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Archive for the ‘Action’ Category

Camino

Monday, March 15th, 2021

CAMINO is a 2015 actiony thriller starring Zoë Bell. I’ve wanted to see it for years, but there was a whole rigamarole with streaming exclusivity and then not being available at all but eventually it came out on disc (which is how I saw it) and I think you can also watch it on Prime and there’s a special edition blu-ray coming out in June. So here we are.

Bell stars as Avery Taggert, an award winning war photographer. When it opens she’s receiving one such award. She seems ambivalent about her career and life as she gets drunk at the hotel bar with her manager/friend (Kevin Pollak, END OF DAYS), but he convinces her to, rather than go home and rest like a normal human, fly to Colombia the next morning to embed with a group of missionaries through the jungle. (read the rest of this shit…)

Mortal Kombat: Legacy I & II

Thursday, March 11th, 2021

There’s a new MORTAL KOMBAT movie about to enter our realm, and it’s crazy to think they’ve been developing this thing for over a decade! It made me want to journey back to the beginning of that process and revisit what happened when director Kevin Tancharoen tried to reimagine the fighting tournament game turned movie series.

Tancharoen was on the mixing stage at Warner Brothers when he heard talk about hopes to restart the series. He thought there was a way to put a new, gritty spin on it, and wanted to try. One problem: the only movie he’d directed was a glossy musical, the 2009 version of FAME. He was much more established as a choreographer for Britney Spears than as a filmmaker. He knew they weren’t gonna fuckin believe he was the guy to bring back MORTAL KOMBAT unless he showed them. (read the rest of this shit…)

The Devil’s Sword

Wednesday, March 10th, 2021

A few weeks ago I reviewed a 2019 movie I was really excited about called GUNDALA. It’s a pretty great Indonesian martial arts movie directed by Joko Anwar, based on a comic book (also Indonesian) that started in the ‘60s, and it’s supposed to launch an MCU-inspired movie franchise called the Bumilangit Cinematic Universe.

When I read up on the BCU for that review I learned a little bit about the other characters they’ll be making movies about, and some of them have already appeared in movies. IMDb listings of Indonesian films are not very complete, but based on my research I think there’s a 1981 version of GUNDALA; a 1954 version of SRI ASIH; seven (give or take a few erroneous double listings) about Barda Mandrawata – The Blind Man From the Ghost Cave, an incredible sounding character whose new movie is to be directed by Timo Tjahjanto (THE NIGHT COMES FOR US); and three about a wandering warrior named Mandala.

Out of all of those titles I could only locate three, and the first I’ve gotten my hands on is THE DEVIL’S SWORD (1984) starring Barry Prima as Mandala. This character is supposed to be played by Joe Taslim (THE RAID) in the BCU’s MANDALA: THE DEVIL’S SWORD, and if that’s like a slicker, more modern version of this, I can’t wait. This version is directed by Ratno Timoer (who both directed and starred in some of those Barda Mandrawata movies) and it’s kind of a cross between a CONAN THE BARBARIAN wannabe and a low budget kung fu movie (complete with wirework), plus some sexploitation thrown in for flavoring.

(read the rest of this shit…)

No Retreat, No Surrender 3: Blood Brothers

Wednesday, February 24th, 2021

“Well, if it isn’t the Alexander boys.”

Sometimes there are movies I know I should watch, but I save them for when they’re needed. And after almost a year of this pandemic I decided it was time to break the emergency glass on NO RETREAT, NO SURRENDER 3: BLOOD BROTHERS (1990).

Like part 2 it’s written by Keith W. Strandberg (SUPERFIGHTS, BLOODMOON) and is not a direct sequel to its predecessor. It was originally intended as an unrelated movie, and I don’t even know if it counts as a thematic or spiritual sequel – at best it’s an attitudinal sequel. The tagline helpfully explains the trilogy: The first was for honour, the second for his country, this time it’s family. So this trilogy pretty much covers the full spectrum of what to do something for.

