Posts Tagged ‘Carrie-Anne Moss’
Wednesday, January 3rd, 2024
SABOTAGE is a Mark Dacascos vehicle and it’s from 1996, so it’s pretty early in his career – a couple years after ONLY THE STRONG, a year after CRYING FREEMAN, same year as THE ISLAND OF DR. MOREAU, a year before DRIVE. So, one of the first times he should’ve blown up.
This clunky and disposable b-movie isn’t half as good as any of those I just mentioned, but it has some good bits and an overqualified cast. It’s directed by Tibor Takács (THE GATE, MANSQUITO, ROCKY MOUNTAIN CHRISTMAS) and written by Rick Filon (KICKBOXER 5: THE REDEMPTION, also starring Dacascos) and Michael Stokes (IRON EAGLE ON THE ATTACK, Paw Patrol). Dacascos stars as Michael Bishop, a bodyguard who used to be an elite special ops super military dude, which of course means it starts with a traumatic war experience prologue. But this was the ‘90s so it’s in Bosnia instead of Afghanistan. (read the rest of this shit…)
Tags: Carrie-Anne Moss, Graham Greene, John Neville, Mark Dacascos, Michael Stokes, Rick Filon, Tibor Takacs, Tony Todd
Posted in Reviews, Action | 7 Comments »
Wednesday, December 29th, 2021
“I’m sorry. How could I know this would happen?”
“We didn’t understand all of it back then. No more than we do now.”
(you have entered THE SPOILERTRIX)
When I saw the first trailer for THE MATRIX RESURRECTIONS, it wasn’t what I expected. That is to say that it seemed like the sort of thing you would expect from a normal 2020s “legacy sequel” to an old series: bringing back some of the original stars, addressing that they are older now, stripping away some of the excesses of previous sequels, visually and otherwise referencing famous scenes specifically from the first movie. Which is all fine and good, but I figured they must be hiding something, because I didn’t believe Lana Wachowski (working without Lilly, who wanted to take time away from the industry) would come back to THE MATRIX after 18 years just to do something normal. I was betting on her having come up with some weird approach that even if I didn’t like it very much I would respect, as was the case with CLOUD ATLAS and JUPITER ASCENDING.
RESURRECTIONS might be the most accessible movie a Wachowski has made since the original MATRIX, but I don’t think I was wrong. This is a filmmaker making the movie she wants to and not what she thinks anyone else wants, therefore ending up with something no one else would’ve made. And I’m happy to say that I more than respected it. I kind of loved it. Though I wasn’t sure at first. (read the rest of this shit…)
Tags: Andrew Caldwell, Carrie-Anne Moss, Chad Stahelski, Christina Ricci, Daniele Massaccesi, Erendira Ibarra, Jada Pinkett Smith, Jessica Henwick, John Toll, Jonathan Eusebio, Jonathan Groff, Joshua Grothe, Keanue Reeves, meta, Neil Patrick Harris, Scott Rogers, Tiger Hu Chen, video games, Wachowskis, Yahya Abdul-Mateen II
Posted in Action, Reviews, Romance, Science Fiction and Space Shit | 68 Comments »
Thursday, December 16th, 2021
When the second half of the 2-part MATRIX sequel begins, our hero Neo and antagonist Agent Smith are both displaced from their regular realities. Smith has somehow transferred his computer-program-consciousness into the organic human body of Bane, only survivor of the destroyed Nebuchadnezzar, now in the sick bay of the Hammer next to comatose Neo, whose mind is trapped in a purgatorial subway station in a virtual world separate from The Matrix.
Yeah, the sequels get complicated. We learn that programs inside The Matrix are regularly deleted, but some try to escape that fate. The subway is a black market means of smuggling exile programs in and out of the Matrix or the Machine City (01?) mainframe. This is all overseen by the Merovingian, with the subway itself operated by his employee The Trainman, a scary dude played by Bruce Spence, a.k.a. the Gyro Captain in THE ROAD WARRIOR and Jedediah in MAD MAX BEYOND THUNDERDOME. (read the rest of this shit…)
Tags: Bernard White, Bruce Spence, Carrie-Anne Moss, Collin Chou, Hugo Weaving, Ian Bliss, Keanu Reeves, Laurence Fishburne, Mary Alice, Monica Bellucci, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 20 Comments »
Wednesday, December 15th, 2021
THE MATRIX RELOADED may have been the most highly anticipated but immediately rejected sequel of my lifetime. I’m not just excluding PHANTOM MENACE for being a prequel – whatever happened in the rest of the world, I honestly didn’t experience many people hating it until months later, at least. With RELOADED it was pretty instant.
It was the only MATRIX movie I reviewed upon release, so you can click here to see my kinda dumb, mostly still applicable 2003 thoughts on the matter. I seemed to be fielding a backlash against the original MATRIX movie as well as people hating RELOADED, but it was only the latter I found myself feeling I had to defend over the years.
I do think I partly understand why people were disappointed. THE MATRIX ends on a perfect note of letting us imagine what’s next in the “world where anything is possible.” Any definitive answer of what happens next has a hard time competing with the electric feeling of not knowing. Especially when part 1 was a carefully constructed machine of concept, explanation and payoff, while part 2 kind of wanders through a labyrinth of tangential notions and questions before it gets to the battle it’s been promising. And it cuts off in a cliffhanger well before said battle. (read the rest of this shit…)
Tags: Anthony Zerbe, Carrie-Anne Moss, Cornel West, Daniel Bernhardt, Gina Torres, Gloria Foster, Harold Perrineau, Harry Lennix, Helmut Bakaitis, Hugo Weaving, Ian Bliss, Jada Pinkett Smith, Keanu Reeves, Lambert Wilson, Laurence Fishburne, Monica Belluci, Nathaniel Lees, Nona Gaye, Randall Duk Kim, Tiger Hu Chen, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 31 Comments »
Tuesday, December 14th, 2021
A widely circulated anecdote about THE MATRIX (I believe coming from an interview on the DVD extras) says that when the Wachowskis pitched the movie to producer Joel Silver they showed him Mamoru Oshii’s 1995 anime film GHOST IN THE SHELL on video and said, “We wanna do that for real.”
