Archive for the ‘Martial Arts’ Category

Never Back Down

Saturday, September 12th, 2009

tn_neverbackdownThe rest of the movies in VERN’S BACK TO SCHOOL SPECIAL will be more specifically about school, but this one is about underground fighting within the world of high school teens, so I think it counts. When I reviewed FIGHTING recently the commenter ‘a’ suggested I see this as a comparison, so I did.

NEVER BACK DOWN is a much cheesier movie than FIGHTING. It’s almost exactly the slick, dumb, commercial vehicle you’d expect FIGHTING would be. It’s based partly in the tradition of kickboxing movies, partly high school movies, although there’s not a part about a nerd being taught how to be cool by dressing different or taking off their glasses. (more…)

Blood and Bone

Sunday, August 16th, 2009

tn_bloodandboneOriginally posted at Ain’t It Cool.

Vern predicts BLOOD AND BONE will be this year’s best picture (direct-to-video category)

Ladies and gentlemen (although, let’s be honest, mostly gentlemen around here), Michael Jai White has arrived. He has officially gone from “promising” to fully formed action icon. He has earned the right to just be referred to as MJW and have everybody know what it means. It doesn’t matter that Hollywood hasn’t figured out to build movies around him like they do with Jason Statham, that Sly didn’t think to make him an Expendable, that Marvel Comics hasn’t lined up some super hero for him to play. He’s sick of waiting so he’s just taking it. (more…)

Rapid Fire

Wednesday, July 22nd, 2009

tn_rapidfireAlthough THE CROW is what most people remember Brandon Lee for, it was this 1992 urban martial arts picture, his next to last starring role, that made the most serious attempt to turn him into an action icon. It positions him to continue his father’s legacy but in the context of American action of the early ’90s. John Woo and Jackie Chan movies were catching on huge here at that time, and this movie took plenty of influence from the shootouts and choreographed fights that excited us from those.

But it starts out on a Bruce Lee note. The opening credits have Brandon Lee in a white tank top like his dad sometimes wore, doing martial arts in front of a black void. His character is raised in Hong Kong, and sometimes speaks Chinese, and is living in the shadow of a father everyone admires. In an interview included on the DVD Lee mentions that the movie was written specifically for him, which isn’t surprising. (more…)

Black Belt Jones

Wednesday, June 17th, 2009

tn_blackbeltjonesFrom the director of ENTER THE DRAGON comes Jim Kelly as BLACK BELT JONES. Black Belt Jones is a cool, afro-sporting karate expert and sometimes government agent. He doesn’t have any other first name, but you can call him “B.B.” if you want. He tries to stay out of conflicts but then a crime lord named Pinky (Malik Carter) kills the owner of the karate school, Poppa “Pops” Byrd (Scatman Crothers). The government or somebody wants the land, so the mafia pushes Pinky, so Pinky is after the karate school. Pops wills it to a daughter nobody knew about named Sydney (Gloria Hendry from BLACK CAESAR), they use threats and kidnapping to try to force her to give it over, Black Belt helps out, etc.

Obviously it’s a silly movie and at times it’s sloppy, but it has many of the funny and absurd types of moments I look for in a movie like this. A couple of my favorites:

1. Robert Clouse’s directing credit is over a freeze frame of Black Belt aiming his gun at a dude who’s running away. When it unfreezes the bullet hits the guy in the ass. (more…)

Terminator Woman

Wednesday, June 10th, 2009

tn_terminatorwomanAfter the disappointment of TERMINATOR SALVATION the last thing we need is another movie that fails to live up to James Cameron’s original creation. But here is TERMINATOR WOMAN, which not only lacks the punch of Cameron’s two sci-fi action classics, but also fails to communicate to the viewer (in this case me) why the hell it’s called TERMINATOR WOMAN. The cover says “It’s about time!” as if to suggest it’s exciting to have a woman Terminator (before TERMINATOR 3: RISE OF THE MACHINES), but the movie isn’t even remotely about robots or even terminating, and there’s also a man in the movie who fights on what is portrayed as an approximately equal skill level with the woman. So if she counts as a Terminator then he must too. I’m not sure why it’s not TERMINATOR MAN AND WOMAN.

