THE OLD MAN & THE GUN is a slight but pleasant lovable-bank-robber tale that Robert Redford (THE HOT ROCK) apparently chose as his one last job. He plays Forrest Tucker, a real life thief who from the age of 15 to 83 spent his time stealing and getting locked up and escaping and repeating. Based on a New Yorker article, this takes place in 1981, when he’s 70 and at it again shortly after escaping San Quentin in a kayak he built and cheekily decorated with the county logo and a yacht club flag. I gotta admire attention to detail in a jailbreak, especially when it’s only for artistic purposes. (read the rest of this shit…)
Posts Tagged ‘Casey Affleck’
MANCHESTER BY THE SEA is the heavily critic-worshipped third film by writer-director Kenneth Lonergan (YOU CAN COUNT ON ME, MARGARET*). It’s a story about loss and family and people trying to salvage their fucked up lives. It’s not as devastating as some people make it sound, but also not as ultimately-uplifting or inspirational as maybe you would hope. It’ll probly make you tear up a few times and laugh a few times in its 2+ hours. It captures the ways family, friends and beer can bring you both solace and pain.
*[Please note that it is not one movie called YOU CAN COUNT ON ME, MARGARET. It is one movie called YOU CAN COUNT ON ME and then another totally separate one called MARGARET. And if I had written it as MARGARET, YOU CAN COUNT ON ME I would’ve had the same problem.]
*[Also please note that Lonergan wrote THE ADVENTURES OF ROCKY AND BULLWINKLE and an episode of the cartoon Doug, but it wouldn’t be appropriate to mention those at all because right now we are focusing on his directorial work.] (read the rest of this shit…)
TRIPLE 9 – being from John Hillcoat, the director of THE PROPOSITION, THE ROAD and LAWLESS – is a cops ‘n robbers movie where the dirty details of the setting, the eccentric character and actor moments, and the suffocating cloud of near-hopelessness in mood and content are given a little more energy than narrative. Even so, it is fairly effective as a heist/suspense thriller and is handily pushed over the finish line by its A+ cast who all came excited to play in this heightened world of crooked Atlanta cops and mercenaries forced by Russian-Jewish gangsters to try to steal from the Department of Homeland Security. The specifics are all odd enough to make police corruption stories seem fresh.
The movie opens with a carload of sweaty, dangerous men discussing and then launching into a credits-sequence daylight bank robbery. It’s only after their messy escape (which includes a van driving fast through traffic while filled with red dye pack smoke and machine guns fired on gridlocked civilians) that we see the badges come out and realize that most of these guys are cops. (Others, we hear later, are “special ops guys” turned private security contractors.) They actually change out of their stained clothes and go straight to work. That’s a long day! I bet they smell pretty ripe, too. (read the rest of this shit…)
One movie that came and went during the “summer is over, time for some actor-y shit” period of 2013 was OUT OF THE FURNACE. This is the second movie directed by Scott Cooper, who also rewrote from a script by Brad Ingelsby (writer of the gratuitous American remake of THE RAID that apparently is still happening). Cooper previously directed CRAZY HEART, which was known as the Jeff Bridges Oscar movie, but it was also a good movie in its own right, so it was intriguing that he was doing one with Christian Bale next.
I feel like after we got used to him being Batman we kind of forgot how great Christian Bale is. It’s a relief to see him being funny again in AMERICAN HUSTLE, but I also still like watching Earnest Christian Bale. And in this case Rugged Christian Bale. (read the rest of this shit…)
I saw KILLING THEM SOFTLY today and I’m working on the review right now, and that made me realize that when I finally caught up with the director’s previous movie earlier in the year I didn’t ever post a review of it. But it turns out I did write some stuff in my notebook, so I dug that up and I don’t mean to brag but I am a pretty good typist so here is a quickie review for you, friends.
THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD has gotta be the longest title to a movie that I’ve ever reviewed. What’s that, 17 syllables? THE BAD LIEUTENANT: PORT OF CALL NEW ORLEANS is only 11, LEGEND OF THE GUARDIANS: THE OWLS OF GAHOOLE is 12 or 13 (depending on your pronunciation of “owls”), and both of those have colons I think, so that softens the blow. This has no colons. This title is amazing.
(read the rest of this shit…)
Is it just me, or do some of these movie titles start to blend in together after a while? The ones I have trouble with are: I’M STILL HERE, I’M NOT THERE, LET ME IN, and NEVER LET ME GO. Well, now that I’ve actually seen one of these maybe I’ll remember which one that is and it’ll help me straighten out which is which between the other ones by narrowing the choices a little. I hope so, because I’m not sure what else I got out of this one, exactly. I mean, I got something, I think. Just a something that’s hard to identify.
(read the rest of this shit…)