"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Joey Slotnick’

Twister

Monday, May 11th, 2026

May 10, 1996

They’re scientists, but they’re cowboys. And they follow the wind. When they get the call they strut and they smile at each other knowingly as they hop into their Jeeps and trucks, slam on the gas and hurtle toward the danger, thinking nothing of it except ha ha, what a fun time we’re having here. They playfully exchange lingo-filled banter over the CB as they look up to the sky or down to the dots on their computer screens. They each have their own quirks and their own styles of musical accompaniment and their own ways of yelling “WAHOO!” in the face of God’s mighty wrath.

They are the wildpeople of weather, the maniacs of meteorology, the tornado terrorists, the thunder jockeys, the Doppler demons, the Hell’s Angels of nerds. They are the storm chasers, and they absolutely will not stop, ever, until they deploy their new device designed to release hundreds of small floating sensors into a tornado to measure it from the inside and obtain data that could potentially help improve early storm warning systems in the future.

(read the rest of this shit…)

Drive-Away Dolls

Wednesday, April 17th, 2024

And lo, the forces of boredom and time or what have you separated the Coen Brothers temporarily, and gave us a clearer view of what each brings to the team. First was Joel Coen’s THE TRAGEDY OF MACBETH, a beautiful but straight forward black-and-white rendition of the Shakespeare jam. What struck me most about it other than the look was how naturally Denzel Washington could say the original dialogue and still sound exactly like the modern Denzel we know and love. I hope some day we get to hear him do that with some Coen dialogue.

Now we have Ethan Coen’s first solo directing joint*, an original piece written with his wife Tricia Cooke, who’s also editor (as she was on THE BIG LEBOWSKI, THE NAKED MAN, O BROTHER WHERE ART THOU? and THE MAN WHO WASN’T THERE). Titled HENRY JAMES’ DRIVE-AWAY DYKES on the credits, this is a goofy lesbian road comedy about a pair of mismatched friends doing a drive-away (getting paid to drive someone’s car one way) from Philadelphia to Tallahassee.

*he says he and Cooke both directed but they didn’t really care about the credits and he was already in the DGA (read the rest of this shit…)

Plane

Wednesday, January 18th, 2023

PLANE is the new Gerard Butler movie that had the brilliant idea of using a title so goofy that everybody talked about it and it seemed to end up with more awareness than his last three movies combined. Butler (GODS OF EGYPT) plays Brodie Torrance, an airline pilot who’s sent through a storm, his plane gets struck by lightning and loses its power, but he makes a daring emergency landing on an island near the Philippines. Just like SULLY or FLIGHT! Except then it turns into a survival movie (it’s very hot with no air conditioning on the plane, their phones don’t work [but they still make videos for social media], they have no radio to contact anyone) and also this is some kind of ESCAPE FROM NEW YORK type island where there are no ordinary people, only heavily armed terrorist/druglord/warlord/kidnapper militias, who soon arrive to take them hostage.

A movie like this needs some background and set up to get you interested, and PLANE does okay at that. It’s New Year’s Eve, that’s why there aren’t many people on the flight. Brodie is a single father planning to meet up with his daughter (Haleigh Hekking) after the flight. He seems nice, co-pilot Dele (Yoson An, MORTAL ENGINES) is honored to be working with him, and he makes a friendly little let’s-go-get-‘em speech to the flight crew before they begin boarding. One unusual thing about the flight is that prisoner Louis Gaspare (Mike Colter, MILLION DOLLAR BABY, CARTER) is being transported by mountie Officer Knight (Otis Winston, “Street Man,” VENOM: LET THERE BE CARNAGE). He sits in the back and they try to keep everyone from making eye contact. (read the rest of this shit…)