"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

Immortal Combat

Monday, November 1st, 2021

One thing about IMMORTAL COMBAT (1994) is that it’s called IMMORTAL COMBAT. Pretty good. However, just like the last American Sonny Chiba movie I watched (BODY COUNT, formerly known as CODENAME: SILENCER), you can tell from the opening credits cutting to black for the title that it used to have another title. This time the original title was RESORT TO KILL, because it takes place on an island resort. And some people get killed there.

Another thing about IMMORTAL COMBAT [sic] is that it stars both Roddy Piper and Sonny Chiba. And the villain is Piper’s THEY LIVE co-star Meg Foster as Quinn, who rules the island with her husband Stan (Roger Cudney, TOY SOLDIERS, BARBARIAN QUEEN II) and is behind some scheme with a chemical company called HybriCo to kill fighters and turn them into brainwashed, uh, ninjas or something. I didn’t totally follow it but these companies are always up to complicated shit. What else is new? (read the rest of this shit…)

Blood Games

Monday, October 25th, 2021

BLOOD GAMES was released straight to VHS at the end of 1990, and made in 1989, but it feels more like something from the late ‘70s or early ‘80s. It’s about as elemental an exploitation movie as you could have, since it’s about a group of attractive women in short shorts fighting to the gory death with a bunch of sweaty redneck rapist shitbags. It’s not a great movie, but there’s something kinda beautiful about how it cranks the realities of misogyny so far into overdrive the story becomes almost mythic.

It’s written by men: story by Jim Makichuk (2 episodes of Highlander: The Series), screenplay by Craig Clyde & James Hennessy (CHINA O’BRIEN II) & George Saunders (BLOODSPORT 4: THE DARK KUMITE, BLACK ROSE). But it’s directed by a woman, Tanya Rosenberg, who has no other credits. According to an actor interview on the Vinegar Syndrome blu-ray she and the crew were Israeli, and that’s the complete sum of information I was able to find about her. In the tradition of the female directors making b-horror for Roger Corman, Rosenberg uses the same butt shots and locker room shower scenes as a dude would’ve, and puts them in underwear, crop tops or short shorts. But arguably her view of the sleazy, disgusting men who disrespect them is even more extreme than the industry standard. (read the rest of this shit…)

New York Ninja

Monday, October 11th, 2021

NEW YORK NINJA, which had its world premiere at Beyond Fest earlier this month, is a b-action miracle: a previously unknown and unfinished vigilante ninja vs. street punks film accidentally discovered by just the right people who would know how to treat it like a lost Orson Welles film. Shot but abandoned before completion in 1984, it was an American production starring and directed by Taiwanese-born martial arts star John Liu (SECRET RIVALS, SNUFF BOTTLE CONNECTION).

Luckily, the footage happened to be included in a library acquired by Vinegar Syndrome, the excellent blu-ray label that started out restoring vintage porn movies before becoming one of the premiere curators of cult horror and action (PENITENTIARY I & II, DOLEMITE, MARTIAL LAW I & II, THE BEASTMASTER). According to Re-Enter the New York Ninja, a 48-minute featurette that will be included on physical releases of the movie, when they asked what the reels were they were told they could throw them out if they wanted. Instead they watched them and found a movie you can imagine the company acquiring intentionally, had it previously existed: a pulpy, somewhat campy but very sincere revenge movie with Liu battling cartoonish gangs and a mutated serial killer on the streets of New York (sometimes with noticeably unsuspecting extras). (read the rest of this shit…)

Kate

Tuesday, September 28th, 2021

KATE is the straight-to-Netflix Mary Elizabeth Winstead action movie produced by David Leitch and Chad Stahelski’s company 87North (formerly 87Eleven). As you’d expect from that pedigree, it has excellent action scenes, with JOHN WICK fight coordinator Jonathan Eusebio acting as second unit director and stunt coordinator. He did BIRDS OF PREY too, so I gotta wonder if Winstead asked, “You got any more of those JOHN WICKs laying around?”

The screenplay is credited to Umair Aleem (whose only previous credit is EXTRACTION – no, not that one – the Bruce Willis/Kellan Lutz/Gina Carano one), and the story is admittedly more standard than a JOHN WICK or a NOBODY. Elite assassin wanting to retire, yes, but none of the fanciful stuff. Working with her handler Varrick (Woody Harrelson, DOC HOLLYWOOD), who trained her since she was orphaned, Winstead’s titular character adeptly infiltrates, beats up, parkours and rooftop snipes whoever they send her after (which seems to mean Yakuza bosses, since she seems to live and work out of Japan). The first hit we see is successful, but she has to kill the guy in front of his daughter, which upsets her so much she decides she’s retiring after wrapping up the job. The second one we see she misses, making it much more exciting because we get to see her leap and somersault across buildings to get a second shot and then improvise an escape, stealing some dude’s ridiculously pimped out pink and yellow ride for a SPEED RACER/2 FAST 2 FURIOUS neon-blur car chase. (read the rest of this shit…)

The Protege

Thursday, September 23rd, 2021

I don’t know if Maggie Q thinks of herself as an action star. She’s a good actress, and in recent years she’s been in horror movies and thrillers and on Designated Survivor, and she has a new sitcom coming soon. Maybe one of her best known roles was the title character in Nikita, where I assume she kicked a multitude of asses every week, but it’s not like anybody puts the original TV Nikita Peta Wilson or the original movie Nikita Anne Parillaud or the second movie version Bridget Fonda in a category with Jean-Claude Van Damme and those guys. They’re just actors without much association to the genre.

