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Countdown

Tuesday, April 25th, 2017

I’m happy to see that some of the films produced by WWE Films still fulfill the original promise of that prestigious banner: traditional low budget action vehicles for pro-wrestlers. For a while they were doing normal movies that didn’t take advantage of their stable of larger-than-life muscle dudes. So how the hell am I supposed to learn who the different wrestlers are? Watch wrestling?

This one taught me who Dolph Ziggler is. I’d heard the name and I always assumed he would be a tall Ivan Drago knockoff, but it turns out he’s just a longhair dude of standard WWE height and build. Here he ties his hair back to play Ray Thompson, Seattle undercover narcotics cop who is totally in trouble for how edgy and not by the book he is. For example he fake kills his asshole partner Kendricks (Josh Blacker, DRIVEN TO KILL, ELYSIUM) during a bust by shooting him in the vest. He saves his partner’s life and gets 200 guns off the streets, and it’s possible that this level of law enforcement awesomeness is actually just acting out due to the tragic death of his son. At least, that’s what we suspect when his wife finds him drinking a beer and reading bedtime stories in their son’s completely-untouched bedroom. (read the rest of this shit…)

Beauty and the Beast (Disney remake)

Monday, April 24th, 2017

Disney’s new live-action rendition of Disney’s BEAUTY AND THE BEAST is a tale as old as time, a collection of songs as old as 1991, plus new ones created in 1993 for the Broadway musical. Unlike Jon Favreau’s excellent computer-animation-that-seems-like-live-action remake THE JUNGLE BOOK, which melded beloved elements of the 1967 animated classic with more serious drama from Rudyard Kipling’s book, this is a very faithful, at times scene-for-scene re-enactment of the 1991 best picture nominated hit. But that’s the idea: it’s the movie version of the stage version of the animated version of the traditional fairy tale. Director Bill Condon (CANDYMAN 2: FAREWELL TO THE FLESH) and adapters Stephen Chbosky (RENT) and Evan Spiliotopoulos (HERCULES with The Rock) seem to look at it much more as a restaging than a reinterpretation. (read the rest of this shit…)

Graffiti Bridge

Friday, April 21st, 2017

Do you ever wonder what happened to The Kid (Prince, UNDER THE CHERRY MOON) after PURPLE RAIN? (SPOILERS FOR PURPLE RAIN.) His dad had hit his mom and shot himself. Wendy and Lisa had been mad at him for being a dick, and Apollonia had left him for being abusive and a dick. Club owner Billy had thought his music was too self-indulgent and wasn’t bringing ’em in anymore. But then he came out and performed “Purple Rain” for the first time and… I mean, it was “Purple Rain.”  It was beautiful and it was sort of an apology to everybody and they were all moved and blown away, even Morris Day. And The Kid seemed to make up with Apollonia and his dad was still alive in the hospital and did everything turn out okay for everybody, is what I’m asking?

Well, as far as what happened with Apollonia and The Revolution and some of the other stuff, you’re gonna have to go to the Expanded Universe novels I guess. But to see where The Kid was at in 1990 you gotta watch the last feature film Prince ever made (this time as writer/director/composer/star), GRAFFITI BRIDGE. (read the rest of this shit…)

The Invitation

Wednesday, April 19th, 2017

I’m real late to the dinner party (get it, because this is a movie about a dinner party), but THE INVITATION is a potent suspense thriller well-deserving of its reputation from film festivals and indie circuit release from Drafthouse Films. It’s tense and uncomfortable and it’s best not to know what sort of bad thing it’s leading up to, but don’t worry. You can sense its presence from early on.

Will (Logan Marshall-Green, who I did not recognize as the whiny boyfriend I hated so much in PROMETHEUS) and Kira (Emayatzy Corinealdi, MILES AHEAD) are a couple invited to this other couple’s house out in the Hollywood Hills. It’s an awkward reunion for a close circle of friends who haven’t seen or heard from these party-givers in two years. There’s love and laughing and joking, but also weirdness with Eden (Tammy Blanchard, BLUE JASMINE)’s extra long hug of Will. And it starts to come out that not only are they exes, but their marriage ended because of a tragedy. They had a son who died in an accident right here at this house. (read the rest of this shit…)

The Fate of the Furious

Tuesday, April 18th, 2017

Here we are, number eight in the impossible series. The one that started as cheesy car exploitation with surprising heart, and evolved into… the FAST AND THE FURIOUS series. The one that, I am happy to say, is still the longest running movie series that I like every installment of. (Second place is still DEATH WISH. I am now aware that RESIDENT EVIL comes close, but I don’t like the first one.)

That is not to say that it can sustain forever. But only because fossil fuels will eventually run out. Inevitably, there has been a slight downward arc in quality since the untoppable back-to-back peaking of FAST FIVE and FURIOUS 6, but part FATE is still an immensely entertaining chapter in the ongoing soap opera about friends who have been repeatedly swallowed and coughed up by the impossible, and filmmakers who have not yet run out of ways to go bigger and more ridiculous than last time. (Hint: car playing chicken with nuclear submarine.)

