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Posts Tagged ‘Wachowskis’

The Matrix Resurrections

Wednesday, December 29th, 2021

“I’m sorry. How could I know this would happen?”
“We didn’t understand all of it back then. No more than we do now.”

(you have entered THE SPOILERTRIX)

When I saw the first trailer for THE MATRIX RESURRECTIONS, it wasn’t what I expected. That is to say that it seemed like the sort of thing you would expect from a normal 2020s “legacy sequel” to an old series: bringing back some of the original stars, addressing that they are older now, stripping away some of the excesses of previous sequels, visually and otherwise referencing famous scenes specifically from the first movie. Which is all fine and good, but I figured they must be hiding something, because I didn’t believe Lana Wachowski (working without Lilly, who wanted to take time away from the industry) would come back to THE MATRIX after 18 years just to do something normal. I was betting on her having come up with some weird approach that even if I didn’t like it very much I would respect, as was the case with CLOUD ATLAS and JUPITER ASCENDING.

RESURRECTIONS might be the most accessible movie a Wachowski has made since the original MATRIX, but I don’t think I was wrong. This is a filmmaker making the movie she wants to and not what she thinks anyone else wants, therefore ending up with something no one else would’ve made. And I’m happy to say that I more than respected it. I kind of loved it. Though I wasn’t sure at first. (read the rest of this shit…)

The Matrix Revolutions

Thursday, December 16th, 2021

When the second half of the 2-part MATRIX sequel begins, our hero Neo and antagonist Agent Smith are both displaced from their regular realities. Smith has somehow transferred his computer-program-consciousness into the organic human body of Bane, only survivor of the destroyed Nebuchadnezzar, now in the sick bay of the Hammer next to comatose Neo, whose mind is trapped in a purgatorial subway station in a virtual world separate from The Matrix.

Yeah, the sequels get complicated. We learn that programs inside The Matrix are regularly deleted, but some try to escape that fate. The subway is a black market means of smuggling exile programs in and out of the Matrix or the Machine City (01?) mainframe. This is all overseen by the Merovingian, with the subway itself operated by his employee The Trainman, a scary dude played by Bruce Spence, a.k.a. the Gyro Captain in THE ROAD WARRIOR and Jedediah in MAD MAX BEYOND THUNDERDOME. (read the rest of this shit…)

The Matrix Reloaded

Wednesday, December 15th, 2021

THE MATRIX RELOADED may have been the most highly anticipated but immediately rejected sequel of my lifetime. I’m not just excluding PHANTOM MENACE for being a prequel – whatever happened in the rest of the world, I honestly didn’t experience many people hating it until months later, at least. With RELOADED it was pretty instant.

It was the only MATRIX movie I reviewed upon release, so you can click here to see my kinda dumb, mostly still applicable 2003 thoughts on the matter. I seemed to be fielding a backlash against the original MATRIX movie as well as people hating RELOADED, but it was only the latter I found myself feeling I had to defend over the years.

I do think I partly understand why people were disappointed. THE MATRIX ends on a perfect note of letting us imagine what’s next in the “world where anything is possible.” Any definitive answer of what happens next has a hard time competing with the electric feeling of not knowing. Especially when part 1 was a carefully constructed machine of concept, explanation and payoff, while part 2 kind of wanders through a labyrinth of tangential notions and questions before it gets to the battle it’s been promising. And it cuts off in a cliffhanger well before said battle. (read the rest of this shit…)

The Animatrix

Tuesday, December 14th, 2021

A widely circulated anecdote about THE MATRIX (I believe coming from an interview on the DVD extras) says that when the Wachowskis pitched the movie to producer Joel Silver they showed him Mamoru Oshii’s 1995 anime film GHOST IN THE SHELL on video and said, “We wanna do that for real.”

The internet being the internet, that story evolved into the usual exaggerations – THE MATRIX is nearly a scene-for-scene remake, so close they had to ask permission, bullshit like that. There’s a cool video on Youtube showing images from THE MATRIX that seem inspired by or lifted from GHOST – lines of green code, plugs in the back of necks, a cool way that Neo lands – but it runs 1:16. There are quite a few other parts in THE MATRIX, in my opinion.

Still, the influence is undeniable, and the Wachowskis have been open about it. You can see what they were interested in there: the intersections between man and machine, super-powered battles in the midst of or above a large city, badasses in sunglasses taking on a bunch of armored cops, or being clawed at by inhuman machines. They did all that for real. (read the rest of this shit…)

The Matrix

Monday, December 13th, 2021

THE MATRIX is, I continue to believe, one of The Great Movies. It absolutely holds up today, and also it reminds me so much of then. I will always remember what it felt like when this was a new movie, and our entire understanding of the MATRIX story. When we all imagined where it would go next, and then we we had a couple years enjoying or rolling our eyes at all the movies obviously influenced by it, whether that means corny outfits and techno music or that brief, glorious window when Hollywood actors could be convinced to spend months preparing for action scenes with the great Hong Kong choreographers. But mostly I like to remember what it felt like to be surprised by it. Going in wondering if it would be good and then coming out knowing it was this.

I did have hopes. I had come to respect Keanu Reeves’ taste in movies after SPEED and, say what you will, JOHNNY MNEMONIC. I liked BOUND and it was exciting to see directors like that doing a sci-fi movie. And then a day or two before it came out I heard something about there being kung fu in it? So it wasn’t completely out of the blue that it was good. But I don’t think I was expecting something that a couple decades later would still be thought as highly of as the fucking MATRIX is. (read the rest of this shit…)

New podcast appearance: The ’00s Zone

Thursday, December 9th, 2021

You may know Mark Palermo as the screenwriter of DETENTION (Joseph Kahn one, not Dolph one) or as a thoughtful commenter around here for many years. It turns out he’s also a podcaster. Mark and actress/filmmaker Loretta Yu host The ’00s Zone (pronounced like “ozone”), looking back at movies from the ’00s. And they were kind enough to invite me for their episode looking back at THE MATRIX RELOADED and THE MATRIX REVOLUTIONS.

