CHERRY 2000 is a quirky post-apocalyptic adventure, one with a cool sci-fi western premise and alot of underlying oddness and satirical observation about life in the ’80s. The action is slightly stilted, and I think director Steve De Jarnatt (who followed this up with the pre-apocalyptic MIRACLE MILE) is more comfortable doing funny twists on the genre than sincerely following its tropes, but I also think there is a good faith effort to deliver the goods. There are lots of machine guns and blowtorches, some explosions, some great stunts involving a car hanging from a crane. When the weinery yuppie protagonist decides to man up he does it by setting fire to a bunch of cars and rigging an explosion that knocks over Tim Thomerson and swarms him with bees. Not bad. (read the rest of this shit…)
Archive for the ‘Reviews’ Category
Cherry 2000
Monday, August 11th, 2014Sector 4: Extraction
Thursday, August 7th, 2014
“A mercenary that gives a fuck. Great.”
Sometimes I watch a movie that’s hard to even squeeze a review out of. I could do a consumer reports type deal telling you the plot and that it’s boring and mediocre, but I wouldn’t have much of the ol’ insight to offer. Usually if I feel that way I just don’t bother writing anything. This one is borderline, but I’m gonna try to tough it out because I consider it historically important: it’s the directorial debut of Olivier Gruner.
Ah shit, now I looked it up and this is his third movie as a director. So it’s not even a milestone or anything. Why did I watch the whole thing?
(read the rest of this shit…)
Enemy
Wednesday, August 6th, 2014
ENEMY is a weird, spooky thriller that director Denis Villeneuve and star Jake Gyllenhaal did right before PRISONERS. The arthouse freakout before the expensive studio drama that Lee Daniels got fired from. PRISONERS made me pay attention to the former and gain new respect for the latter, so here I am watching ENEMY.
Gyllenhaal plays a depressed college history professor who rents a movie one day and notices that the part of Bellhop #3 is played by a guy who looks exactly like him. Creepy. He does some detective work and tracks down the actor, who also has his same voice and an identical scar. He’s not sure what the fuck is going on, and he’s fascinated, but he’s weird about it. He calls and confuses the guy’s poor wife. (read the rest of this shit…)
Guardians of the Galaxy
Tuesday, August 5th, 2014
Peter “Star Lord” Quill (Chris Pratt, ZERO DARK THIRTY) is a wannabe legendary space outlaw, a good fighter with a cool breather mask and ship who takes gigs from unsavory characters retrieving rare objects and stuff. A Transporter, if you will. When he finds something called “the orb” for a scary space guy with the scary space name of Rhonan the Accuser, he learns that it endangers everybody in the galaxy, and he decides he’s against that. So he teams up with an alien lady trying to snatch it from him (Zoe Saldana, but green this time instead of AVATAR blue), two bounty hunters trying to capture him (Bradley Cooper [MIDNIGHT MEAT TRAIN] and Vin Diesel, both voicing cartoons), and a psycho they met in prison (Dave Bautista, RIDDICK) to try to get it somewhere safe, wherever the fuck that would be. I don’t think they discuss throwing it into a volcano like a lord of the rings would do. (read the rest of this shit…)
Lucy
Thursday, July 31st, 2014
LUCY is the new movie by Luc Besson and his first directorial work since… THE MESSENGER? … to be noticed much in the U.S. He had supposedly retired from directing after ANGEL-A in 2005, but then he made another one of those ARTHUR children’s movies and by 2010 he was doing THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC (which I liked) and fuck it, he was still a director. Last year he did THE FAMILY with Robert DeNiro and Michelle Pfeiffer (which I, like most Americans, haven’t gotten around to yet) but now all the sudden he has this LUCY and it’s a big hit, opening much bigger than The Rock’s HERCULES even though that one is PG-13. (There actually was a point early in LUCY where I thought to myself “Oh good, they do still make R-rated movies.”)
Scarlett Johansson plays the titlogical Lucy, a student in Taiwan when her douchebag boyfriend of one week (a Donal-Logue-at-a-rave type dude with a shitty cowboy hat and yellow-tinted glasses) gets her involved against her will with some ruthless gangsters led by Choi Min-sik (OLDBOY). She doesn’t speak the language so she barely knows what’s going on by the time she has a bag of experimental drugs (actually blue pop rocks I think) sewn into her belly for clandestine transport.
Blue Ruin
Wednesday, July 30th, 2014
I don’t know what this has to do with BLUE JASMINE, but it’s pretty good as a standalone.
