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Posts Tagged ‘Yu Rongguang’

double feature: VAMPIRE EFFECT and TSUI HARK’S VAMPIRE HUNTERS

Wednesday, November 24th, 2021

You know how it is – sometimes the mood hits you for a little martial arts/horror combo, specifically the type found in Hong Kong vampire movies from the early 2000s, so you check out two of them. At least that’s how I dealt with the problem. The first one in my double feature, VAMPIRE EFFECT (2003) credits Dante Lam (BEAST COPS, THE STOOL PIGEON) as director and none other than Donnie Yen (HIGHLANDER: ENDGAME) as “co-director” and “action director.” Unsurprisingly, the action is the best part.

The original title is TWINS EFFECT, because it stars a pop duo called Twins, made up of Charlene Choi and Gillian Chung. But nobody knows what that is here and there are no twins in the movie, so I guess this is our equivalent to when Germany changed ROVER DANGERFIELD to ROVER & DAISY. And this is another one of those pop star vehicle movies that doesn’t really have an equivalent here exactly. I mean, you don’t see Tegan and Sara doing a vampire movie. So far.

Choi stars as Helen, a heartbroken young woman who, while grieving a breakup, hits it off with a vampire prince named Kazaf (Edison Chen, GEN-X COPS 2: METAL MAYHEM) who’s enjoying a glass of blood in a fancy restaurant. She doesn’t realize what he is, even though she has some knowledge of such matters because her brother Reeve (Ekin Cheng, YOUNG & DANGEROUS) is a vampire hunter. (read the rest of this shit…)

Supercop 2

Thursday, April 9th, 2020

As I believe I’ve made clear in many reviews over the years, as well as this week’s Profiles in Badass column on Rebeller, I’m aware of Michelle Yeoh’s wide range of talents and accomplishments. I love her most for the movies that really showcase her fighting and her swagger, like WING CHUN, and YES, MADAM!, or her fighting and her regret, like CROUCHING TIGER, HIDDEN DRAGON, and the totally-worth-checking-out straight-to-Netflix sequel, CROUCHING TIGER, HIDDEN DRAGON: SWORD OF DESTINY. I also very much admire her dramatic acting chops from AH KAM to CRAZY RICH ASIANS. Still, the timing of my specific movie-watching path, discovering Hong Kong action in the ‘90s, means that I will always think of her as Michelle “jumped a motherfucking motorcycle onto a motherfucking train in SUPERCOP Yeoh. That’s just a fact. (read the rest of this shit…)