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Posts Tagged ‘Tim Blake Nelson’

Joe’s Apartment

Tuesday, August 18th, 2026

July 26, 1996

I talked earlier in this series about HARRIET THE SPY and how it was a Nickelodeon production that sort of had its roots in an interstitial-turned-special-turned show made by quirky, creative people with vision. A major cable network farm-teaming artists and giving them opportunities. Now we have JOE’S APARTMENT, the first theatrical film from Nick’s older-sister network MTV, expanded from a CableACE Award-winning 2-minute short they’d used as filler. Writer/director John Payson had worked on the animated intros to MTV shows including Remote Control, The Big Picture and Just Say Julie, plus been a producer on Liquid Television and the Henry Selick short Slow Bob in the Lower Dimensions. That’s great work and an incredibly cool world to come out of, but does it translate to knowing how to write and direct a mostly live action feature film?

In this case no. Maybe yes in other cases, I don’t know.

In the feature version the titular Joe is played by Jerry O’Connell (STAND BY ME) in only his fifth movie, even including “uncredited kid at beach” in POLICE ACADEMY 5: ASSIGNMENT MIAMI BEACH. He’s a hapless dork who takes the bus from Iowa to New York City and has kind of the “Living For the City” experience.There’s a joke that he’s narrating his trip as a letter to his mother but he gets interrupted by three different muggings.

The movie is premised not only on the city’s reputation as a crime-ridden hellscape, but also as a refuge for art weirdos thanks to rent control. Joe meets a guy named Walter Shit (Randee of the Redwoods himself, Jim Turner) of the band Shit by being the only person to check on him laying on the sidewalk in a pool of blood (as an art project). It’s Walter who finds Joe the titular apartment because they happen to be walking by when an old lady is thrown to her death out of her window and Walter pushes Joe to pretend he’s her son. (read the rest of this shit…)

Pinocchio (2022) (the Guillermo del Toro one)

Wednesday, December 28th, 2022

Well, would you look at that? Guillermo del Toro (BLADE II) finally finished his stop motion version of Pinocchio! Looks like it was first announced 15 years ago. Like with his Frankenstein and his In the Mountains of Madness I’d kind of given up on it ever happening. Then when it clearly really was happening it was stop motion so it took some years.

After all that it’s kind of a bummer that it’s a Netflix production with too limited a theatrical release for me to see it on the big screen. But they do seem to be promoting it more than most of their movies, and maybe more people will watch it at home than would’ve if a real movie company put it out. I don’t know. The point is he finally got to make it (co-directing with Mark Gustafson, a Will Vinton claymation veteran and animation director for THE FANTASTIC MR. FOX). And even better, I think it’s really good.

I wasn’t sure I would love it. I was a little put off in the opening, because this Geppetto has a young son named Carlo who is… dare I say, pretty annoying? Something bothered me about this boy (Alfie Tempest) who seems to have no friends, life or interests outside of spending the day with his strangely-old-to-have-a-young-son father. Mrs. Vern said I hated Carlo because he was an obedient little boy, which made me realize why he had to be that way: he’s what Pinocchio will think he has to live up to. But I don’t know, man. Of course it’s incredibly sad for this elderly man to lose his young son and only friend, but it would move me even more if the kid wasn’t so damn cloying. (read the rest of this shit…)

Angel Has Fallen

Tuesday, December 3rd, 2019

If you enjoy the HAS FALLEN saga, now in its third chapter, you don’t need to read me disrespecting it in this review. I have no quarrel with you. But as much as I appreciate the existence of any ongoing theatrically released rated-R action series in this day and age, I have never achieved a worthwhile level of enjoyment from these fucking things.

What I remember from the first one, OLYMPUS HAS FALLEN, is that the action was messy enough to inspire me to invent the action comprehensibility rating (ACR) system, but there was one part where Melissa Leo defiantly recited the Pledge of Allegiance to terrorists about to execute her, and I liked that. What I remember about the second one, LONDON HAS FALLEN, is that the action scene that people claim was good made no impression on me and I was disgusted by its moronic jingoism and casual murder of civilians (which some tried to convince me was supposed to be sarcastic, but I couldn’t see it).

The first two were location-based premises (the White House is attacked, London is attacked), this one makes the fair assumption that if we’re still watching these we’re okay just following legendarily amazing Secret Service agent Mike Banning (Gerard Butler, DRACULA 2000) whether he goes to a new city that gets attacked or not. “ANGEL” refers to him, a “guardian angel” who has “fallen” by being blamed for an attempted assassination of the president and having to go on one of those old fashioned fugitive runs to prove his innocence. (read the rest of this shit…)

Lincoln

Monday, November 12th, 2012

After the election on Tuesday, which brought us 4 historic gay rights ballot victories, the first openly gay Senator and the most women in the Senate ever, it was a no-brainer to spend Friday night watching Spielberg’s movie about Abraham Lincoln and his people’s fight to eke together a coalition to pass the 13th amendment to the Constitution, ending 400 years of slavery. Also, SKYFALL was sold out.
(read the rest of this shit…)

The Good Girl

Thursday, August 8th, 2002

This is the latest from the director Miguel Arteta and the Writer Mike White, who did CHUCK AND BUCK together. Mr. White also used to write for some tv shows, one supposedly really good and the rest called DAWSON’S CREEK and PASADENA. More recently he wrote the only okay ORANGE COUNTY and had a funny cameo in it. He has a small role here where he gets some laughs. He was the star of CHUCK AND BUCK and he’s a real goofball so when he appears in his movies you always want him to have a bigger part.

Before we move on I gotta ask, is this or is this not the same Mike White who does the zine Cashiers Du Cinemart that I used to always get spam for until dejanews shut down and I changed my e-mail? [UPDATE: I e-mailed the Cinemart Mike White, and he said he was not the GOOD GIRL Mike White.] If so that would also make him the same Mike White who makes the videos trying to point out which parts of Tarantino movies are similar to other people’s movies, which would make him kind of an ass. Somebody told me it was the same dude and I tried to verify it but the closest thing I could find for verification was that the Cinemart guy says he doesn’t have a new issue because he spent all of 2001 finding a new house, and then an interview with Miguel mentions that they auditioned Jake Gyllenhall in Mike White’s brand new house and he threw a chair and put a hole in the wall. That’s a pretty good clue I think but I don’t know if it would hold up in a court of law. I mean I wouldn’t want to besmirch Mike White’s name if there were two of them, like how there’s one George Miller who did MAD MAX and the other one who did the Steve Guttenberg movie where a dog rides on a dolphin’s back. (read the rest of this shit…)