TERMINATOR WOMAN is about two American karate cops in Africa fighting some crime lord who wants to get back some gold that was stolen from him. But the crime lord is not Warwick Davis, it’s Michel Qissi, also director, co-writer, fight choreographer and fight editor.

If you don’t know Qissi you at least know his friend: he grew up with and trained with Jean-Claude Van Damme. Onscreen he most memorably played Tong Po, the villain in KICKBOXER, although he was uncredited (it said Tong Po played himself). But here is his first try at directing (he did one other, 2001’s EXTREME FORCE). (more…)

Drunken Master

Saturday, June 6th, 2009

tn_drunkenmasterSadly, David Carradine wasn’t the only martial arts star who died yesterday – we also lost Shih Kien, best known as Han in ENTER THE DRAGON. Apparently he’s also in DRUNKEN MASTER but I didn’t realize it at the time so if anybody remembers which character he played let me know.

DRUNKEN MASTER is Jackie Chan and director Yuen Woo Ping circa 1978, still old school kung fu era, when their movies were always period pieces about masters, training, fighting styles and duels. Jackie plays the Chinese folk hero Wong Fei Hung as a bratty little prick, always fuckin around in class, cheating, getting in fights, stealing. It’s all played for laughs but I think you’re supposed to think it’s charming and lovable. If so I’m not sure it works.

At first he seems kind of heroic because he defends a guy from theft. This guy is selling jade, some asshole tries to rip him off and then breaks the jade and refuses to pay for it. So Fei-Hung duels the asshole and leaves him in a bodycast (his own friend says “he looks like a dumpling.”) (more…)

Back In Action

Saturday, April 18th, 2009

tn_roddypiper Yesterday was Roddy Piper’s birthday. I’m celebrating late with the Piper/Billy Blanks picture from 1993, BACK IN ACTION.

Script-wise, I gotta say, this is a half-assed affair. They got the maverick cop (Roddy Piper), the ex-soldier who is back in action on a one man mission of justice (Billy Blanks), standard issue evil druglords, damsel-in-distress sister and also the female reporter love interest always looking for a good story but who ends up trying to help (see also DARKMAN 2, UNIVERSAL SOLDIER). Also some obvious one-liners that I guess I got a laugh from, like when the bad guy thinks (let’s face it, naively) that Piper won’t kill him because of his Miranda rights. Piper stabs him and says “You have the right to remain silent. Forever.”

Other than that there is no effort to put any spice on the usual cliches or put them together in a way that makes sense. And it’s kind of stupid that Billy only thinks he’s on a one man mission of justice. He’s going after these drug dealers who he thinks kidnapped his sister, but actually she’s hiding from them in an apartment with her boyfriend. The filmatism is low rent like an American International Pictures jungle commando movie or something. There are lots of scenes at bars, warehouses and docks.

Piper seems to be trying, doing what he can with a nothing character. I realized during the scene when he looks at his dead partner that movie acting really has nothing to do with wrestling acting. He lets you read his facial expressions but doesn’t project them to the back row. I wonder if he ever fucks up and does wrestling acting on a movie shoot and gets yelled at by the director? And then he breaks a chair over the director’s head? That could explain why there are two directors credited. One had to tag in when the other one got knocked out. (more…)

The Story of Ricky

Sunday, April 12th, 2009

Long before PUNISHER: WAR ZONE there was THE STORY OF RICKY, another hilariously violent, ridiculous movie based on a comic book. This is a lower budget Hong Kong movie, though. Raw and scrappy, not stylized. So it’s even more ambiguous how serious or goofy it’s actually supposed to be. I like that.