But I respect that Q specifically came out of Hong Kong martial arts films. She’s American, but as a young woman she worked as a model in Japan, Taiwan and Hong Kong, where she was discovered and trained by Jackie Chan. Some of her Hong Kong films were Benny Chan’s GEN-X COPS 2, Ching Siu Tung’s NAKED WEAPON and Daniel Lee’s Seagal-produced DRAGON SQUAD, before coming to Hollywood for cool supporting parts in MISSION: IMPOSSIBLE III and LIVE FREE OR DIE HARD. She’s been in a bunch of stuff since then, including the DIVERGENT series. A lesser known one I thought she was cool in was PRIEST. But I kinda thought she’d moved on from that, so as an action fan I was so thrilled when I first saw the trailer for THE PROTÉGÉ and realized she not only had a legit starring role action vehicle, but one that was made to be released in theaters! And it really happened! I saw it in one!

This was a few weeks ago, many of the reviews I saw were negative, and it’s probly pretty much gone already, but it’s on VOD now and on disc soon. So I want to put in a good word for it. (read the rest of this shit…)

Wrath of Man

Monday, September 13th, 2021

WRATH OF MAN is a pretty different type of Guy Ritchie movie. It certainly shows some of his interests, his directorial chops, and his long relationship with filming Jason Statham. And okay, it also has some of that lightning quick snappy banter between the fellas, some of which I couldn’t follow at all. And it has Josh Hartnett playing a character called “Boy Sweat Dave.” I’m not sure I can picture that being in somebody else’s movie. Guy Ritchie is the Boy Sweat Dave type.

And yet this is a different style (a more calm and controlled type of flashy) and tone (less flippant, more foreboding, and even mythical) than what we expect from him. It doesn’t have freeze frames with character’s names as they’re introduced, but it does have four sections with pretentious chapter titles. A trend I very much approve of.

It’s a remake of a 2004 French film called LE CONVOYEUR (or CASH TRUCK), which I could only find on VHS with no subtitles (update: I got to see it on a Region B blu-ray so here’s my review). But this seems to me like it’s playing off of two American traditions: pulp crime novels, and movies that try to be like HEAT. I can enjoy both. (read the rest of this shit…)

Shang-Chi and the Legend of the Ten Rings

Thursday, September 9th, 2021

Believe it or not, I kinda consider myself kind of a Shang-Chi guy. As in, I dig that comic book character, before there was a movie. That’s definitely overstating it, because I don’t know that much more about his history than the next guy, but I’m attached to him because of my fascination with the period that created him, just a couple years before I was born, when American pop culture was catching on to the existence of kung fu and kung fu movies, and trying to cash in.

Shortly after Luke Cage debuted in June 1972 as a super hero response to SHAFT (both SUPER FLY and the coinage of the term “Blaxploitation” happened a few months later), Shang-Chi was conceived as the Marvel Comics version of the hit TV show Kung Fu, and he debuted in the midst of ENTER THE DRAGON mania. He showed up one month in Special Marvel Edition, and two issues later it was retitled The Hands of Shang-Chi: Master of Kung Fu. I can’t resist titles like that – that’s why I also know about the DC character Richard Dragon, Kung Fu Fighter (as seen in BATMAN: SOUL OF THE DRAGON) and why I was introduced to Shang-Chi by buying back issues of The Deadly Hands of Kung Fu.

That’s a ‘70s Marvel Magazine, the type you know is gonna include a full page ad for a “complete audiovisual home study course in dynamic KUNG FU & KARATE” for less than 16¢ a lesson with a 10 day no risk money back guarantee. But it’s mainly black-and-white comics about martial arts characters including Shang-Chi, Iron Fist and The Sons of the Tiger interspersed with crude martial arts-related articles. In issue #1, writer J. David Warner visits the Fred Hamilton All-Dojo Martial Arts Tournament, reviews THE CHINESE MECHANIC starring Barry Chan, and has a news column previewing upcoming Shaw Brothers and Golden Harvest releases, as well as western movies with co-stars from Asian cinema, like YAKUZA, STONER and PAPER TIGER. It also mentions WHEN TAEKWONDO STRIKES, GOYOKIN, and Ken Russell “preparing for production” of a martial arts movie called KARATE IS A THING OF THE SPIRIT. (If that had gotten off the ground I’d probly obsess over it the way people do THE DEVILS.) (read the rest of this shit…)