I saw alot of film festival acclaim for BLUE RUIN as a movie about how bad and ugly revenge actually is. I gotta tell you I was skeptical, because I didn’t want to hear some joyless lecture about the wrongness of something most of us never experience, especially as punishment for our inherent enjoyment of classic action movie formula. DEATH SENTENCE and others prove you can make that point and still have fun.
Luckily my assumptions were unfounded. As the writer Harry once told Flavor Flav, “Don’t believe the hype.” BLUE RUIN isn’t trying to teach us a lesson, it’s actually a fairly traditional and enjoyable thriller about a murder and ensuing mess, spiraling out of control like that time the Cat in the Hat came over and ate cake in the bath tub. It’s just that it comes from young independent filmatists so it feels more like it’s happening to some dude you know than the usual slick Hollywood players. It’s quiet, naturalistic, and you have to piece together the backstory from what’s happening, you don’t get alot of obvious exposition. The avenger is a pretty non-descript nerd named Dwight (Macon Blair). Big, sunken eyes, a little doughy, bad haircut, no cool motorcycle jacket or shades or nothin. Just a normal guy. Could work at Best Buy or something.
(read the rest of this shit…)
Hercules
Tuesday, July 29th, 2014
I don’t know what you people are thinking not wanting to see a new Hercules movie starring Dwayne T.R. Johnson. The motherfucker grew a beard and wore a lion on his head and somehow increased his workout from what it was before, and yet the world acts like there’s nothing to see here. Here we have a movie star who we have all anointed an icon, an actor who combines the charm of George Clooney with the cartoonish physicality of Arnold Schwarzenegger, who has entertained us many times but who still hasn’t quite found that great movie vehicle he deserves. And he has decided to use his impossibly giant muscles to lift up the sorely missed genre of the macho sword and sandal b-movie. Just on principle people like us should be taking time off work to see this thing, but all my friends, people I work alongside, who I admire and respect, just respond to the existence of HERCULES with a “ho hum” or a “ha ha.”
Yeah, I know the reason. With everything going on in Gaza right now, and in Russia and the Ukraine, it’s hard to really put our minds on something so trivial nah just fucking with you it’s because this was directed by Brett Ratner.
Superman: The Movie
Wednesday, July 23rd, 2014
SUPERMAN: THE MOVIE (not to be confused with Superman: The Imitation Pasteurized Process Cheese Spread) is an important movie. It was the first big comic book super hero picture, and an early entry in the world of post-STAR WARS blockbusters that shaped today’s generation of filmatists. By casting Marlon Brando as Joe L. Superman (plus Gene Hackman as Lex Luthor and Glenn Ford as Pa Kent), director Richard (LETHAL WEAPON) Donner set the precedent, still in place today, that big respected actors in supporting roles can add credibility to a super hero picture. And by casting only-one-movie-under-his-belt Christopher Reeve as Kal L. “Clark Kent” Superman he showed that sometimes a fresh face is better than a familiar veteran to play an iconic character. That later worked for Wolverine (whose first movie was executive produced by Donner), Thor and two subsequent Supermen. (Other actors who were supposedly on the producers’ wish list: Al Pacino, James Caan, Steve McQueen, Clint Eastwood, Dustin Hoffman and [why not?] Muhammad Ali. Any one of those would’ve automatically been a completely different movie.)
(read the rest of this shit…)
A Time To Die
Tuesday, July 22nd, 2014
I found A TIME TO DIE in the action section, and it looks like an action vehicle for Traci Lords. On the cover she’s holding a gun in front of some burning vehicles and she looks awesome. But that’s not exactly what this is, there’s not alot of action. I’m gonna go ahead and classify it as “crime” to be less misleading. A few people get shot, and there’s a car chase where an unrelated car crashes and blows up. And the one part at the beginning where she crushes a dude’s balls (pictured left). But you’re not gonna see Traci Lords doing karate or anything. It’s more of a suspense-drama I guess.
But I kinda liked it. It has all the hallmarks of a generic and at times amateurish thriller, but it keeps surprising with extra bits of personality. Take for example the opening scene, where an arms deal is going on on the roof of a building, and one of the dealers gets mad ’cause a kid sets off the alarm on his car in the alley below. He yells at the kid, and the kid gets offended and lays on top of the car just to fuck with him. The dealer loses his temper and shoots the kid, fucking up the whole deal.
This is not the introduction of the bad guys, and the kid is not a brother or friend of Jackie (Lords) who needs to get avenged. It’s just a weird incident that she reports to as a crime scene photographer. (read the rest of this shit…)

“I’ll be no man’s slave and no man’s whore. And if I can’t kill them all then by the gods they’ll know I tried.”

















