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Posts Tagged ‘Joel Silver’

The Invasion (second review)

Tuesday, October 29th, 2024

THE INVASION (2007) is the fourth (and final, the way civilization is going) official movie adaptation of Jack Finney’s The Body Snatchers. I actually reviewed it for The Ain’t It Cool News when it came out, which is one way I can prove it exists. It’s documented! Anyway I after I watched the other three I figured I oughta complete the set.

This one stars A-listers Nicole Kidman and Daniel Craig and is the Hollywood debut of acclaimed German director Oliver Hirschbiegel (DAS EXPERIMENT, DOWNFALL), as well as the first movie written by David Kajganich, who later wrote A BIGGER SPLASH, SUSPIRIA and BONES AND ALL for Luca Guadagnino. But it was kind of a fiasco, losing money and getting poor reviews, universally considered the weakest of the four versions. I’m sure we would’ve noticed it was kinda sloppy even if it hadn’t been widely reported that producer Joel Silver thought it wasn’t working and spent $10 million on reshoots written by the Wachowskis and directed by their guy James McTeigue (V FOR VENDETTA, NINJA ASSASSIN). It was delayed over a year and moved from a confident June release to a resigned August one.

And, would you believe it? It doesn’t really work. But it has its moments.
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Road House (2024)

Monday, March 25th, 2024

ROAD HOUSE (1989) is one of my all time favorite movies. It is simultaneously extremely of its time and absolutely of all times. There’s nothing like it, nothing as good as it, it’s a lightning bolt and they stopped making the type of bottle you would need to even try to catch it again. But it is possible to make a fun remake of it, and I know this because after many years of threatening somebody finally went through with it. ROAD HOUSE (2024) skipped theaters because it was made for the Amazon Prime Free Product Shipping and Digital Television Network, but I liked it more than any non-JOHN WICK or M:I theatrically released Hollywood action movie of recent years I can think of. It’s funny and badass and different enough from the original to stand on its own. (read the rest of this shit…)

Strange Brew / ‘1983: Summer of Nub’ wrap-up

Friday, September 1st, 2023

August 26, 1983

STRANGE BREW (on screen title: THE ADVENTURES OF BOB & DOUG McKENZIE: STRANGE BREW) is a silly lowbrow comedy that I loved when I was kid, and that holds up well from an adult perspective, though I probly don’t have a much deeper understanding of what specific Canadian observations and stereotypes the characters are playing off of. No problem. They’re still funny.

Rick Moranis and Dave Thomas direct, co-write and star as their SCTV characters Bob and Doug McKenzie, the winter hat and earmuff wearing, beer guzzling stars of the Canadian-themed talk show Great White North. In the opening scene they host their show and demonstrate the difference between TV format and movie format, then they introduce their DIY post-apocalypse epic THE MUTANTS OF 2051 A.D., a very funny fake-bad movie that coincidentally (?) has parallels to fellow Summer of Nub release SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE. Bob’s character even spots “a mutant in the forbidden zone” (played by Doug). (read the rest of this shit…)

Lethal Weapon 3 (30th anniversary revisit)

Friday, June 10th, 2022

At first I wasn’t sure I needed to revisit LETHAL WEAPON 3 for this series, because I already wrote a perfectly good review of it (and the other three) back in 2014. But it’s clearly the kick off to the real deal summer movie season of ’92 if you look at the box office charts for its opening weekend, May 15, 1992. It took #1 of course, but everything else on the charts had been out fora while: BASIC INSTINCT in its ninth week, BEETHOVEN in its seventh week, WHITE MEN CAN’T JUMP in its eighth week, THE PLAYER in its sixth week, WAYNE’S WORLD in its fourteenth week, etc.

