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Posts Tagged ‘Renee Russo’

One Good Cop

Tuesday, May 4th, 2021

May 3, 1991

I’d never seen this one before, and from the title I always thought it was a thriller about police corruption. I guess I had only seen the tough guy poster on the DVD and blu-ray, and not the theatrical one that looks like SLEEPLESS IN SEATTLE or something.

I think there is some subtle commentary about policing early in the movie, which I will go into, but for the most part it’s not about that. Instead this movie – which was only the fifth release from Disney’s not-for-kids label Hollywood Pictures – really is a fusion of the type of vibe of those two posters. It’s a gritty police/crime thriller about a cop whose partner gets killed, but in addition to going after the people he considers responsible, he and his wife take care of and then try to adopt the dead partner’s three adorable daughters. The amount of screen time and sincerity it puts into the second part is very unusual, so although this is in many ways not my type of movie, I respect its bold mix of genres. (read the rest of this shit…)

Nightcrawler

Thursday, January 8th, 2015

tn_nightcrawlerI watched NIGHTCRAWLER back-to-back with FOXCATCHER. So far I’ve been able to keep the titles straight in my head though, haven’t mixed them up like I still do with RISE OF THE/LEGEND OF THE GUARDIANS. But it’s not just the titles that are vaguely similar. This is another story about a bizarre, unfeeling weirdo pretending to be a human. The biggest differences from John Du Pont are 1) no fake nose 2) this guy comes from a working class perspective; he’s introduced sneaking around stealing copper to sell for scrap, like a junkie 3) he’s the protagonist.

It takes place in L.A and mostly at night, so it’s kind of like a noir. Jake Gyllenhaal (HIGHWAY, PRINCE OF PERSIA) plays Lou Bloom, the weirdo in question. I liked him so much in PRISONERS that I’ll see a movie just for him now, so I was excited for this even before the acclaim. Lou is the kind of weirdo who (correctly) thinks he can just walk wherever he wants to if he acts like he belongs there. When he’s driving home one night and sees a flaming car wreck on the side of the freeway he just pulls over, gets out and walks up to watch firemen trying to pull the driver out of the wreckage. You know, just curious. Wanted to see what all the fuss was.

When he learns he can make a living listening to a police scanner, chasing down these tragedies and shoving a camera in there, it quickly becomes clear that he has a natural talent for it. He’s not only completely willing to get in the way of cops and paramedics in life and death situations, he’ll also walk into a house where a shooting has taken place, film the bodies, move things around to make the shots more compelling. Here, get this happy photo of the victim next to this bullet hole. Perfect. (read the rest of this shit…)

Lethal Weapon 4

Monday, January 13th, 2014

tn_lethalweapon4LETHAL WEAPON 4 is a family affair. In part 1 we just had suicidal widower Riggs becoming friends with ol’ Murtaugh and his family. We still have them, but also their friend Leo (added in part 2) and Riggs’s girlfriend Lorna (added in part 3) who now he’s thinking about marrying and they live together so now he has two trailers next to each other instead of the one. And he still has his dog from part 1 plus the dog guard he stole from the bad guys and rehabilitated in part 3. And Lorna is pregnant and Murtaugh’s daughter Rianne is also pregnant and also Chris Rock is in this one and also a Chinese family called the Hongs. There’s even four new writers on this one. The cast just keeps getting bigger, like how in a long running sitcom like The Cosby Show or Roseanne they have a bunch of new grandkids and spouses and shit added on by the end.
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Lethal Weapon 3

Wednesday, January 8th, 2014

tn_lethalweapon3LETHAL WEAPON 3 is the third one in the series in my opinion so it brings with it certain baggage, but also certain strengths. On the negative side, it feels more concerned with satisfying sequel expectations than with actually telling a good story. Even more than the other two it feels more like a list of ideas strung together than a story. Oh, we gotta bring Leo back, he should be bleach blond and act all Hollywood and stuff, that would be funny. And Murtaugh should be trying to sell his house and they try to not mention to prospective buyers that a bunch of deadly battles took place there! Oh yeah, Leo could be the real estate agent. That’s it! And Murtaugh should be retiring soon so he’s all worried he’s gonna get shot, ’cause he realizes how it works in movies! But then it’s Leo that gets shot, he’s okay but he gets all high and mighty about it, saying he got shot in the line of duty. You know how Leo is. Murtaugh should bond with a son this time, not just Rianne. Something about guns in the black community. Oh, and explosions. Bigger than before. One of those “the red wire or the green wire?” scenes could be fun. Who should be Riggs’s new girl? How ’bout a girl cop? You think she’s uptight, ’cause she’s internal affairs, but then she knows how to kickbox!
(read the rest of this shit…)