, Joe Pesci, Joel Silver, Mary Ellen Trainor, Mel Gibson, Renee Russo, Richard Donner, Robert Mark Kamen, Steve Kahan, Sting, Stuart Wilson
Posted in Action, Reviews | 33 Comments »
Monday, January 3rd, 2022
On January 1, 2013 I reviewed the movie TROUBLE WITH THE CURVE, and made up a superstition that it’s good luck for movie critics to start a year with a Clint Eastwood review. So then I ended up kicking off 2014 writing about A PERFECT WORLD, 2015 with THE OUTLAW JOSEY WALES, 2016 with KELLY’S HEROES, 2017 with PINK CADILLAC, 2018 with TWO MULES FOR SISTER SARA, 2019 with THE MULE, 2020 with WHITE HUNTER BLACK HEART and 2021 with THE GAUNTLET.
It would be hard to argue that any “good luck” panned out in some of those years, and yet I will stubbornly continue the tradition. ESCAPE FROM ALCATRAZ is from 1979 and it was the last of Clint’s five movies directed by Don Siegel, because they had a falling out over which one of them got to produce it. (Siegel’s only subsequent movies were ROUGH CUT starring Burt Reynolds and JINXED! starring Bette Midler.)
It’s based on the true story of the only maybe successful escape from the notorious island prison. Three guys got out, they may very well have drowned, but they were never found. I remember going on a tour of that place as a kid and hearing the story. Man, prison tours are fucked up. (read the rest of this shit…)
Tags: Alcatraz, Bruce M. Fischer, Bruce Surtrees, Clint Eastwood, Danny Glover, Don Siegel, Frank Ronzio, Fred Ward, Jack Thibeau, Jerry Fielding, Larry Hankin, Patrick McGoohan, Paul Benjamin, prison, Richard Tuggle, Roberts Blossom
Posted in Reviews, Thriller | 25 Comments »
Tuesday, August 24th, 2021
The only thing I remembered about MYSTERY DATE was that Gwar was in it. It’s a once-crazy-night movie where this kid Tom (Ethan Hawke, EXPLORERS) nervously takes out his crush Geena (Teri Polo, BORN TO RIDE) and tries to impress her, and they end up at a place called Club Voltaire during a Gwar show. We briefly get to see them roaring and thrashing and performing a cartoonish decapitation – pretty great choice for the “band that would seem intimidating to these people” scene. (In Keanu’s THE NIGHT BEFORE it was Parliament-Funkadelic.)
What I did not remember is that Tom finds a dead body in his trunk, accidentally kills a cop, and gets in a war with the Chinatown mafia. I thought it was gonna be a normal horny romantic comedy type deal.
Tom is a shy recent high school graduate. Since he looks like Ethan Hawke they don’t try to pass him off as a total nerd – he wears a Los Lobos t-shirt and has posters of The Stranglers, The The, Elvis Costello, UB40, and that Lynda Barry “Poodle with a Mohawk” cartoon, all suggesting he’s, like, a guy who listens to college radio or whatever. But he doesn’t make it clear what other passions he may have, save for this “mystery girl” next door (I think she’s housesitting?) who he spies on through a telescope (unethical). He lives in the shadow of his brother Craig (Brian McNamara, SHORT CIRCUIT), who’s at law school, and his parents’ dog, who they’ve taken out of town for a dog show. (read the rest of this shit…)
Tags: B.D. Wong, Brian McNamara, Candy Dulfer, Danny Glover, Ethan Hawke, Francis Veber, Gwar, Harry Shearer, Jonathan Wacks, Martin Short, Nadia Tass, Oliver Wood, Sam Wanamaker, Scott Wilson, Sheila Kelley, Summer of 1991, Teri Polo
Posted in Comedy/Laffs, Reviews | 15 Comments »
Monday, May 3rd, 2021
It’s that time of year again. The time when the sun comes out and my instincts tell me to crawl into a dark theater. It’s also become the time when I take a deeper look at summer movie entertainment of the past. Especially in this strange year, when the vaccines are starting to kick in but an immediate return to normal life seems unlikely, there’s something I find very comforting and fascinating about this form of time travel. I especially like looking at times I remember living in, but when I was too young to see everything that came out or to understand them in the way I would now. It’s partly nostalgia but partly wanting to learn about everything I missed.