More importantly, I decided it was necessary for comparison. There will be three other big tentpole type sequels this summer, one of them being PATRIOT GAMES (which I’ve also reviewed, but probly won’t revisit) and the other two being, you know… weird. In contrast, this one wants to be exactly what you would imagine a third LETHAL WEAPON to be, no real surprises. As Desson Howe wrote in his review in the Washington Post, “If there’s an original moment in this movie, producer Joel Silver and director Richard Donner sincerely apologize… essentially, they guarantee you the same product you consumed twice before.” (read the rest of this shit…)

The Matrix

Monday, December 13th, 2021

THE MATRIX is, I continue to believe, one of The Great Movies. It absolutely holds up today, and also it reminds me so much of then. I will always remember what it felt like when this was a new movie, and our entire understanding of the MATRIX story. When we all imagined where it would go next, and then we had a couple years enjoying or rolling our eyes at all the movies obviously influenced by it, whether that means corny outfits and techno music or that brief, glorious window when Hollywood actors could be convinced to spend months preparing for action scenes with the great Hong Kong choreographers. But mostly I like to remember what it felt like to be surprised by it. Going in wondering if it would be good and then coming out knowing it was this.

I did have hopes. I had come to respect Keanu Reeves’ taste in movies after SPEED and, say what you will, JOHNNY MNEMONIC. I liked BOUND and it was exciting to see directors like that doing a sci-fi movie. And then a day or two before it came out I heard something about there being kung fu in it? So it wasn’t completely out of the blue that it was good. But I don’t think I was expecting something that a couple decades later would still be thought as highly of as the fucking MATRIX is. (read the rest of this shit…)

Weird Science

Monday, August 3rd, 2020

August 2, 1985

I’m no expert on the films of John Hughes, but I’ve seen enough to know WEIRD SCIENCE (which he wrote and directed) is pretty different from the other ones. It’s still a teen movie, like he was known for at the time, but it’s his only foray into science fiction unless you count his screenplay for JUST VISITING (the 2001 flop remake of LES VISITEURS) for involving time travel.

It feels a little off to call WEIRD SCIENCE sci-fi though. It’s more like computer magical realism, I think. We’ll get to that in a minute.

Much like EXPLORERS, we have two oft-bullied nerds, the main character Gary (Anthony Michael Hall, following SIX PACK, VACATION, SIXTEEN CANDLES and THE BREAKFAST CLUB) and computer genius best friend Wyatt (Ilan Mitchell-Smith, HOW TO BE A PERFECT PERSON IN JUST THREE DAYS, DANIEL, THE WILD LIFE). Going by the actors’ ages, Gary and Wyatt are about 2 or 3 years too old to be Explorers or Goonies. So they’re different in that they do not dream of adventure; they are entirely consumed by horniness. And the girls they like to stare at in school ignore them, so Gary’s big idea is to make a woman. He’s inspired by seeing BRIDE OF FRANKENSTEIN on TV (colorized! what the fuck!?) and figures his smart friend should be able to do something like that with his fancy computer machine. (read the rest of this shit…)

Brewster’s Millions

Tuesday, May 26th, 2020

May 22, 1985

On the same Wednesday that RAMBO: FIRST BLOOD PART II was released, Walter Hill followed up HARD TIMES, THE DRIVER, THE WARRIORS, THE LONG RIDERS, SOUTHERN COMFORT, 48 HRS. and STREETS OF FIRE with a new movie produced by Lawrence Gordon (ROLLING THUNDER, PREDATOR, DIE HARD) and Joel Silver (COMMANDO, LETHAL WEAPON, ROAD HOUSE) and starring the great Richard Pryor (THE MACK, HIT!). But it was a pretty dumb PG-rated comedy that doesn’t really take full advantage of either of their skills, other than Pryor’s general likability.

