So once again we have survived.

Posts Tagged ‘Gerard Butler’

London Has Fallen

Monday, March 7th, 2016

tn_londonhasfallenLONDON HAS FALLEN is the sequel to 2013’s OLYMPUS HAS FALLEN, that one where Gerard Butler (GODS OF EGYPT) plays Secret Service agent Mike Banning, protecting President Benjamin Asher (Aaron Eckhart, I FRANKENSTEIN) when the White House is attacked. It is not to be confused with WHITE HOUSE DOWN, the one where it’s Channing Tatum protecting Jamie Foxx.

Who am I fooling though? I get them confused so much I sincerely mixed up the titles when I wrote the first draft of this review in my notebook, and when I fixed it I started to type OLYMPUS DOWN. I was thinking I’d found the Tatum one to be the more passable 2013 half-assed excuse for a DIE HARD rip-off, but then I went to the tape. My review of that one is a little harsher, and ends by saying “If you see only one UNDER SIEGE IN THE WHITE HOUSE movie this year, see… ah, who gives a shit? Nobody will remember either of these movies a year from now. Of the two I think I preferred OLYMPUS HAS FALLEN. I forget why though. Something about Melissa Leo?”

In my day a movie had to excite somebody’s imagination to get a sequel. Now it just hast to be the one of two similar bad movies that gets more money because it came out first. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Gods of Egypt

Friday, March 4th, 2016

tn_godsofegyptAlex Proyas’s new fantasy GODS OF EGYPT debuted at the top of the box office this week, ahead of ZOOTOPIA and DEADPOOL. Only in Russia, though. Here it’s a disastrous flop with merciless reviews.

Honestly this movie was dead the second they released a trailer. I don’t think I ever once saw it discussed in any context other than a criticism of “whitewashing,” since its lead Egyptian gods are played by white Europeans. Obviously a poor choice. Otherwise my take on the trailer was different from the conventional wisdom. I say appealingly weird, you say hahaha razzies haha sobaditsgood howdidthisgetmade haha.

Reading the headlines of the savage reviews, and seeing the weird stills accompanying them, pushed me to not miss it in the theater. At the multiplex here it opened with only two 3D screenings and two 2D each day. By comparison a nearby theater has three each of Stephen Chou’s THE MERMAID, for which Sony has been criticized for having too small of a release. (Sorry, I didn’t see that. I’m an asshole.)

The main thing here is that it’s Alex Proyas. I wasn’t gonna get my hopes up, but I didn’t trust the responses of normal people on a movie by him. Those guys said KNOWING was terrible too, for many of the same reasons I enjoyed it. In fact, his movies wouldn’t be as fun if they didn’t put some people off. They have a little bit of that “how did he get away with this?” appeal.

The good news is GODS OF EGYPT is not as bad as they said. The bad news is it’s not as crazy I’d hoped. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Summer Movie Flashback: Lara Croft Tomb Raider: The Cradle of Life

Wednesday, August 14th, 2013

tn_cradleoflifesmf2003As you know I am a scholar of the Big Summer Popcorn Movie, or whatever you want to call it. And I not only like to review the new ones but I like to look back at the old ones and figure out what’s what. We’re getting to the end of the summer movie season (which I consider to be May through August) but now that I’ve finished The Super-Kumite I think it’s time to start a new summer movie project. Fuck you, September. You don’t scare me.

This is what I’m gonna do. For each summer from 2003 until last year I’m gonna pick two movies to review: one that I never saw before, one that I’m revisiting. And as you can see I’m starting with THE CRADLE OF LIFE as the one I never saw before.

release date: July 25, 2003

It turns out I dig these LARA CROFT TOMB RAIDER movies. Maybe if I’d seen them at the time, on the big screen, as if they were gonna compete with the A-list summer blockbuster type movies, I would’ve been more critical of them. But ignoring them for ten years and then deciding to watch them out of curiosity really pays off I think. Sometimes you gotta let these things age in the cellar for a while. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Olympus Has Fallen