It becomes harder to do each year, as there become fewer stretches that I haven’t already mined (or, in the case of anything in this century, that I wasn’t writing about at the time). Fortunately this year we’ve hit the 30th anniversary of a crop of movies from what I think is kind of an interesting transitional period with some cultural shifts in progress. It’s a summer with some fresh territory for me and although I’ve already reviewed what I consider its two most important releases, they’re both monumental enough to justify writing up more than once. (read the rest of this shit…)
Tags: Badja Djola, Bill Duke, Carol Cartwright, Chester Himes, Danny Glover, Forest Whitaker, George Wallace, Gregory Hines, Helen Martin, John Seitz, John Toles-Bey, Robin Givens, Screamin' Jay Hawkins, Stack Pierce, Stephen Woolley, Summer of 1991, T.K. Carter, Topper Lilien, Toyomichi Kurita, Wendell Pierce, Willard E. Pugh, William Horberg, Zakes Mokae
Posted in Crime, Reviews | 27 Comments »
Wednesday, July 17th, 2019
I already wrote about LETHAL WEAPON 2 along with the rest of the LETHAL WEAPON series back in 2014. I’m still happy with that review. It covers much of what’s relevant about the movie, and even features a scan from my beloved Summer 1989 Warner Brothers Catalog (as seen in the BATMAN review). But I didn’t think I should skip over the movie in this series because it’s such a crucial piece of what I’m talking about here. So the earlier review still stands, but here’s a partially overlapping supplemental look at LETHAL WEAPON 2 focusing on its place in the action movies of summer ’89.
LETHAL WEAPON (1987) was of course a quintessential ’80s action movie, the Platonic ideal of a buddy cop picture, and one of the originators of the idea of Mel Gibson and producer Joel Silver (ROAD HOUSE) as action kings. But part 2 is more my idea of what “a LETHAL WEAPON movie” is like because it invented how to sequelize that movie and make it about the continuing adventures of that now-established friendship. It takes what was already seen as heightened and makes it bigger, sexier, funnier, lethal-er (apparently it’s the biggest body count in the series at 33), creating a template (and new character in Leo Getz, played by Joe Pesci a year before GOODFELLAS) that would be used for two more sequels in the ’90s. (read the rest of this shit…)
Tags: Charlie Picerni, Danny Glover, Joe Pesci, Joss Ackland, Mel Gibson, Michael Kamen, Mike Rodgers, Paul Abascal, Richard Donner, Shane Black, South Africa, Summer of '89, Warren Murphy
Posted in Action, Reviews | 87 Comments »
Wednesday, July 3rd, 2019
Jim Jarmusch’s zombie comedy THE DEAD DON’T DIE is… I mean, it’s a zombie comedy by Jim Jarmusch. Which is unexpected. When the trailer came out I couldn’t tell if they were trying to mislead us or if Jarmusch had made something totally different from his other movies. The answer is in the middle, leaning toward the first one. It feels closer to normal Jarmusch than to, like, SHAUN OF THE DEAD. It’s high on oddness and quirk, low on concept, plot structure or traditional resolution. Compared to ZOMBIELAND or TUCKER AND DALE or something the humor is bone dry and the pace is molasses slow.
But by LIMITS OF CONTROL standards it’s an action packed thrill-o-rama. It has a whole bunch of zombies digging out of graves like Thriller or RETURN OF THE LIVING DEAD, pulling out people’s intestines for a snack, and getting their heads chopped or blown off. They’re respectable zombies, too – o.g. slow shambling style, some personality to them, one played by Iggy Pop (DEAD MAN, THE CROW: CITY OF ANGELS). There’s one pretty distinctive touch in that they emit puffs of dust from their wounds. I imagine Jarmusch worked with more FX people on this than on all his other movies combined. (read the rest of this shit…)
Tags: Adam Driver, Bill Murray, Caleb Landry Jones, Carol Kane, Chloe Sevigny, Danny Glover, Eszter Balint, Iggy Pop, Jahi Winston, Jim Jarmusch, Larry Fessenden, Maya Delmont, Rosie Perez, Selena Gomez, Steve Buscemi, Sturgill Simpson, Taliyah Whitaker, Tilda Swinton, Tom Waits, zombies
Posted in Comedy/Laffs, Horror, Reviews | 18 Comments »
Tuesday, January 22nd, 2019
THE OLD MAN & THE GUN is a slight but pleasant lovable-bank-robber tale that Robert Redford (THE HOT ROCK) apparently chose as his one last job. He plays Forrest Tucker, a real life thief who from the age of 15 to 83 spent his time stealing and getting locked up and escaping and repeating. Based on a New Yorker article, this takes place in 1981, when he’s 70 and at it again shortly after escaping San Quentin in a kayak he built and cheekily decorated with the county logo and a yacht club flag. I gotta admire attention to detail in a jailbreak, especially when it’s only for artistic purposes. (read the rest of this shit…)
Tags: bank robbers, Casey Affleck, Danny Glover, David Lowery, Elisabeth Moss, Robert Redford, Sissy Spacek, Tom Waits
Posted in Crime, Reviews | 12 Comments »
Monday, July 23rd, 2018
SORRY TO BOTHER YOU is an absurd, inventive new comedy that’s so playful and funny that its acidic satire of soul-crushing capitalism comes across a little more like an inspirational rallying cry than blind fury at a seemingly insurmountable wall of corporate greed and dehumanization. Though it’s that too.