This is the only one not directed by Corey Yuen. His replacement, first timer Lucas Lowe (who followed this with THE KING OF THE KICKBOXERS and AMERICAN SHAOLIN, also written by Strandberg) was a non-martial arts guy chosen by executive producer Ng See-Yuen (a Shaw Brothers executive who’s in the Criterion Collection because he directed GAME OF DEATH II) on the theory that he would focus more on the story. But in interviews Strandberg laments that Lowe would spend too long setting up and shooting extras, run out of time and then cut a bunch of his dialogue. That may or may not explain why I didn’t understand this joke where the main characters’ dad leaves has a guy gagged and tied to a tree outside of his house. (read the rest of this shit…)

TV movie double feature: Running Delilah (1993) and Amazons (1984)

Tuesday, February 23rd, 2021

I’d been wanting to watch this 1993 movie called RUNNING DELILAH, first because it stars Kim Cattrall as a cyborg, then because I realized it was directed by Richard Franklin (ROAD GAMES, PSYCHO II, LINK), and it didn’t hurt that it co-starred THE PHANTOM himself, Billy Zane. What I didn’t figure out until shortly after I pressed play was that it was really an ABC TV pilot that was released as a TV movie when it wasn’t picked up for a series. It’s written by Ron Koslow, the screenwriter of INTO THE NIGHT, but more relevant to this he was the creator of Beauty and the Beast, the popular show with Ron Perlman and Linda Hamilton. I guess RUNNING DELILAH was one of his romance/genre crossover ideas that didn’t fly.

And I do not believe it transcends that description, but I wanted to review it for The Cultural Record, so I’ll go ahead and throw in another TV movie, AMAZONS (1984) that was included on the same DVD. (It also had SUPERDOME [1978] and THE AMY FISHER STORY [1993,the one with Drew Barrymore]) but I didn’t watch those.)

RUNNING DELILAH finds Christina (Cattrall) working as a secretary, but she’s actually Delilah, a spy trying to steal documents from her criminal boss (Yorgo Voyagis, VAMPIRE IN VENICE). She meets up with her partner Paul (Zane), who sports what was called a “Caesar cut,” as popularized by George Clooney on ER, and laments that they never got it on. He seems to take it well when she turns him down again, and this is actually one time when it’s a benefit that it was supposed to be a TV show. If it was a movie the guy she turns down would turn out to be a traitor, but since it’s a TV show it just means there will be sexual tension and then they’ll fall for each other. (read the rest of this shit…)

Monster Hunter

Monday, February 22nd, 2021

As someone who finally got into Paul Wesley Snipes Anderson’s RESIDENT EVIL series pretty close to when it was finally wrapping up, I was thrilled to hear that the director and his wife/star Milla Jovovich (HELLBOY, not the Ron Perlman one) had purchased the film rights to a fresh new video game franchise copyright property trademark. Without any judgment on (or implied knowledge of) the respective video games, I feel that there is potential for a series called MONSTER HUNTER about monsters and hunters who hunt monsters to be better than one about zombies and umbrellas or whatever. And I loved that one!

So I had planned to see this Toho co-production based on the works of Capcom in the biggest, if emptiest theater in Seattle, until shit (the pandemic) happened and that was not possible for me. But as soon as they made it available for digital “purchase” I paid the four-or-five-dollars-more-than-the-movie-ticket-would’ve-cost and now that file access is MINE.

It begins in a world of fantasy. Pirate ships are sailing through sand. Ron Perlman (HELLBOY, the Ron Perlman one) is there. Tony Jaa (KILL ZONE 2) is there. Monsters attack. Tony gets knocked off the boat. It is sand, so he doesn’t drown, but he’s left behind.

Then we switch to a different desert, the type in our world, in our time. It even has latitude and longitude listed on screen. I think they might mention directions and clicks at some point if you want to check your map and follow along at home. (read the rest of this shit…)

Once a Thief

Thursday, February 18th, 2021

I can’t explain this, and it’s embarrassing to admit, but somehow I had never seen ONCE A THIEF (1991) until now. How the hell did I not watch the movie that John Woo and Chow Yun Fat did between their two greatest home runs? Especially since I even watched the North American TV pilot he made based on it five years later! I knew this was gonna be more light-hearted and comedic than THE KILLER and HARD BOILED and that I probly wouldn’t like it nearly as much, but come on. Obviously it was something I needed to see. As I should fuckin known, it’s a fun time with some great stunts and action and a type of ludicrousness I enjoy in many Hong Kong films, if not usually Woo’s.

