Archive for the ‘Action’ Category
Tuesday, March 6th, 2018
One thing the DEATH WISH remake has in common with the original: it feels kinda disreputable. I went to it knowing it had gotten poor reviews, that it had been delayed, that the trailers had been scoffed at by anybody I ever heard talk about it. People have looked down on Roth’s movies since HOSTEL, and they’ve given up on Bruce Willis ever giving a shit anymore, and they assume any remake is a cynical i.p. cash-grab, even if it’s DEATH WISH and it’s been in development for years and years and Stallone almost did it and Joe Carnahan almost did it and etc. Most of all, they don’t want to see a movie right now that seems like it might glorify a white guy shooting minorities, or support the moronic Trumpian worldview of “good guys with guns” who can save the day by executing the “animals” who they just know are scurrying all around in the “hellholes.”
I was not immune to most of these concerns. But also I came to it as someone who enjoys the Charles-Bronson-starring DEATH WISHes 1, II, 3, 4: THE CRACKDOWN and V: THE FACE OF DEATH all in different ways, and has read both Death Wish by Brian Garfield and its sequel Death Sentence, and championed the movie (sort of) adapted from that book, and also read Bronson’s Loose!, the great DEATH WISH series making-of book by Paul Talbot, and have an interest in many rip-off vigilante and revenge movies. And also I have opinions about all of Roth’s films and about violence and politics in genre movies and in real life and I love Bruce Willis and want to see him restored to full Bruce powers. So I went in complicated. (read the rest of this shit…)
Tags: Bruce, Bruce Willis, Camila Morrone, Eli Roth, Elisabeth Shue, Joe Carnahan, Mike Epps, revenge, vigilantes, Vincent D'Onofrio
Posted in Action, Reviews | 49 Comments »
Tuesday, February 27th, 2018
PENITENTIARY II (1982) is that thing we love where a director has been burning it up on the fringes and then they get a little more resources behind them and they really go for it. Still low budget and outside of the mainstream, but more professional than the first PENITENTIARY (1979) or the two other features writer-director Jamaa Fanaka made while still a student at UCLA. So he’s still hungry and crazy, but able to accomplish more. It’s one of the beautiful parts of life.
And you know this shit is gonna be good when there’s an opening scene and then a full credit sequence set to grimy DOLEMITE-esque blaxploitation funk and then a long STAR WARS style scroll explaining in more detail than necessary what’s going on.
The score is by Jack Wheaton, additional music by Marvin Gaye’s guitarist and musical director Gordon Banks. I tend to think that outside of the electro stuff like Zapp and “Atomic Dog,” funk no longer existed in the ’80s. Tell that to these opening credits, though: (read the rest of this shit…)
Tags: boxing, Ernie Hudson, Glynn Turman, Jamaa Fanaka, Leon Isaac Kennedy, Malik Carter, Mr. T, Peggy Blow, prison, Rudy Ray Moore, Stan Kamber, Tony Cox
Posted in Action, Reviews, Sport | 6 Comments »
Wednesday, February 14th, 2018
THE VILLAINESS is LA FEMME NIKITA with a little KILL BILL by way of South Korean cinema. A young woman with a troubled past has her identity erased, is trained to kill for the government, put undercover, given a mission, trying to earn her freedom. But she was already pretty damn good at killing before the feds got involved. They capture and recruit her after an incredible opening massacre, done in her POV – it’s first person shooter/slasher/stabber/kicker-through-window – until she sees herself in a mirror, then gets her head smashed into it and the perspective separates from her body, rotating around her as she continues to fight, mostly using gym equipment (the jump rope is my favorite) as weapons.
As her captivity, training and missions are depicted in somewhat elliptical fashion, the events leading up to that rampage also come out piece-by-puzzle-piece in flashbacks, not even in chronological order within themselves, and with some characters played by different actors in different periods. I find the story at times confusing and overcomplicated, but still compelling. Even if I didn’t, I’d still call THE VILLAINESS a must-see for the most audacious, envelope-pushing action filmatism I’ve seen in quite a while. (read the rest of this shit…)
Tags: assassins, Jung Byung-gil, Kim Ok-bin, Korean cinema
Posted in Action, Reviews | 12 Comments »
Wednesday, February 7th, 2018
THUNDER RUN is a Cannon-distributed movie with a wonderfully ridiculous sounding premise: a Korean war vet trucker has to drive a weaponized big rig full of plutonium at high speed as bait for a gang of nuclear terrorists. For some reason when I read the back of the VHS box it kind of sounded to me like a bullshit Hollywood blockbuster remake of THE MAN WHO GOT AWAY, the nihilistic indie movie that the main character is trying to make in Charles Willeford’s The Woman Chaser.
It’s kind of less awesome than it sounds but much more laid back and good hearted. It stars Forrest Tucker (FINAL CHAPTER: WALKING TALL) in his penultimate role (the last being the TV movie TIMESTALKERS) as Charlie Morrison, the nice old Nevada grandpa who’s in need of money to keep his Cobalt mine operating when he’s offered a quarter of a million dollars to make the run by his old war buddy George (John Ireland, MY DARLING CLEMENTINE).
