For two decades, as a non-gamer, I have believed that Christophe Gans’s SILENT HILL is the best video game movie. I have a friend who likes the games and thinks it’s a good adaptation, but that was never a factor for me. I just thought that whatever they were doing as far as translation really worked to create a unique horror movie with a strong atmosphere, bizarre creature designs, excellent FX work and an admirable preference for dream logic over boring reality. Even the characters’ numerous illogical choices and what I deemed to be “terrible” dialogue according to my Ain’t It Cool News review at the time added to the surreal feeling, and reminded me of the dubbed Italian horror movies I enjoyed.
It really felt different from the mainstream horror movies of the time, which made me like it, but also helped make it unpopular. I remember seeing it at a preview screening with most of the crowd in open, loud revolt from early on. I went with my now wife and another couple, who were talking about how terrible it was as we left. When I admitted I liked it they all looked at me like I was insane. (read the rest of this shit…)
LONDON HAS FALLEN is the sequel to 2013’s 
OLYMPUS HAS FALLEN is a watchable but instantly forgettable throwback to a subgenre I miss, the glossy ’90s studio action like IN THE LINE OF FIRE and UNDER SIEGE. I mean it’s not a studio movie – it was made by the until-recently-DTV sausage factory Millennium Films – but it sure seems legit with its respectable cast of Aaron Eckhart as the President, Ashley Judd as the First Lady, Academy Award winner Morgan Freeman as the Speaker of the House (a demotion from DEEP IMPACT), Academy Award nominee Angela Bassett as the Secret Service director, Academy Award winner Melissa Leo as the Secretary of Defense, Golden Globe winner Dylan McDermott as… some other type of White House guy. Lending whatever action movie credibility they can muster are 300’s Gerard Butler as the hero, PITCH BLACK’s Radha Mitchell as the hero’s wife, THE MAN WITH THE IRON FISTS’s Rick Yune as the villain, and PAPARAZZI’s Cole Hauser reprising his A GOOD DAY TO DIE HARD role as Agent Who Gets Killed Early On. 
Every nerd and his uncle has two or more ideas for a zombie movie these days. And even the uncle got kind of sick of hearing about zombies two or three years ago. But as far as George A. Romero creations go, aren’t crazies more relevant than zombies anyway? Coming back from the dead is kind of a quaint 1960s problem in my opinion. Today we worry about ordinary people, people in our neighborhoods and families, suddenly turning nuts on us. We look at them and we can tell something is wrong, something is different, and we don’t really know why but it might be caused by some military fuckup. And there is no reasoning with these crazies. They are not our friends and loved ones anymore. That’s why a crazy is better than a zombie. 
SPOILER ALERT !!