The story is about a trio of thieves, Cherie (Cherie Chung, PEKING OPERA BLUES), Joey and Jim (Chow Yun Fat and Leslie Cheung, reuniting after A BETTER TOMORROW 1 and 2). We meet them as they’re staking out an art museum for a heist, with Joey walking around admiring the art in the suave manner of Chow Yun Fat, Cherie pretending to be an idiot walking her dog through some deliverymen so she can mark the crate that holds the painting they’re planning to steal, and Joey strutting to his motorcycle in a leather jacket and scarf, bragging to a random street artist that he’s a famous thief. Soon they’re performing a really cool FAST AND FURIOUS-esque mobile truck heist that involved climbing on and under the truck, cutting a hole through the bottom, and gliding away with a parachute. (read the rest of this shit…)

Gundala

Wednesday, February 17th, 2021

I gotta admit, I barely knew Indonesian cinema existed until I saw MERANTAU and THE RAID. We all loved THE RAID and THE RAID 2 and then THE NIGHT COMES FOR US came along and that was arguably even more impressive. It was directed by Timo Tjahjanto, who’d already done another Iko Uwais martial arts movie I loved called HEADSHOT with his long-time collaborator Kimo Stamboel. They also did a horror one called KILLERS that I had to turn off in the opening scene because it was too much for me at the time. Some day I’m gonna get up the guts to go back. These days Stamboel has a heavily hyped horror movie called THE QUEEN OF BLACK MAGIC, written by Joko Anwar. Anwar is the guy who directed SATAN’S SLAVES (which I enjoyed) and IMPETIGORE (which I haven’t seen yet but it was on some best of the year lists).

So clearly there are healthy action and horror scenes over there, and those are my primary interests. But did you know they also have a local answer to the Marvel Cinematic Universe? The aforementioned Anwar wrote and directed the 2019 film GUNDALA, based on an Indonesian comic book character created in 1969, and will be overseeing a series called the Bumilangit Cinematic Universe (BCU), with seven more films planned in Volume 1.

I knew there’d be something interesting about an Indonesian take on modern super hero movies, but once again I was caught off guard because you guys, this movie is really good. It certainly takes some inspiration from the Marvel films, and there’s a costumed hero with some powers and some colorful super villains, but mostly it’s a legit martial arts movie with lots of really well directed fights. And it’s interesting to see how a character like this compares and contrasts to the ones that have caught on here. The main difference is that his life has been way harder than any of our guys. (read the rest of this shit…)

The Three Musketeers (2011)

Monday, February 15th, 2021

Well, I could’ve sworn it was a little more recent than this, but Paul World Series Anderson’s THREE MUSKETEERS came out in 2011 – two RESIDENT EVIL chapters ago, plus a POMPEII and a MONSTER HUNTER. I don’t remember if I just didn’t get to it or if I was immune to the charms of the Andersonography at that moment in time, but whatever the reason, I fuckin blew it. I can imagine the warm feeling I would’ve had watching an early afternoon show in a huge, mostly empty theater at Pacific Place. And I bet the 3D would’ve been amazing.

But at home on 2D blu-ray ten years later was good too. Maybe I should be thankful I saved it for a time when this specific type of escapism is more precious. Like that 2001 movie THE MUSKETEER that I reviewed recently, it’s loosely based on the Dumas novel and completely unembarrassed to pimp it out with modern cinematic trends and PWSA fixations, including but not limited to speed-ramping, acrobatic fight choreography and cool steam-punk weapons and vehicles. It takes the silliness much further than THE MUSKETEER, and has a much bigger budget – the climax involves two armed blimps engaged in a pirate ship battle in the sky – and I thought it was a whole lot of fun. (read the rest of this shit…)

Fast Getaway II

Wednesday, February 10th, 2021

FAST GETAWAY was apparently a hit by some standard, so three years later we got the DTV sequel FAST GETAWAY II. Like the first one, it’s still only available on VHS. Corey Haim, Cynthia Rothrock, Leo Rossi and Ken Lerner all return, and there are many direct references to things that happened in the first one, but they do at least find a new setup to make it different.

Young but experienced bank robber Nelson Potter (Haim) now lives on his own, in fact seems to be pretty rich, and is so far beyond his past as a horny virgin that he wakes up and is offered sex in the opening scene. Then there’s a bank robbery that plays off the first movie, with Nelson now graduated to his dad’s role of the ringleader-who-makes-the-bank-customers-sing-a-song, and with an attractive woman named Patrice (Sarah Buxton, THE SURE THING, LESS THAN ZERO, TODAY YOU DIE) as both the person he follows into the bank to hit on and the plant hostage he takes.

(read the rest of this shit…)