The funny thing is it’s almost halfway into the movie by the time he actually leaves on the run. Some of that screen time is spent on preparations, but alot of it’s just shenanigans. For example, we get a whole sequence about the local drag racing scene. Charlie’s grandson Chris (John Shepherd, Tommy from FRIDAY THE 13TH: A NEW BEGINNING) races his shitty looking pickup truck and beats an out of towner in a sports car, trying to win money for Grandpa. Little does he know he won’t be needing it. This scene also introduces Chris’s group of friends including girlfriend Kim (Jill Whitlow, PORKY’S, NIGHT OF THE CREEPS), “electronics genius” Paul (Wallace Langham, SOUL MAN, COMBAT ACADEMY, THE SOCIAL NETWORK), who rigged the truck with nitrous oxide, and a hot blonde (Cheryl M. Lynn, maybe?) who lures the police away by driving up on a motorcycle and flipping them off. Of course she does that with an all black helmet and then takes it off and dramatically unfurls the hair so we will say “GASP! It’s a LADY!” (read the rest of this shit…)
Tags: Forrest Tucker, Jill Whitlow, John Ireland, John Shepherd
Posted in Action, Reviews | 47 Comments »
Monday, February 5th, 2018
After recycling his Richard Harrison footage across 25 ninja movies (see NINJA KILL), Chang Cheh assistant turned “Ed Wood of Hong Kong” Godfrey Ho made at least one movie that was shitty in an entertaining way. The proof is the English language, filmed in America UNDEFEATABLE (1994), sort of a poor man’s BLACKBELT, if such a thing is possible. Like that fun Roger Corman produced Don “The Dragon” Wilson vehicle, it combines martial arts with the slasher movie cliche of a deranged serial killer obsessed with his mommy. But this one has Cynthia Rothrock (NO RETREAT NO SURRENDER 2).
The movie itself seems to think the star is some guy named John Miller, who was also in the Ho-directed Rothrock vehicle HONOR AND GLORY the same year (hmmm…) and then was apparently on 20 episodes of Homicide: Life On the Street, but uncredited, so I think he’s just a background guy at the department. Here he’s a supercop introduced with the traditional off-duty interruption of a convenience store robbery, or “just a couple of punks giving me a warmup” as he calls it, before breaking up an organized street fight and confiscating the winnings. He’s actually kind of a stick in the mud hassling fighters. It wasn’t until 35 minutes in when they showed him practicing with a staff that I realized he was a martial artist too.
(read the rest of this shit…)
Tags: Cynthia Rothrock, Don Niam, Donna Jason, Godfrey Ho, Michael Walter
Posted in Action, Martial Arts, Reviews | 14 Comments »
Thursday, February 1st, 2018
As I’m sure I’ve told you before, one advantage as well as disadvantage of the ancient tradition of the video store is that you find random weird stuff you weren’t looking for and end up renting it. This is how I became aware of NINJA KILL. Two of the reasons I rented NINJA KILL:
1. It’s called NINJA KILL
2: This is the cover:
Note the tagline: “BREAK NINJA LAW – SUFFER NINJA JUSTICE!” Words to live by, in my opinion.
This is the story of Ninja Master Gregory (Richard Harrison, HIGHWAY TO HELL) and how one day he’s sitting on top of a picnic table wearing a Hawaiian shirt and a friend from the ninja community comes to give him a tip about an impending assassination plot involving ninjas. He has to pay $5,000 for the information (interestingly he seems to be able to pay this with five bills) and then his informant is immediately killed by another member of his yellow-uniformed ninja clan. (read the rest of this shit…)
Tags: Godfrey Ho, Joseph Lai, ninjas, Richard Harrison, white ninjas, Zero External Reviews on IMDb
Posted in Action, Martial Arts, Reviews | 60 Comments »
Wednesday, January 31st, 2018
You know who had a hell of a studio? Those Shaw Brothers. As far as a company that develops a formula and evolves an artform into a recognizable “brand,” those guys were tops. Within their voluminous catalog are hundreds of period martial arts films, including some of the best ever made, THE 36TH CHAMBER OF SHAOLIN and THE 8 DIAGRAM POLE FIGHTER being my favorites of the small percentage I’ve seen. I’m sure I’ll be watching these for the rest of my life and never see all of the good ones or get tired of their approach.
But it’s still a special treat, an exotic delicacy, a rare limited edition collectors item when you see one that breaks out of the usual template. For example I love SUPER INFRA-MAN, their version of a kaiju movie. MERCENARIES FROM HONG KONG – the third film directed by Wong Jing, who recently did CHASING THE DRAGON with Donnie Yen – isn’t as unique as that, but it’s a beautiful thing: the talents of the Shaw Studios stunt teams and choreographers applied to a contemporary ’80s story with guns, grenades and motor vehicles. It came out in 1982, same year as FIRST BLOOD, but seems to predict that post-RAMBO-2 period with its Vietnam vets putting the team back together and returning to the jungle to fight drug lords. I wouldn’t say it’s as good as Sammo Hung’s amazing EASTERN CONDORS, but it’s a similar vibe of seeing tropes we love from American action being elaborated upon using techniques unique to Hong Kong cinema. (read the rest of this shit…)
Tags: Phillip Ko, Shaw Brothers, Ti Lung, Wong Jing
Posted in Action, Monster, Reviews | 15 Comments »
Monday, January 29th, 2018
I don’t know what I was expecting from KICKBOXER: RETALIATION, the new sequel to 2016’s KICKBOXER: VENGEANCE, which was a remake of the 1989 Cannon classic KICKBOXER. I waited for midnight Thursday to watch it on V.O.D. as soon as it became available, so clearly I was excited. But I didn’t think it was gonna be this good.