Sunday, March 24th, 2013

tn_olympushasfallenOLYMPUS HAS FALLEN is a watchable but instantly forgettable throwback to a subgenre I miss, the glossy ’90s studio action like IN THE LINE OF FIRE and UNDER SIEGE. I mean it’s not a studio movie – it was made by the until-recently-DTV sausage factory Millennium Films – but it sure seems legit with its respectable cast of Aaron Eckhart as the President, Ashley Judd as the First Lady, Academy Award winner Morgan Freeman as the Speaker of the House  (a demotion from DEEP IMPACT), Academy Award nominee Angela Bassett as the Secret Service director, Academy Award winner Melissa Leo as the Secretary of Defense, Golden Globe winner Dylan McDermott as… some other type of White House guy. Lending whatever action movie credibility they can muster are 300’s Gerard Butler as the hero, PITCH BLACK’s Radha Mitchell as the hero’s wife, THE MAN WITH THE IRON FISTS’s Rick Yune as the villain, and PAPARAZZI’s Cole Hauser reprising his A GOOD DAY TO DIE HARD role as Agent Who Gets Killed Early On. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Law Abiding Citizen

Wednesday, February 17th, 2010

tn_lawabidingcitizen’90s studio action thriller – I’d like you to meet my friend SAW.

LAW ABIDING CITIZEN is the story of a guy named Clyde (Gerard Butler, 300) whose family is killed in a home invasion in the opening scene. To add insult to injury his attorney Nick Rice (Jamie Foxx, STEALTH) makes a deal for one killer to testify against the other and just get one of them executed rather than risk going to trial just based on Clyde’s eye witness testimony. At the time of the attack Clyde was working on a circuit board, so we know he’s some kind of technological wizard or sorcerer, which explains why ten years later he can exact an ingenious master plan of super revenge with strong overtones of cultural critique. You see, he doesn’t just blame the killers, he blames Rice for putting his conviction rate above actual justice, and the judges for whatever they did, this whole system is out of order, you can’t handle the truth, etc. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Gamer

Wednesday, January 20th, 2010

tn_gamerLet’s say you are a feedback and distortion fetishist. Fuzz and blips, pixelation, video lines, VHS rolling from bad tracking – these things get you hard. That’s fine. We are all beautiful snowflakes. What you do in that case is you make a video of all that stuff, you hide it under your bed, you get it out when you’re lonely. What you don’t do unless you have no self control is make a feature film needlessly slathered in that shit and release it in theaters and on home video to paying audiences who want to be told a story and not just watch little flickers and shit.

More to the point, let’s say you are also a wiseass camera operator who enjoys running through explosions in a firesuit or rollerblading around holding a camcorder, but have not yet developed an interest in some of the other elements of photography such as framing or holding still. Fine! Great! That is your calling, you should rollerblade all you want. It is probly good aerobic exercise. But I have one caveat: if your plan is to incorporate that footage into an actual movie and not just an episode of JACKASS then you have a responsibility to look at the footage first and ask yourself if somebody could watch it and understand what in God’s holy name is being shown. And if the directational fraternity duo Nevildine/Taylor were being honest with themselves the answer to that question would usually be “No. No, not at all. Oh jesus, no, are you kidding me? Uh uh.” I’m thinking maybe these guys should forget about the cameras and just be stunt men. They seem more interested in carrying the camera through risky situations than actually pointing the lens of it at specific things. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Reign of Fire

Friday, July 12th, 2002

I heard a rumor, or actually I just saw it on the ad, that REIGN OF FIRE is supposed to be the perfect summer movie. And in a way I think it is. Because it takes a good special effects extravaganza premise – the world is obliterated by firebreathing dragons and a small community of survivors fight back in postapocalyptic england – and treats it much smarter and more dramatic than you’d expect.

Yeah, this is a movie with computer animated dragons, and a bunch of people fighting them. But the emphasis of the story is not on the fighting. It’s always on the drama. After a prologue and a MAD MAX-like dragons-take-over-the-world explanation montage, you get basically a DAY OF THE DEAD setup. Here is this community of survivors living in spruced up castle ruins using what limited resources they can find to survive. You find out about their whole system – how they eat, their security system, how they use birds for lookout and what they teach their kids to do if they see a dragon. There’s also a little I AM LEGEND in there because they treat the dragons scientifically. They are not magical. They explain how they breathe fire, how they reproduce, the best way to kill them. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.