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Posts Tagged ‘Max von Sydow’

Exorcist II: The Heretic

Wednesday, October 4th, 2023

As we touched upon yesterday, William Friedkin’s THE EXORCIST is a great movie, a horror classic, the godfather of “elevated horror,” beloved by horror fans and non horror fans alike, making it a smash hit, box office record breaker, and cultural phenomenon. It was the first horror movie ever nominated for best picture, and received 10 Oscar nominations total, winning for adapted screenplay and sound. It caused mass freakouts and faintings and many still believe it’s the scariest film of all time. Its success launched an entire genre of demonic possession movies, pretty much all of which just rehash the last act but without a fraction of the directorial flair, and those movies still do well.

For all of these reasons, many people really weren’t (and still aren’t) open to the idea of somebody else making a sequel to THE EXORCIST. When EXORCIST II: THE HERETIC came along four years later, numerous major critics, even some of the ones who disliked the first one, called the sequel ludicrous, preposterous, incomprehensible, unjustifiable, the worst or stupidest movie ever made. And the late great Friedkin, who wanted no part in a sequel for both artistic and legal reasons, deemed the half hour of it he saw “a stupid mess made by a dumb guy… Scurrilous. A horrible picture” and “the worst piece of crap I’ve ever seen… a freaking disgrace… made by a demented mind.” (read the rest of this shit…)

The Exorcist

Tuesday, October 3rd, 2023

William Friedkin’s THE EXORCIST. Pretty good. Pretty popular. Pazuzu possesses the young lady, she behaves inappropriately according to most forms of etiquette, the two priest guys of different generations say the magic words and die, hooray for everyone. Please note that it’s not called “THE EXORCISTS,” there is only one exorcist of record, so either Father Merrin or Father Karras is getting the shaft in that title. Whichever one you like least. Fuck that guy. Who does he think he’s fooling, trying to be The Exorcist by sacrificing his life for a little girl? Go away, loser, there’s no room for you in this title.

There’s a persistent myth that when she pukes up green stuff it looks like split pea soup. In fact it looks like Nickelodeon slime. If you read the book it’s very clear about that. Anyway – good movie.

There are a handful of beloved classics that are part of what I consider “the modern era” of horror and yet were made before I, a pretty old guy, was born. Of those I’m more attached to PSYCHO, NIGHT OF THE LIVING DEAD and THE TEXAS CHAIN SAW MASSACRE, but THE EXORCIST is a good one too. It’s been around long enough and been considered important enough that arguably one or two people have said one or two things about it, and there might not be much room for new points to be made. But I’m not looking to make a definitive review here. I’m just trying to make one a little less dumb than the first time I wrote about it. (read the rest of this shit…)

Strange Brew / ‘1983: Summer of Nub’ wrap-up

Friday, September 1st, 2023

August 26, 1983

STRANGE BREW (on screen title: THE ADVENTURES OF BOB & DOUG McKENZIE: STRANGE BREW) is a silly lowbrow comedy that I loved when I was kid, and that holds up well from an adult perspective, though I probly don’t have a much deeper understanding of what specific Canadian observations and stereotypes the characters are playing off of. No problem. They’re still funny.

Rick Moranis and Dave Thomas direct, co-write and star as their SCTV characters Bob and Doug McKenzie, the winter hat and earmuff wearing, beer guzzling stars of the Canadian-themed talk show Great White North. In the opening scene they host their show and demonstrate the difference between TV format and movie format, then they introduce their DIY post-apocalypse epic THE MUTANTS OF 2051 A.D., a very funny fake-bad movie that coincidentally (?) has parallels to fellow Summer of Nub release SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE. Bob’s character even spots “a mutant in the forbidden zone” (played by Doug). (read the rest of this shit…)

Zentropa (a.k.a. Europa)

Wednesday, June 22nd, 2022

“But I haven’t done anything. I’m not working for either side.”
“Exactly.”


It was May 22nd. The day Ripley died in ALIEN 3. The day they found ENCINO MAN. The day FAR AND AWAY came out but I can’t review everything man, I’m already way behind on this summer series. The day of Johnny Carson’s last Tonight Show. Also it was the day Miramax released ZENTROPA in North America, according to various sources.

But I found a poster that says May 5th (maybe for video?) and Roger Ebert’s reviewed of it is dated July 3rd. I guess the relevant thing here is that, like other limited releases such as DELICATESSEN and ONE FALSE MOVE, it was playing various theaters at various points during the summer. That’s how it worked back then.

ZENTROPA is really called EUROPA – that’s the original title and what it’s now called on video (like THE PLAYER and NIGHT ON EARTH this has a Criterion Edition). But the North American theatrical release was retitled ZENTROPA for the honestly reasonable purpose of avoiding confusion with Agnieszka Holland’s EUROPA EUROPA. I distinctly remember going to see NIGHT ON EARTH and seeing a literally hypnotic trailer that I think was probly the same as the one I’ve found on Youtube except it was “LARS VON TRIER – ZENTROPA” that kept appearing on screen instead of LARS VON TRIER – EUROPA.” So for historical accuracy I’m labelling this review ZENTROPA. (read the rest of this shit…)

Star Wars: The Force Awakens

Monday, December 21st, 2015

tn_forceawakensstarwarsminuslucasWARNING: This is all spoilers, why would you read it without seeing the movie?

