You know, ever since at least THE NICE GUYS, the world has gotten to fall in love with funny Ryan Gosling. He’s a favorite SNL host, he was unmatchable in BARBIE, it looks like he’ll be fun in THE FALL GUY. Even though he’s done serious broody guy movies in between (BLADE RUNNER 2049, FIRST MAN) I think of him as that funny guy now. And sometimes I forget that’s maybe the third or fourth incarnation of Gosling.
I never knew of him in chapter 1, Canadian Child Star Ryan Gosling, but yeah, in the ‘90s he was on The All-New Mickey Mouse Club, he was on episodes of Kung Fu: The Legend Continues and Goosebumps, and did you know he played the title role in a spinoff of Hercules: The Legendary Journeys called Young Hercules? Lasted one season. Otherwise the career went better than Old Hercules.
After the turn of the millennium he was reborn as Adult Actor Ryan Gosling. I never saw THE BELIEVER, but it gave him a grown up career. He did various respectable indies, but he blew up so big in THE NOTEBOOK that there’s arguably a separate chapter of Heartthrob Ryan Gosling.
Admittedly I was a late adopter, I didn’t really start paying attention until Quiet Tough Guy Ryan Gosling was unleashed in DRIVE and continued in THE PLACE BEYOND THE PINES and ONLY GOD FORGIVES. It was during that period, in 2014, that he made his writing/directing debut, LOST RIVER, which is in kind of a similar dreamy dark art movie vein. (read the rest of this shit…)
Little women, walking down the street. Little women, bonding with their sisters but also struggling to establish their individual identities in order to find a path in life that brings them happiness
Of all the stories we tell over and over, “coming of age” might be the most universal. I don’t care who you are, as long as you live to be a certain age, at some point you’re gonna come of some of that age. And when you see some fictional (or, let’s be honest, usually semi-autobiographical) character’s age coming of you can compare and contrast to your experiences. You see echoes of your own life, revive emotions that were so potent at the time, now faded, learn about other people who had it different. So I have not specifically experienced being a girl in a private school in Sacramento in the oughts, and I definitely have no personal understanding of how it feels to be someone who could identify a song as Dave Mathews and have an emotional response to it that involves embarrassment, nostalgia and personal meaning*, but I can also see those things on screen and have them feel familiar and real and relatable.
BROOKLYN is my best-picture-nominee-completist viewing for this year. When the nominations were announced the only ones I hadn’t seen were 
Hanna (Saoirse Ronan from ATONEMENT and THE LOVELY BONES) is a young girl raised by a single dad (Eric CHOPPER Bana). She grew up away from the city and was home schooled, so she’s different from other kids. And by that I mean she grew up completely isolated in a remote cabin near the Arctic Circle and spent all her time training in combat, hunting and the speaking of multiple languages. Her dad is a rogue CIA guy but instead of doing freelance work like Seagal he just spends all his time growing a Unabomber beard and turning this bright little girl into a murder machine. She’s the girl Beatrix Kiddo hopes Vernita Green’s daughter never turns into. Some day when Hanna decides she’s ready she’ll literally flip a switch that will set off a war with the bitch (Cate Blanchett) that killed her mom.
