I took my time writing about BARBIE, the smash hit pop culture phenomenon from director Greta Gerwig (LADY BIRD, LITTLE WOMEN) and Mattel Films (MONSTER HIGH, TEAM HOT WHEELS, MAX STEEL), so all the takes have pretty much been taken, and I’m sure everybody who hasn’t seen it has heard by now that many people love it. I’m another one of those people. I’ll try not to go on too long about it, but I want to pay my respects, and I promise some of the aspects I’m most interested in are not what most of the other reviews focus on.
In this time of Barbiemania I don’t need to go into detail about all of the movie’s joys, but indulge me on a few of them. First of all, I’m a sucker for a movie with this extreme of a dedication to creating a stylized, artificial world. It’s comparable to movies like POPEYE, SPEED RACER or BATMAN RETURNS in that respect. And what the hell, I’ll say THE FLINTSTONES too, though I want to stress that especially in that example I’m just talking about the heightened sets, props and costumes, not equating them in overall quality. (read the rest of this shit…)
SPIDER-MAN: ACROSS THE SPIDER-VERSE is the first sequel to 
