I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Ryan Gosling’

La La Land

Tuesday, January 3rd, 2017

LA LA LAND is a straight up musical from Damien Chazelle, writer of the music-themed thriller GRAND PIANO, director of the thrilling music movie WHIPLASH. Instead of heart-pounding tension this time he goes for brazen, shameless romance – romance for the idea of falling in love, and for the city of Los Angeles, its history and the potential it represents for aspiring actors and musicians.

I was a little skeptical when it started. The opening, where Los Angelenos temporarily abandon their gridlocked cars for a long-take song and dance number on the freeway overpass that the bus jumped from in SPEED, has a whiff of Old Navy commercial cuteness, and the story of an actress from a small town struggling to make it in big ol’ Hollywood and she’s not looking for a guy but her friends drag her to a party and just when she least expects it… well, it seems a little too straight up exactly the corny old cliche. But as soon as it’s zeroing in on the specific lives and personalities of the two people about to meet and bicker and flirt and fall in love and chase their dreams together and apart, all of that corniness becomes a strength. These two are too charming and funny for you not to kinda fall in movie-love with them yourself, or at least feel a buzz of vicarious courtship. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Nice Guys

Monday, May 23rd, 2016

tn_niceguysHolland March (Ryan Gosling, Kung Fu: The Legend Continues) is an alcoholic widower single father bottom-feeding private eye hired by an old lady (Lois Smith, KILLSHOT) for a case that has him following a young woman named Amelia (Margaret Qualley, PALO ALTO). Jackson Healy (Russell Crowe, NO WAY BACK) is a divorced thug hired by Amelia to beat up the people following her, i.e. March. When some other guys (Beau Knapp, the great Keith David) attack Healy at his apartment asking for Amelia he decides to go back to March and hire him to help find Amelia and ask her what’s going on. So by trying to cut down on getting beat up this unlikely pair gets gummed up in a case involving a dead porn star and a corporate collusion conspiracy.

Of the two, the detective seems like the dumb one. But he has good luck and a smart daughter, 13-year-old Holly (Angourie Rice, WALKING WITH DINOSAURS 3D) who nancy drews him through the mystery. March is also a total coward who screams like a little girl and gives up information at the slightest threat. Healy behaves much more professionally, though he still does stupid shit like forget his brass knuckles at home when he goes to beat somebody up. And then it’s too late to drive back and get them.

That’s because this is the latest from Shane Black, as both director and writer (with Anthony Bagarozzi), so it’s a twisty, complex mystery, a serious detective story but with frequent laughs from characters doing the wrong thing or the weird thing or saying what you’re not supposed to say. Goofing on tropes but also respecting their usefulness. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Big Short

Monday, February 22nd, 2016

tn_bigshortbestpictureDo you remember the Will Ferrell movie THE OTHER GUYS, how the end credits were a big animated info graphic about the banking crisis? It connected to the scheme by the villains in the movie but seemed jarringly serious at the end of a cop movie parody from the director of ANCHORMAN where Ferrell carries a wooden gun, has an evil pimp alter ego and has a chief played by Michael Keaton who quotes TLC all the time and works a second job at Bed Bath & Beyond. That’s why it’s not completely out of the blue that its director Adam McKay has made his first non-comedy, THE BIG SHORT, which has been nominated for many awards including Oscars for best picture, director and adapted screenplay. This is not the classic funny-man-yearning-for-respectability-with-corny-Oscar-bait-movie gambit. This is a rage that’s been fighting to get out.

Based on the non-fiction book The Big Short: Inside the Doomsday Machine by Moneyball author Michael Lewis, the movie tells the stories of several small-timers and outsiders in the financial world who had the foresight to see that the housing market was built on fraud and was destined to collapse. They figured out a way to basically bet against the banks, who gladly accepted the offers because they believed their own lies. They thought these people were crazy and giving them free money. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Place Beyond the Pines

Tuesday, August 13th, 2013

tn_placebeyondFrom the trailers, THE PLACE BEYOND THE PINES, from director Derek Cianfrance (BLUE VALENTINE), seemed weirdly similar to DRIVE.  Instead of a movie stunt driver who’s also a getaway driver, Ryan Gosling plays a carnival motorcycle stunt driver who becomes a bank robber. Instead of having a weird relationship with a married woman and her son he has a weird relationship with an ex-fling (Eva Mendes) who he’s just found out has his son (but lives with a boyfriend who doesn’t want him coming around). I’d heard that it wasn’t really what it looks like, that it “turns into something different,” that it’s “epic.” All these things are true, and I’m glad I didn’t know the specifics of it. But I gotta talk about those specifics if I’m gonna review it, so be warned. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Only God Forgives

Wednesday, July 24th, 2013

tn_onlygodforgivesFor ONLY GOD FORGIVES, the latest from writer-director Nicolas Winding Refn (DRIVE, VALHALLA RISING, etc.), Ryan Gosling trained in Thai boxing to play a quiet American running a Muay Thai gym in Bangkok. That lady who sued DRIVE for not being like THE FAST AND THE FURIOUS is gonna have to sue this one for not being like BLOODSPORT.

Or for not being like DRIVE, for that matter! This is not a commercial movie at all. It’s all mood and ambience. Slow, deliberate camera moves down hallways, precise, Kubrickian compositions, men introduced standing in poses rather than walking into rooms, not alot of dialogue, credits in Thai. It doesn’t explain much and leaves alot of weirdness lying around to either interpret, enjoy as surrealism, or get frustrated by. Of course I like to read a little symbolism into some of it, but I think it also works taken literally. This is a foreign, dangerous world that people like us wouldn’t understand. Not just because it’s Bangkok, either. The Bangkok you live in is just a sugar coated topping. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Drive

Wednesday, September 28th, 2011

tn_driveRemember how the driver in Walter Hill’s THE DRIVER didn’t get a name, he was just “The Driver”? The driver in Nicolas Winding Refn’s DRIVE is so minimalistic he doesn’t even get a ‘the.’ Or an ‘r’. Ryan Gosling plays said driver, a mysterious toothpick-chewing dude who’s a masterful getaway driver and does stunt driving for the movies. He also works at a garage for Brian Cranston, who helps set up his jobs and prepare his getaway cars. When not working Drive is sparking up a relationship with his neighbor, Carey Mulligan and her son. He’s better with the kid than you might think – even offers him a toothpick. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.