From the trailers, THE PLACE BEYOND THE PINES, from director Derek Cianfrance (BLUE VALENTINE), seemed weirdly similar to DRIVE. Instead of a movie stunt driver who’s also a getaway driver, Ryan Gosling plays a carnival motorcycle stunt driver who becomes a bank robber. Instead of having a weird relationship with a married woman and her son he has a weird relationship with an ex-fling (Eva Mendes) who he’s just found out has his son (but lives with a boyfriend who doesn’t want him coming around). I’d heard that it wasn’t really what it looks like, that it “turns into something different,” that it’s “epic.” All these things are true, and I’m glad I didn’t know the specifics of it. But I gotta talk about those specifics if I’m gonna review it, so be warned. (read the rest of this shit…)
Posts Tagged ‘Eva Mendes’
Yes, as you’ve heard by now, THE SPIRIT is a terrible movie. But don’t fall into the trap I did. Just because almost everyone agrees that it’s terrible doesn’t mean it’s funny or interesting to watch. I thought it looked bad from the trailers and really had no interest until I started seeing some of these reviews comparing it to various landmarks in bad movie history. The more vicious the reviews got the more I started to think shit, I kind of want to see that. People acted like it was some bizarre Ed Wood type shit that they couldn’t believe they were seeing.
Well, there are a couple weird touches. For some reason Samuel L. Jackson’s villain character, The Octopus, talks about eggs all the time. Seriously, he just keeps bringing them up – “I beat you like an egg,” “I don’t have egg on my face,” etc. etc. It’s worse than Tarantino’s obsession with feet. Also there’s a part where SPY KIDS style home computer effects depict a little tiny head attached to a foot that hops around on a table in front of him and he keeps saying it’s “plain damn weird.” I kind of wish writer/director Frank Miller was in the theater to experience the uncomfortable silence as the scene milked the “joke” over and over again for a couple minutes, clearly convinced it was hilarious. (read the rest of this shit…)
I recently saw and enjoyed THE FAST AND THE FURIOUS PRESENTS TOKYO DRIFT, part 3 in the FAST AND THE FURIOUS saga. And it reminded me that it was time I got around to seeing part 2. This one is closer to a straightup sequel. They couldn’t get Vin Diesel to return so instead they just follow Paul Walker’s character.
I know that probaly all of you have seen that first movie over a thousand times and have it memorized backwards, forwards and sideways, but in case there is one person out there who may not be familiar with the story, I want to help that one person out. In the first movie, Paul Walker is a new street racer in town who befriends Vin Diesel, who is the charismatic leader of a team of racers, but is also leading a gang of armed robbers or a chop shop or arms dealers or kidnappers or something. And a ways into the movie you find out that Paul is actually an undercover cop trying to bust Vin. But throughout the movie they have a special sort of male bonding – the type that happens between an undercover cop and his mark, or between two dudes obsessed with cars – so at the end Paul purposely lets Vin escape. (read the rest of this shit…)