Pryor plays Monty Brewster, pitcher for the minor league baseball team the Hackensack Bulls. He and his best friend/catcher Spike Nolan (John Candy, THE SILENT PARTNER) try to be big fish in a small pond, hitting on baseball groupies at a bar after the game, but even there they’re medium-sized, overshadowed by a manlier player from the away team (Grand L. Bush, DIE HARD, LICENCE TO KILL, STREET FIGHTER). Which leads to a bar brawl, the most Walter Hill part of the movie. (read the rest of this shit…)

Road House

Monday, June 17th, 2019

ROAD HOUSE is one of the canonical works of… I don’t even want to say action cinema, or badass cinema, I just want to say cinema. When I first wrote about it 15 years ago I was in awe of its unique mix of raucous bar brawls, quotable lines and heightened badassness. I mean, you’d just have to be such a chump not to get something out of a well-made movie about the world’s second best bar security expert (Patrick Swayze shortly after STEEL DAWN) being called into Jasper, Kansas to straighten out “the kind of place that they sweep up the eyeballs after closing,” along the way falling in love, ripping out a guy’s throat and freeing the town from the corrupt grip of rich bully Brad Wesley (Ben Gazzara, BUFFALO ’66), who within one scene is revealed as a domestic abuser, shuts off his victim’s aerobics music because it “has no heart,” and boasts “JC Penney is coming here because of me!” It’s a glorious elevated drive-in classic forged from the undiluted sincerity of Swayze, the rioutous fight choreography of Benny “The Jet” Urquidez (BLOODMATCH, THE BIG HIT, WAR INC.), and the savage entertainment instincts of producer Joel Silver (COMMANDO, LETHAL WEAPON, PREDATOR, ACTION JACKSON, DIE HARD, THE MATRIX). It may top even RICOCHET as the most Joel Silver movie ever made. (read the rest of this shit…)

Superfly (2018)

Monday, June 18th, 2018

There’s a new theatrically released remake of SUPER FLY called SUPERFLY. Adapted by screenwriter Alex Tse (WATCHMEN, SUCKER FREE CITY), it’s updated to 2018 and relocated to Atlanta, but itstill tells the story of flamboyantly smooth drug kingpin Youngblood Priest (Trevor Jackson, Grown-ish, The Lion King on Broadway) trying to pull off one last big score so he can get out of the game. He still has his partner Eddie (Jason Mitchell, STRAIGHT OUTTA COMPTON, DRAGON EYES), employee-of-questionable-judgment Fat Freddy (Jacob Ming-Trent, Shrek the Musical), and girlfriend Georgia (Lex Scott Davis, TONI BRAXTON: UNBREAK MY HEART). He still has to deal with The Man (corrupt cops want a piece of his business) but now there’s also a Mexican cartel leader (Esai Morales, THE PRINCIPAL, PAID IN FULL, NEVER BACK DOWN: NO SURRENDER) and a scene involving crypto-currency (I’m glad he doesn’t say the word out loud, like in one of the ads I saw).

You may or may not remember that in the original movie Priest had a scene where he spars with a personal karate instructor. Thankfully, Tse did remember. In the update Priest’s boss and crime mentor Scatter (Michael Kenneth Williams, MERCENARY FOR JUSTICE, ROBOCOP) is also his jiujitsu teacher and keeps a low profile by sticking around the dojo teaching people to fight. Like Frank Lucas in AMERICAN GANGSTER he preaches not calling too much attention to yourself, and symbolically wears a brown belt instead of his true level of black.

So, as you can imagine, I liked this movie. (read the rest of this shit…)

Lethal Weapon 4

Monday, January 13th, 2014

tn_lethalweapon4LETHAL WEAPON 4 is a family affair. In part 1 we just had suicidal widower Riggs becoming friends with ol’ Murtaugh and his family. We still have them, but also their friend Leo (added in part 2) and Riggs’s girlfriend Lorna (added in part 3) who now he’s thinking about marrying and they live together so now he has two trailers next to each other instead of the one. And he still has his dog from part 1 plus the dog guard he stole from the bad guys and rehabilitated in part 3. And Lorna is pregnant and Murtaugh’s daughter Rianne is also pregnant and also Chris Rock is in this one and also a Chinese family called the Hongs. There’s even four new writers on this one. The cast just keeps getting bigger, like how in a long running sitcom like The Cosby Show or Roseanne they have a bunch of new grandkids and spouses and shit added on by the end.
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