The movie starts with John Carpenter-ish keyboards and a bus pulling up to a prison. Ricky is a new fish who sets off the metal detectors, not with a random titanium knee like Seagal in HALF PAST DEAD, but with 5 slugs he keeps in his chest as a souvenir. (What’s wrong with one of those smashed pennies?) You know the rule: 5 bullets in the chest = tough. Hell, 50 cent only had 3 and I think one of those was in the ass.

So the screws already hate Ricky. The villain in most of the movie is the assistant warden, in charge because the boss is on vacation in Hawaii. The assistant’s a fat slob with a fake eye that he keeps mints in. Or maybe they’re pills and he just calls them “mints” to be cute, but I prefer to think they are actual mints. That would be weirder. Also, they never say anything about this but I couldn’t help but notice the guy’s got a shelf full of VHS porn on the wall beside his desk. That shows you the kind of office they’re running here, because most places you’d have to stash that shit. Just ask Clarence Thomas. This guy keeps the collection proudly on display like it’s his Assistant Warden of the Year trophies. (more…)

The Man From Hong Kong

Sunday, April 12th, 2009

Two years after ENTER THE DRAGON, Brian Trenchard-Smith brought Australia their own Hong Kong co-production of a martial arts extravaganza. Jimmy Wang Yu (the One-Armed Swordsman himself) plays Inspector Fang, the man of the title, and he is a hell of a man. You wouldn’t know it by looking at him actually, he looks like kind of a dweeb, but throughout the course of the movie he will prove it. He is The Man from Hong Kong.

An Australian cop undercover as a tourist busts 22-year-old Sammo Hung (also the fight choreographer) during a drug deal. Inspector Hung is called in from Hong Kong to extradite Sammo. The two cops in charge of the case (including Hugh Keays-Byrne, Toecutter from MAD MAX) want Fang following Australian law, not trying to pull any shit, but they make the mistake of leaving him alone in the interrogation room with Sammo. This leads to a full-on close quarters kung fu battle. Not cool. But he gets a lead out of it.

The Australians want Fang to get his ass out of Australia quick, but for some reason he’s intent on using his unorthodox ways and what not to climb his way up the totem pole to rich Australian kung fu expert, playboy, criminal mastermind and expert party-thrower George Lazenby. In one scene he does the William Tell routine with a lady friend, which is movie code for “hey man this guy is decadent.” Another sign of his decadence: he has an open fireplace in the middle of a room in his mansion. No sides on it, just a fire right there. Before the Man From Hong Kong is through with him I think he regrets that sort of flamboyant interior design. It’s like that evil nurse chick in TRANSPORTER 2 having spikes on the wall in her living room. You evil fuckers gotta start thinking these things through better, it’s just not safe to live like that if somebody’s gonna come fight you in your place of residence. Also if you have kids would be another reason to avoid the spikes or open flames. And put those little plugs on all the electrical outlets. (more…)

Ip Man

Saturday, March 21st, 2009

Donny Yen plays Ip Man, the grand master martial artist who I guess was the first to openly teach the Wing Chun style of kung fu. If you’ve heard of him it’s probaly because he was Bruce Lee’s Wing Chun master, although that’s only mentioned in the text at the end of the movie.

Like Ronny Yu’s JET LI’S FEARLESS, IP MAN is a prestige martial arts picture, a fictionalized take on a historical figure, a beautifully shot period piece (in this case the ’30s) mixing drama and inspirational nationalism with topnotch martial arts choreography. The look is a little more timeless than FEARLESS though – I didn’t notice any digital shots, and only a couple wire-assisted moves.

What makes the movie stand out is Yen’s portrayal of Ip Man, who doesn’t seem at all like your usual martial arts badass. Yes, he he happens to be one of the best fighters anybody’s ever seen, but he’s very modest about it. He lives in a neighborhood full of martial arts clubs and people constantly ask him to be their master, but he’s not interested in teaching. He’s rich (we’re never told why) and lives in a huge mansion with his wife and young son, where he spends his time quietly sipping tea, reading, practicing Wing Chun. (Is that what’s going on in those gated communities? I never realized that.) (more…)

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