Ah, who am I fooling, there is no room for hints in this review. This is gonna be straight up SPOILERs throughout. I’ll write it so it makes sense to those who will foolishly avoid the movie and just read this, but my recommendation is obviously to go see the movie first. I will not be pussyfooting around about surprises. We’re gonna want to discuss them. (read the rest of this shit…)

Never Too Young To Die

Thursday, April 13th, 2017

Sometimes there’s a monumentally shitty day, both on a personal and on an international level, so you get a glass of whiskey and watch the new Shout Factory Blu-Ray of a John Stamos movie that friends have been recommending to you on VHS for years. In my case, this time, NEVER TOO YOUNG TO DIE (1986) did not cut all the way through my fog of negativity. I’m not sure if that means I just wasn’t in the right place emotionally to fully enjoy an amazing movie or if it kinda drags in the middle so it’s not quite as good as it sounds on paper. Won’t really matter, though, because once I describe it to you you would be stupid not to see it. I mean let’s be serious here.

It starts on top of a dam, where Gene Simmons, dressed as a woman, gives a big THE WARRIORS style speech to a gang of DRAGNET: THE MOVIE style punks. He dreams of poisoning the water supply and I guess he doesn’t have time to take over state government and defund the infrastructure in poor and minority areas like how it’s done now. But he almost had some kind of computer disk that was gonna allow him to do the poisoning through the dam or something (I never quite followed this part). So he has abducted some lady who knows where the disk is and he tortures her with one long fingernail while the gang chants “THE FINGER! THE FINGER! THE FINGER!”
(read the rest of this shit…)

The Chaser

Wednesday, April 12th, 2017

THE CHASER opens with an escort getting in a car with a john. We don’t see what happens after that, just that she doesn’t come back. Many days pass – we know this from the amount of parking tickets attached to the car when Joong-ho (Kim Yoon-seok, THE YELLOW SEA) finds it abandoned on a winding road in the Mongkol District.

“You bitch,” he says. “If I find you, you’re dead.” And it cuts to the title. THE CHASER.

So this guy is The Chaser. Cool, I thought. This tough-as-nails detective is on the trail of a serial killer, and he’s not messing around!

Ha ha. Not quite. Come to find out he’s a pimp. It’s her he’s threatening to kill. A bunch of his employees have gone missing, and he thinks they’re running out on him. He sees it as a personnel problem. Not to be preachy but in my opinion pimping is not a respectable line of work, and he performs this immoral vocation in the style of a heartless corporate boss, or an Ebenezer Scrooge.

(read the rest of this shit…)

The Sheik

Tuesday, April 11th, 2017

As you may know, I don’t watch or understand any wrestling from the past two to three decades, but I retain a fascination and nostalgia from the stuff I did watch in the ’80s. One of the iconic villains of that era was The Iron Sheik, a cartoonish embodiment (along with his fur-hat-wearing Soviet tag team partner Nikolai Volkoff) of America’s most absurd fears of scary foreigners. Looking back it seems like a put-on, a parody, an Andy Kaufman style evisceration of the stereotypes you’d have to be a dummy to believe in, the communists and Middle Easterners who come in and tell us we are weak Americans and then demand that we be respectful as they (gasp) make us sit through their national anthems. And then are outraged when we boo.

It was also a time when some people, due to economic anxiety or whatever, didn’t understand that these were fictional characters. Many Americans presumably believed that the Iron Sheik was real, that this Persian man was behaving this way not because he was an entertainer, but because those guys really hate America, you know? And  in the copious vintage footage included in this very enjoyable 2014 documentary by director Igal Hecht we see the red-faced fury of some of these fans. In interviews we hear about the danger of the Sheik’s “heat” from the crowd, people showing up with guns and shit. Every great heel tells a story like this (the wrestling villain’s humblebrag), but I bet the Middle Eastern angle means he had to be even more careful than Roddy Piper did. (read the rest of this shit…)

Bodyguards and Assassins

Monday, April 10th, 2017

BODYGUARDS AND ASSASSINS is really not fair to the assassins – it’s all about how great and selfless the bodyguards are. I thought I should give that warning to the more sensitive members of the assassin community. I still thought it was good though.

This 2009 film from director Teddy Chan (KUNG FU KILLER) is another one in that IP MAN vein of an Important Historical Drama infused with exaggerated martial arts greatness. I so wish our Oscar bait movies had kung fu in them. Think how much better IMITATION GAME would be!

In 1906, the pro-democracy activist Dr. Sun Wen (Zhang Hanyu, SPECIAL ID, THE GREAT WALL) is about to meet in British-ruled Hong Kong with regional leaders to plan a revolution, but the Chinese government is trying to assassinate him. So this is about the brave rebels who volunteer to escort him to the meeting. (read the rest of this shit…)

Frankenstein (2015)

Thursday, April 6th, 2017

As I’ve mentioned once or twice, CANDYMAN might be my favorite horror movie of the 1990s. And I remember director Bernard Rose’s PAPERHOUSE being very good too when I watched it in the 1980s. But most of his movies have not been horror. Didn’t seem to be his thing. So I was intrigued when I found out that all the sudden in 2015 he did a new version of FRANKENSTEIN.

This is a modernized take on Mary Shelley’s story. The monster is not some stitched together green guy, he’s just a regular full grown man (Xavier Samuel, THE LOVED ONES, FURY) suddenly born in a secret lab through unexplained genetical engineering type methods. Victor Frankenstein (Danny Huston, THE WARRIOR’S WAY, 30 DAYS OF NIGHT, BIRTH) is there, but it’s his wife Elizabeth (Carrie-Anne Moss from the fucking MATRIX!) doing the important work now: cuddling him, shushing him, feeding him with an eyedropper. (read the rest of this shit…)