The internet being the internet, that story evolved into the usual exaggerations – THE MATRIX is nearly a scene-for-scene remake, so close they had to ask permission, bullshit like that. There’s a cool video on Youtube showing images from THE MATRIX that seem inspired by or lifted from GHOST – lines of green code, plugs in the back of necks, a cool way that Neo lands – but it runs 1:16. There are quite a few other parts in THE MATRIX, in my opinion.
Still, the influence is undeniable, and the Wachowskis have been open about it. You can see what they were interested in there: the intersections between man and machine, super-powered battles in the midst of or above a large city, badasses in sunglasses taking on a bunch of armored cops, or being clawed at by inhuman machines. They did all that for real. (read the rest of this shit…)
Tags: Andrew R. Jones, anime, anthology, Carrie-Anne Moss, Clay Watson, Hedy Burress, James Arnold Taylor, Keanu Reeves, Kevin Michael Richardson, Mahiro Maeda, Melinda Clarke, Pamela Adlon, Peter Chung, Phil LaMarr, robots, Shin'ichiro Watanabe, Takeshi Koike, Victor Williams, Wachowskis, Yoshiaki Kawajiri
Posted in Cartoons and Shit, Reviews, Science Fiction and Space Shit | 23 Comments »
Monday, December 13th, 2021
THE MATRIX is, I continue to believe, one of The Great Movies. It absolutely holds up today, and also it reminds me so much of then. I will always remember what it felt like when this was a new movie, and our entire understanding of the MATRIX story. When we all imagined where it would go next, and then we had a couple years enjoying or rolling our eyes at all the movies obviously influenced by it, whether that means corny outfits and techno music or that brief, glorious window when Hollywood actors could be convinced to spend months preparing for action scenes with the great Hong Kong choreographers. But mostly I like to remember what it felt like to be surprised by it. Going in wondering if it would be good and then coming out knowing it was this.
I did have hopes. I had come to respect Keanu Reeves’ taste in movies after SPEED and, say what you will, JOHNNY MNEMONIC. I liked BOUND and it was exciting to see directors like that doing a sci-fi movie. And then a day or two before it came out I heard something about there being kung fu in it? So it wasn’t completely out of the blue that it was good. But I don’t think I was expecting something that a couple decades later would still be thought as highly of as the fucking MATRIX is. (read the rest of this shit…)
Tags: Bill Pope, Carrie-Anne Moss, Chad Stahelski, cyberpunk, Joe Pantoliano, Joel Silver, Keanu Reeves, Laurence Fishburne, Tiger Hu Chen, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 58 Comments »
Thursday, April 6th, 2017
As I’ve mentioned once or twice, CANDYMAN might be my favorite horror movie of the 1990s. And I remember director Bernard Rose’s PAPERHOUSE being very good too when I watched it in the 1980s. But most of his movies have not been horror. Didn’t seem to be his thing. So I was intrigued when I found out that all the sudden in 2015 he did a new version of FRANKENSTEIN.
This is a modernized take on Mary Shelley’s story. The monster is not some stitched together green guy, he’s just a regular full grown man (Xavier Samuel, THE LOVED ONES, FURY) suddenly born in a secret lab through unexplained genetical engineering type methods. Victor Frankenstein (Danny Huston, THE WARRIOR’S WAY, 30 DAYS OF NIGHT, BIRTH) is there, but it’s his wife Elizabeth (Carrie-Anne Moss from the fucking MATRIX!) doing the important work now: cuddling him, shushing him, feeding him with an eyedropper. (read the rest of this shit…)
Tags: Bernard Rose, Carrie-Anne Moss, Danny Huston, Frankenstein, Mary Shelley, Tony Todd, Xavier Samuel
Posted in Horror, Reviews | 23 Comments »
Saturday, May 24th, 2003
This might bother some of you but I just want to say it up front: put me in the camp of people who say the original MATRIX really is “the shit” as the kids say when they mean that it is not shit but actually the opposite of shit, which is I guess in this case THE MATRIX. Because what these boys the Wachowski Brothers did was an extremely well executed twilight zone concept for the post William Gibson days which also happened to be the perfect vehicle to combine over the top Hong Kong martial arts traditions with american actors and computer effects AND an appropriate metaphor for our times.
I love the idea that somebody like Jackie Chan or Michael Jordan who has extraordinary physical skills could actually just be a smart dude who figured out loopholes in the laws of reality. If you can understand the program well enough you can cheat and do things that a person isn’t supposed to be able to do. In the old shaw brothers movies it was just magic or shaolin wisdom but here we put those same spectacular moves in a sci-fi context and we get a whole different spin where even some jackass like Keanu Reeves can fly through the air and be so convincing that most of American can watch him as the iconic badass Neo and not even think of him as Keanu anymore. (read the rest of this shit…)
Tags: Carrie-Anne Moss, Harold Perrineau, Harry Lennix, Hugo Weaving, Jada Pinkett Smith, Keanu Reeves, Laurence Fishburne, Monica Bellucci, Randall Duk Kim, Wachowskis
Posted in Action, Reviews, Science Fiction and Space Shit | 13 Comments »
