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Posts Tagged ‘Annabelle Wallis’

Boss Level

Tuesday, March 23rd, 2021

I watched that movie PALM SPRINGS recently. It’s a GROUNDHOG DAY time loop romantic comedy type thing that uses the concept in a smart way that makes it a parallel to depression and hopelessness, and it’s just a funny movie and I enjoyed it. I also really liked HAPPY DEATH DAY (GROUNDHOG DAY as a slasher movie) and its sequel HAPPY DEATH DAY 2 U was pretty good too.

But I feel a little weird about “GROUNDHOG DAY” being a genre now. The first is still the best and most profound iteration of the form, and it’s such a distinctive premise that any movie that does a spin on it can’t help but feel a little more like biting than following a tradition. So I wasn’t exactly jumping to see Joe Carnahan’s BOSS LEVEL, which is GROUNDHOG DAY crossed with an action movie. I’m not too excited about “life is a video game” concepts either, so the title didn’t help.

But I shouldn’t have hesitated because this is a whole lot of fun, one of Carnahan’s best, and I think the script by Chris & Eddie Borey (OPEN GRAVE) and Carnahan earns the use of the time loop. Most of these movies wisely never explain the reason for the phenomenon – this feels very different because it’s all about him figuring out what’s doing this to him and why, so he has a more traditional, specific problem to solve (though along the way he learns life lessons like in the other ones). (read the rest of this shit…)

The Mummy (2017)

Monday, June 26th, 2017

There are some things too powerful, too uncontrollable, too dangerous to play around with. Ancient, vanquished forces brought back to life in a world they were never meant for, doomed to fulfill prophecies of disaster. In this case, I’m talking about the 85-year-old Universal Monsters franchise properties, resurrected once more using the fearsome occult invocation “SHARED UNIVERSE REBOOT.”

Of course, most people don’t see this summer’s THE MUMMY as a remake of the 1932 film starring Boris Karloff in a fez, which is in my opinion the least memorable of the Universal Monster introductions. No, they see it as a remake of Stephen Sommers’ frantic, rhythmless action-adventure version from 1999, and they’re not really wrong. This one borrows the idea of a globetrotting adventurer hero, capable but fallible, who teams with a “funny” sidekick and a strong-willed female antiquities expert who he bickers with while exploring some tombs and accidentally unleashes an evil ancient Egyptian royal who has magic powers and a tragic backstory and at one point appears as a giant face in a sandstorm.

But it’s a contemporary version, not only because it takes place in the present day, but because by its imagery and content you can tell it was made after the J-horror wave, and the zombie wave, and James Wan, and years of conflict in Iraq, and most notably THE AVENGERS. So the mummy is pursued not only by our hero Nick Morton (Tom Cruise, THE LAST SAMURAI), but by a secret monster-studying militia called Prodigium, led by Dr. Henry Jekyll (Russell Crowe, THE MAN WITH THE IRON FISTS). (read the rest of this shit…)