The original Kurt Sloane, played by Jean-Claude Van Damme, only made it to his part 2 in the form of a body double unceremoniously shot to death in an alley, leaving three sequels to a never-mentioned-before Sloane brother played by Sasha Mitchell. The remake Kurt Sloane, played by stuntman Alain Moussi, gets to stick around. A different Van Damme character, Sloane’s mentor Master Durand, does survive for the sequel and continues to be the heart and soul of the series.
I love when sequels open with the character we know suddenly in a whole different place and life situation. My go-to example is RAMBO III, where we find John living in a temple in Thailand, winning underground stick fights for money. But this is more like a TEMPLE OF DOOM opening because we find Kurt in a tux, sexy salsa dancing with his now-wife Liu (Sara Malakul Lane, Seagal’s daughter in BELLY OF THE BEAST) on a train at night. They get attacked and he has to slow-motion fight some people, including on top of the train in pouring rain as it crosses a bridge, until they all fall off. (read the rest of this shit…)
Tags: Alain Moussi, Christopher Lambert, Hafbor Julius Bjornsson, JCVD, Kumite, Mike Tyson, Roy "Big Country" Nelson, Sara Malakul Lane, Thailand
Posted in Action, Martial Arts, Reviews | 55 Comments »
Thursday, January 25th, 2018
SHOWDOWN IN MANILA is the latest from Alexander Nevsky, the Russian bodybuilder turned b-movie actor who starred in and directed BLACK ROSE. This one is the directing debut of Mark Dacascos and it’s much more fun and ambitious than that last one, largely due to an EXPENDABLES-worthy cast of action icons.
Nevsky plays Nick Peyton, the leader of some sort of elite police strikeforce thing in Manila. In the prologue he leads a police raid and his whole team are wearing those giant helmets like in THE RAID – except for him, even though he’s 1-3 heads taller than all of them. Standing there ready to take it like a lightning rod. He doesn’t get shot in the head, but does get shot and fails to apprehend two ultimate b-action bad guys: Cary-Hiroyuki Tagawa (L.A. TAKEDOWN, KICKBOXER 2, SHOWDOWN IN LITTLE TOKYO, MORTAL KOMBAT, BRIDGE OF DRAGONS) and Matthias Hues (NO RETREAT NO SURRENDER 2, I COME IN PEACE, BLACKBELT, MISSION OF JUSTICE, TALONS OF THE EAGLE, TC 2000). C-HT in particular looks like he’s enjoying the hell out of just strutting around in tropical gangster clothes being arrogant.
(read the rest of this shit…)
Tags: Alexander Nevsky, Andrzej Bartkowiak, Cary-Hiroyuki Tagawa, Casper Van Dien, Craig Hamman, Cynthia Rothrock, Dmitriy Dyuzhev, Don "The Dragon" Wilson, Mark Dacascos, Matthias Hues, Olivier Gruner, Tia Carrere
Posted in Action, Reviews | 11 Comments »
Wednesday, January 24th, 2018
In my view Scarlett Johansson can do no wrong. But the live action manga and/or anime adaptation GHOST IN THE SHELL probly did itself a fatal wrong by casting her as the human-brained robot cop Major, a role that probly should’ve showcased an exciting up and coming Japanese-American actress.
I was skeptical about the controversy at first, because the animated version of the character looks white to my American eyes, and I mean she’s a robot she can look any way they want her to look, plus the story takes place in a very international future, and anyway it’s an American remake of a foreign film so by definition it’s gonna be changed for American culture, and additionally the director of the anime Momoru Oshii said that Johansson was perfect for the part, and it’s true that her roles in UNDER THE SKIN and LUCY prove that she’s uniquely qualified to play an ass-kicking almost-naked robot lady, and furthermore it’s not like it’s easy for her to get a lead role like this either, and anyway a couple years ago all the clamor was for Hollywood to make more big genre movies based around women, and back then nobody specified “white women don’t count.” So I feel bad for her.
But… I think the criticisms were legitimate. (read the rest of this shit…)
Tags: cyberpunk, cyborg, Ehren Kruger, Guy Norris, Jamie Moss, Juliette Binoche, live action anime, Michael Pitt, Michael Wincott, Pilou Asbaek, robots, Ruper Sanders, Scarlett Johansson, Takeshi Kitano
Posted in Action, Reviews, Science Fiction and Space Shit | 37 Comments »