The Marksman

Wednesday, September 8th, 2021

THE MARKSMAN is one of this year’s Liam Neeson (THE DEAD POOL) Old Man Action movies. It came out on disc a month or two ago and had played in theaters in January, wherever it is that those were open at that time. It’s one of the rare theatrical releases if this era that did not get delayed by the pandemic – in fact they pushed it up one week. Had things been normal I definitely would’ve seen it at an early afternoon showing at Pacific Place with four or five other loners in the theater and I would’ve been satisfied as I walked out after the credits ended and the young man with the garbage can at the door told me to have a good day as I emerged from the quiet auditorium to the cheesy narrator promoting the A-List on recordings in the lobby.

(Sorry – I wrote this review before I’d been back to theaters, must’ve been getting nostalgic.)

Neeson plays a very fictionalized version of Jim Henson called Jim Hanson. He’s a Vietnam vet who lives right next to the Mexican border and has recently run out of money because of his late wife’s cancer treatments. Aside from one drunken scene where he does a really good low grumbly voice, it’s the standard Neeson accent, but he’s so All-American he literally has an American flag draped over his shoulder when a guy from the bank (Alex Knight, Narcos: Mexico) shows up to tell him his ranch might be taken from him. I like the little bit that Jim tells him he spread his wife’s ashes on the hill over there and the guy says “I’m sorry for your loss.” Trying to seem humane without even following what he’s talking about.

Jim is the kind of guy who has a walkie-talkie to call in what he calls “I.A.s” crossing his property. But at least he’s the kind who will bring water and call for a medic for one who gets left behind. (read the rest of this shit…)

Rogue Hostage

Tuesday, September 7th, 2021

Like many people of an older persuasion, my first impression of Tyrese Gibson was twenty years ago when he starred in John Singleton’s BABY BOY. At the time it had a mixed reception, but I thought it was a good companion piece/followup to BOYZ N THE HOOD, and this R&B singer or whatever he was, he was good in it. (For a long time I thought he had started as a model, but now I’m thinking I had him mixed up with Tyson Beckford?) It has some laughs in it, but it’s a dramatic role. He goes through quite a bit.

To Gibson’s great fortune, it was Singleton who was directing the first sequel to THE FAST AND THE FURIOUS when Vin Diesel decided he didn’t want to do it and a new co-lead was needed. So he swooped in to play Roman Pearce, childhood friend of Brian O’Connor (Paul Walker) who blames him for his prison bid for car theft but reluctantly accepts an undercover job with him to gain his freedom (an obvious rewrite of where Dominic Toretto would’ve ended up if he’d been in the movie). The two characters do some bickering, but at that time Roman was a serious action guy, a type Gibson would also play in WAIST DEEP, some TRANSFORMERSes, DEATH RACE and LEGION. He collaborated with Singleton again on FOUR BROTHERS and with pre-TOKYO DRIFT Justin Lin on ANNAPOLIS but was not one of the FAST crew invited back for part 4.

Eight years after 2 FAST 2 FURIOUS, when Roman finally returned in FAST FIVE, Diesel was back in the central role, so Tyrese got to riff and be silly. Other than saying grace in FURIOUS 6 and monologuing about sacrifice (while flying a space hooptie) in F9, he has mainly remained comic relief for four subsequent FASTs. (read the rest of this shit…)

Unlucky Stars

Monday, September 6th, 2021

UNLUCKY STARS (2015) is a no-budget indie action movie in this pretty new and rare category of fan-made action movies. That’s kind of selling it short, because these are legit, accomplished stuntmen, martial artists and choreographers, and it’s designed mainly to showcase their work. But they’re also all about throwing in little movie homages and cameos in a way more common to no-budget horror. Like they have a detective agency called Golden Harvest Private Investigations (with the Golden Harvest logo and everything), Simon Rhee has a cameo and is apparently meant to be his BEST OF THE BEST character Dae Han, J.J. “UNDISPUTED II” Perry shows up, there’s a running gag about a reality show for action stars in rehab (and apparently Amy Johnston is on it at some point? I didn’t spot her), and the ending seems to set the heroes up to live the plot of WHEELS ON MEALS.

Oh, and also two of the main characters are supposed to be fringe action stars. Jose Montesinos (director of 5 HEADED SHARK ATTACK) plays Tomas De La Cruz, “Peru’s biggest action star,” who has a $15,000 gambling debt and is trying to do another movie to get it. Sari Sabella (NIGHTMARE WEDDING) plays Sameer Yousef, a Jordanian martial artist who gets fired from his first American movie and sinks into his obsessive De La Cruz fandom. (read the rest of this shit…)