Previously on Disney’s Star Wars™: When it was announced that George Lucas had sold Lucasfilm to Disney and other people were gonna make new Star Wars movies, the world celebrated like the end of RETURN OF THE JEDI special edition but with the song from the original end of RETURN OF THE JEDI. I wasn’t so sure. I thought Lucas was a one-of-a-kind visionary whose works couldn’t be duplicated without his oversight, and I would rather see a flawed idiosyncratic Star War like his prequels than the potential mediocre one made by somebody else. But on the other hand as a huge Star Wars trekkie to the bone I couldn’t help but be excited to see Luke, Leia, Han, Sebulba and Chewbacca on the big screen again, something I never expected to happen. So when the trailers came out I was as down as anyone. (read the rest of this shit…)

Victory

Saturday, April 6th, 2013

tn_victoryVICTORY is a 1981 John Huston film that combines a LONGEST YARD type game-between-prisoners-and-guards story with a GREAT ESCAPE type story about escape greatness. It all begins when Sylvester Stallone, a Canadian prisoner in a German WWII labor camp (I thought American, but apparently he has a maple leaf on him somewhere), loses control of his soccer ball. It rolls over to Max Von Sydow, a Nazi officer who starts showboating by foot juggling it even though he’s wearing his big Nazi boots, and he kicks it over to Michael Caine, a British prisoner who was a pro footballer/soccerer before the war.

That one casual sporting exchange is historic because it starts up the conversation that leads to the deal: the best players from among the Allied prisoners will play an exhibition game against the German national team. For the Nazis it’s good propaganda at the end of a war that, let’s face it, did not improve their country’s image on the international stage. For the prisoners it’s an opportunity to plan an escape.
(read the rest of this shit…)

Judge Dredd

Friday, March 22nd, 2013

tn_judgedreddHow are you gonna get em back on JUDGE DREDD with Sylvester Stallone when they’ve seen DREDD with Karl Urban? The new version is lower budget and streamlined and way better. It’s dedicated to the purity of this fascist character and the ugly world he lives in, and doesn’t worry about commercial considerations. (And sure enough did not do well commercially.) The new version is cool because it’s just about this larger than life character on one day doing one job. The old one, of course, had to be the story of the biggest thing that ever happened to Judge Dredd. It has all the weaknesses of calculated blockbuster type filmmaking, and only some of the strengths.

But you know what, it’s pretty fun to watch. There’s alot of good shit in here anyway, especially at the beginning. It’s a little better than I remembered. (read the rest of this shit…)

Extremely Loud and Incredibly Close and other best picture nominees

Saturday, February 25th, 2012

tn_extremelyloudI don’t see as many movies as critics who get paid, so I’m allowed to take pride in seeing all the best picture nominees again this year. Most of them I had already seen when the nominations came out, but I had to see this EXTREMELY LOUD AND INCREDIBLY CLOSE to finish off the check list.

This is the one nobody expected to get nominated. It got pretty bad reviews and didn’t make up for that by being a big hit or anything. I think it was Mr. Beaks who pointed out that it might be the first ever best picture nominee that was certified Rotten on Rotten Tomatoes. I honestly wonder if it will be the cause of a rule change next year. There must be some kind of mathematical fluke that caused this to happen, and they better clear that up before YOGI BEAR 2 or something gets a nomination. I don’t know what caused this or who those women were who shrieked with glee when it was named at the nomination announcements. I blame them for this. I think they were up to something. (read the rest of this shit…)

The Virgin Spring

Sunday, September 3rd, 2006

or Max Von Sydow’s Badass Revenge

Recently on The Ain’t It Cool News I reviewed this movie CHAOS, which is a rip-off of LAST HOUSE ON THE LEFT (not on purpose, I am assured by the filmatists) which itself was an update of THE VIRGIN SPRING. One of the talkbackers, Readingwriter, was annoyed that I didn’t mention VIRGIN SPRING in the review. He had a good point that it would’ve been interesting to compare all three of them, not just those two, and I’m sure I would’ve done that if I had actually seen VIRGIN SPRING. But I hadn’t.

Until now. Today, I return to the topic armed with a new, more Swedish perspective of the classic revenge tale. (read the rest of this shit…)

The Reviewing God Named Vern looks at the EXORCIST: The Version You’ve Never Seen Before!!!

Saturday, September 23rd, 2000

Hey folks, Harry here with a look at THE EXORCIST: THE VERSION YOU’VE NEVER SEEN BEFORE that has opened up in over 600 screens across the country…. Now, some of you good folks are concerned that it will never play in your little neck of the woods… Well, this rerelease is being handled in a ‘platform’ manner. What this means is this… between now and the middle of October, you will see THE EXORCIST open on more and more screens nationwide… the word has it, that it’ll be on around 2000 screens when all is said and done. Meanwhile, the reports I’m getting from this release thus far is that all nighttime screenings in San Diego have already sold out (according to ‘surfbrat’) I just got back in Austin from the World Premiere of this version… Which is actually a bit different than the test marketed film that played in Austin. But more on that later… Here’s Vern… now be really afraid… he’s scary…

THE EXORCIST: THE VERSION YOU’VE NEVER SEEN BEFORE

Dear Harry and friends. Last night I went to a promotional screening of the big movie for this coming weekend. Now it is not often that ol’ Vern is allowed to see a picture before its official release, so I decided to throw you boys a review and see if it sticks. I hope you are willing and able to share it with all your fine readers.

Now, alot of motherfuckers are familiar with the 1973 William Friedkin directed Catholicsploitation picture known as THE EXORCIST. But are you familiar with THE EXORCIST: THE VERSION YOU’VE NEVER SEEN? (read the rest of this shit…)