I had a great time talking raves and Sentinels with Mark, Loretta and fellow guest Riley, and having listened to a couple episodes for preparation (I chose the ROMEO MUST DIE and CROUCHING TIGER HIDDEN DRAGON two-parter) I can vouch for this as a smart podcast offering a different perspective on these movies than any of the other ones I listen to. I’m going to check out some more.

Please enjoy this episode and let me know what you think, but don’t exhaust your MATRIX talk since, as teased at the end of the episode, I’ll finally be reviewing the whole series (so far) next week.

Jupiter Ascending

Monday, February 9th, 2015

tn_jupiterascendingFirst of all, I’d like to thank the Wachowskis for their unprecedented run of crazy, idiosyncratic big budget studio genre movies, and wish them luck in whatever their new vocation is.

I love the Wachowskis without reservation. BOUND is alot of fun and THE MATRIX is a brilliant sci-fi action classic and then everything they’ve made since then has been messier and crazier. But for them to make sane movies would be a waste of their talent. They can keep pushing the envelopes of special effects technology and storytelling technique as long as they also keep challenging the limits of what a studio can sink hundreds of millions of dollars into. And while I understand some of the disappointment in the MATRIX sequels, I also think that most of it comes from people wanting them to just do the same exact shit again. To me those movies are brimming with excitement about which unexpected turn they can make while also continuing to top themselves in action spectacle.

And then they got to make SPEED RACER. And they must’ve suspected that wasn’t gonna light the world on fire. They are heroes.

Unfortunately I didn’t enjoy their new sci-fi-fantasy joint JUPITER ASCENDING like I did the MATRIXes or SPEED RACER, and didn’t intellectually admire it as much as CLOUD ATLAS. It has way less ambition than that one and a little more boredom. I can respect that it’s something that nobody else would ever make, or want to make, or want to have made. It’s ballsy in how shamelessly corny it is. But it’s a shame that their worst one by far will be their last. (I’m assuming. After this many big budget flops in a row you gotta figure they’ll be washing dishes at Warner Brothers until they’ve worked off their debt.) (read the rest of this shit…)

Summer Movie Flashback: Speed Racer

Wednesday, September 11th, 2013

tn_speedracer

2008
2008

These days it’s pretty common for people to say that SPEED RACER is an overlooked gem – or even a masterpiece – that was misunderstood at the time. So give credit to your old Uncle Vern for praising it from day 1. I didn’t misunderstand that shit! I understood the hell out of it. I am a real good understander in my opinion. Not to brag.

But this is the second time I’ve watched it and actually I liked it alot more this time. I didn’t have as many reservations about the aggressively shiny and video gamey pixelscapes it takes place in. It’s still not my favorite look, but my brain has adjusted. I don’t know, maybe the rainbow colored kaleidoscope spinning around the studio logos at the beginning hypnotizes you when you see it on Blu-Ray. It starts to look amazing.

What really impressed me is the next level filmatism within that artifical world. The camera (or “camera”) soars through, over and around these space age racers as they zoom, drift, bounce and fly through loopty-loops, giant pinball machines and monster-faced ice caves, and despite all the speed and freneticism I think this mayhem is really easy to follow. (Judging from my original review maybe the smaller screen helps.) Characters’ heads constantly float away, wiping into the next scene, a more evolved version of Ang Lee’s best moves in HULK and, now that I think about it, one of a long list of ways that this movie must’ve influenced the shit out of SCOTT PILGRIM VS. THE WORLD. There are fight scenes, Speed and Racer X vs. practicioners of nonjitsu, and you get a glimpse of the MATRIX era Wachowskis. Then it bounces into a more candy colored, silly-anime type of style with abstract backgrounds and even more exaggerated physics. (read the rest of this shit…)

Cloud Atlas

Wednesday, November 7th, 2012

What if there were like a book of maps, only it was made out of the sky? That would be weird.

Well, anyway. At a climactic point in CLOUD ATLAS a character talks righteously about freedom, and about refusing to accept boundaries. And that’s what Lana and Andy Wachowski (who directed this along with Tom Tykwer) have done with their lives, their careers and this movie in particular. If you haven’t heard what CLOUD ATLAS is, it’s a nearly 3-hour epic based on a supposedly unadaptable book. It takes place in a bunch of different time periods ranging from the age of slavery to a dystopian future to even a post-apocalyptic future after that. But not in order – it jumps around from story to story, like a bunch of unrelated movies edited together as a weird joke on Youtube.
(read the rest of this shit…)

Ninja Assassin

Saturday, December 5th, 2009

tn_ninjaassassinI’ve finally seen NINJA ASSASSIN, produced by the Wachowskis, directed by James McTeigue, their second unit director and the director of V FOR VENDETTA. The bad news is it’s not the instant classic or genre reviver I figured it would be when I first heard they were making it, the good news is it’s not the unwatchable trash most of the reviews have told me it was. The Scott Adkins movie NINJA could top it (I just ordered a Thai DVD of it) but that’s okay, I still had a fun time at the movies. Here is the ticket stub:

ninja_ass

Get it? Ass. (read the rest of this shit…)