If I was required by law to describe it in terms of movies that already exist, I’d say “low-wage OFFICE SPACE by way of Michel Gondry.” But fuck the law, because it feels like something very new, distinctive and of the moment, from the cast headed by Lakeith Stanfield and Tessa Thompson to the soundtrack to even the cool fonts and logos by children’s book illustrator J. Otto Seibold. Stanfield plays Cassius Green (yes, it’s a pun), who lives in his uncle (Terry Crews, STREET KINGS)’s garage until he finds his calling (oh shit, another pun) at a new telemarketing job. I mean, the place is a hellhole on the verge of a strike led by Squeeze (Steven Yeun, formerly of The Walking Dead), but he turns out to be really good at it after co-worker Langston (Danny Glover, PREDATOR 2) teaches him the secret of the “white voice.” It’s not mere code-switching, but a near supernatural channeling of a voice with no worries that he manifests by being dubbed by David Cross (ALVIN AND THE CHIPMUNKS). It’s a broad and hacky joke made almost profound by its layers of subtext and power to creep out his friends and loved ones. (read the rest of this shit…)
Tags: Armie Hammer, Boots Riley, Danny Glover, David Cross, Jermaine Fowler, Kate Berlant, LaKeith Stanfield, Oakland, Omari Hardwick, Patton Oswalt, Steven Yeun, Terry Crews, Tessa Thompson
Posted in Comedy/Laffs, Reviews | 22 Comments »
Thursday, May 24th, 2018
SILVERADO is Lawrence Kasdan’s upbeat 1985 western about some cowboys and, you know… they meet up and ride together and there’s guns and a jail and a saloon and a guy trying to steal land and all that. I don’t know, it’s a western.
This was Kasdan’s third time directing, after BODY HEAT and THE BIG CHILL. But consider that in the half decade before this he co-wrote THE EMPIRE STRIKES BACK, RAIDERS OF THE LOST ARK and RETURN OF THE JEDI. This is his rare directing job that has some of the vibe of those George Lucas productions. He wrote SILVERADO with his brother Mark (CRIMINAL LAW) and all these decades later he wrote SOLO with his son Jonathan (who had a bit part in SILVERADO at the age of 14) so I thought it would be a good time to write about this one.
(read the rest of this shit…)
Tags: Amanda Wyss, Brian Dennehy, Bruce Broughton, Danny Glover, Jeff Fahey, Jeff Goldblum, John Cleese, Kevin Costner, Kevin Kline, Lawrence Kasdan, Lynn Whitfield, Roseanna Arquette, Scott Glenn
Posted in Reviews, Western | 39 Comments »
Monday, April 16th, 2018
Mary (Taraji P. Henson, SMOKIN’ ACES, THE KARATE KID, Felicity episodes 7 and 14) is some kind of hitwoman for a Boston crime family, though you’d think she was a high class international assassin judging by her well-maintained secret fold-out arsenal and array of flashy blonde disguise wigs. One day after killing a bookie she sees his young son in the next room playing video games with headphones on. She should kill him – not in my opinion, but in her profession’s – instead she leaves him be.
A year later the kid, Danny (Jahi Di’Allo Winston, “Young Ralph Tresvant,” THE NEW EDITION STORY), has been through some foster homes and run away and become a hardened drug runner for an abusive Russian scumbag called Uncle (Xander Berkeley, L.A. TAKEDOWN, CANDYMAN). Without mentioning “Hey, I’m the one that murdered your dad” or even “I am a dangerous criminal,” Mary rescues Danny, brings him to her apartment and goes to tell off Uncle – who she ends up killing. And that’s a big mistake because her boss Benny (Danny Glover, PREDATOR 2) sends the whole crew to find and kill whoever took out Uncle. (read the rest of this shit…)
Tags: Babak Najafi, Billy Brown, Danny Glover, Jahi Di'Allo Winston, Neal McDonough, Steve Antin, Taraji P. Henson, Xander Berkeley
Posted in Action, Crime, Reviews | 5 Comments »