"KEEP BUSTIN'."

Posts Tagged ‘Aaron Eckhart’

I, Frankenstein

Tuesday, April 4th, 2017

I, FRANKENSTEIN picks up where Mary Shelley left off, with the the doctor (Aden Young, SNIPER) dying in the Arctic trying to kill the creature (Aaron Eckhart, PAYCHECK). Then it skips ahead to the current day, and there is much evidence* to support that if Shelley had lived 163 years longer she would’ve continued the story in the same way: with “the modern Prometheus” as an immortal who wears cool fingerless gloves and a hoodie under a jacket and is good at fighting and has two magic batons because he’s at the center of an ancient war between demons and gargoyles. *[citation needed]

It takes place in the great city of Greenscreensboro, where it’s always night and swarms of CGI flying guys sweep down and fight mobs of fast running demons – basically just dudes with monster heads who wear leather jackets and do martial arts (fight coordinator: Ray Anthony, SON OF THE MASK). I think this is supposed to be a “the world you live in is just a sugar-coated topping” type secret war situation, but there seem to be almost no regular people in the city to ever witness anything, or to wonder why there’s a gargantuan cathedral with a non-Christian symbol on top towering over the city with guys dressed like extras from 300 constantly going in and out. (read the rest of this shit…)

Sully

Tuesday, February 14th, 2017

When I heard they made a movie about “Sully” Sullenberger, the pilot who heroically landed a downed commercial jetliner in the Hudson River, saving everyone onboard, I wondered how you would make a whole movie about that. Well, it turns out the story of Sully is a little more complicated than what I knew.

And I really mean a little more complicated. Not that much more complicated. He landed the plane, and then they said you know what, you might’ve done the wrong thing according some tests we did, and he said well this is why those tests are wrong, and after a while they said yeah you’re right, sorry about that Sully. The end.

So it’s weirdly uneventful for a movie about a famous airline disaster. But as a gentle character drama it’s not bad, the kind of thing that Clint Eastwood can make much more interesting than most directors could. (read the rest of this shit…)

London Has Fallen

Monday, March 7th, 2016

tn_londonhasfallenLONDON HAS FALLEN is the sequel to 2013’s OLYMPUS HAS FALLEN, that one where Gerard Butler (GODS OF EGYPT) plays Secret Service agent Mike Banning, protecting President Benjamin Asher (Aaron Eckhart, I FRANKENSTEIN) when the White House is attacked. It is not to be confused with WHITE HOUSE DOWN, the one where it’s Channing Tatum protecting Jamie Foxx.

Who am I fooling though? I get them confused so much I sincerely mixed up the titles when I wrote the first draft of this review in my notebook, and when I fixed it I started to type OLYMPUS DOWN. I was thinking I’d found the Tatum one to be the more passable 2013 half-assed excuse for a DIE HARD rip-off, but then I went to the tape. My review of that one is a little harsher, and ends by saying “If you see only one UNDER SIEGE IN THE WHITE HOUSE movie this year, see… ah, who gives a shit? Nobody will remember either of these movies a year from now. Of the two I think I preferred OLYMPUS HAS FALLEN. I forget why though. Something about Melissa Leo?”

In my day a movie had to excite somebody’s imagination to get a sequel. Now it just hast to be the one of two similar bad movies that gets more money because it came out first. (read the rest of this shit…)

Olympus Has Fallen

Sunday, March 24th, 2013

tn_olympushasfallenOLYMPUS HAS FALLEN is a watchable but instantly forgettable throwback to a subgenre I miss, the glossy ’90s studio action like IN THE LINE OF FIRE and UNDER SIEGE. I mean it’s not a studio movie – it was made by the until-recently-DTV sausage factory Millennium Films – but it sure seems legit with its respectable cast of Aaron Eckhart as the President, Ashley Judd as the First Lady, Academy Award winner Morgan Freeman as the Speaker of the House  (a demotion from DEEP IMPACT), Academy Award nominee Angela Bassett as the Secret Service director, Academy Award winner Melissa Leo as the Secretary of Defense, Golden Globe winner Dylan McDermott as… some other type of White House guy. Lending whatever action movie credibility they can muster are 300’s Gerard Butler as the hero, PITCH BLACK’s Radha Mitchell as the hero’s wife, THE MAN WITH THE IRON FISTS’s Rick Yune as the villain, and PAPARAZZI’s Cole Hauser reprising his A GOOD DAY TO DIE HARD role as Agent Who Gets Killed Early On. (read the rest of this shit…)

Paycheck

Sunday, February 24th, 2013

tn_paycheckwoozone?Remember when John Woo did a science fictional movie a while back that everybody said was shitty? This was after we’d all kind of given up on him, so I never saw it. Until now.

Ben Affleck, the director of ARGO, stars as Michael Jennings, an amoral engineering genius of a futurist Seattle, some time after the near-future one in STEALTH. (In the future the borders of Seattle will be stretched so far that they will include Vancouver, BC, which is all we see in this movie other than one helicopter shot over Seattle Center). His introduction is funny because he gets to do a John Woo slo-mo strut toward the camera wearing shades (it’s important to the plot that he’s finicky about sunglasses) and, uh, holding a computer monitor under his arm.

(read the rest of this shit…)

Vern wants to tell you about Brian DePalma’s BLACK DAHLIA!!!

Friday, September 15th, 2006

Fellas –

Brian DePalma’s new picture has gotten alot of good reviews, but it’s the really harsh ones that stick with you. The Ain’t It Cool’s own MiraJeff was so mad he literally said he wanted to recreate the mutilations of the real crime on Brian DePalma. (Maybe he’s moody getting psyched up for his bout with the House of the Dead guy.) “Like high-school kids playing dress-up, or bad Kabuki,” is how David Edelstein described it in his capacity as film and apparently kabuki critic for New York Magazine. And a crazy person at the screening I went to announced during the credits that the movie had “nothing to offer to society,” had too much violence and smoking, and would flop at the box office.

Well, I wish I could give a more passionate defense, because I really have no idea where some of these people are coming from. But I also thought that as a DePalma fan (for here on referred to as “a DePalmaniac”) the movie was pretty underwhelming. It kept me interested, it has some great scenes, I even thought Michael Meyers’s nephew Josh Hartnett was surprisingly good playing the boxer/cop protagonist. But since DePalma’s last movie FEMME FATALE was pretty much The Ultimate 100% Unadulterated Brian DePalma Film, it’s a little disappointing to see him doing what seems like just his little spin on material that alot of other directors could’ve done almost as well. I’m guessing fans of the book, though, will be more interested. (read the rest of this shit…)

Thursday

Friday, February 17th, 2006

This poor bastard Skip Woods. How was he supposed to know? He stumbles across this winning formula of late ’90s independent quirky crime drama, and it just so happens that another individual, somebody named Quentin Tarantino, has already done it.

You gotta feel sorry for Skip. How was he supposed to know that Tarantino loved to take larger than life movie archetypes and show the mundane parts of their lives? Like this opening scene where three criminals who obviously don’t realize how annoying they are (Aaron Ekchart, Paulina Porezkova, James LeGros) stop in a convenience store after a big score to get coffee, and argue over the price until they end up killing the clerk and then have to pretend to work there when a cop comes in. And how could Skip have known that when he has the cop ask, for no reason, whether Eckhart prefers Picard or Kirk… that it JUST MIGHT look like he was some fuckin idiot jackass blatantly and embarassingly trying to copy the most superficial elements of Tarantino’s formula? (read the rest of this shit…)