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Posts Tagged ‘Graeme Revell’

Daredevil (2003)

Thursday, February 29th, 2024

A little over 20 years ago, in a whole different cinematic era, they made a movie of the Marvel Comics super hero Daredevil. It was a strange, in-between period for comic book movies – they were neither the exciting novelty they’d been in the BATMAN-inspired ‘90s or the dominant cultural force they would soon become with the MCU. BLADE, X-MEN, BLADE II and SPIDER-MAN had come out, so Marvel finally had a track record of successful movie adaptations. But none of these took place in the same world, and there was even a famous outtake from X-MEN where a guy in a Spider-Man costume ran into a scene as a prank, and it seemed hilarious at the time.

DAREDEVIL was a test of what The Ain’t It Cool News and other self-declared “geek” voices on the internet had been preaching. In fact, Harry Knowles wrote a rave review of the script more than a year before filming started. It’s meant to be a dark, gritty and faithful adaptation of a character beloved by comics fans, but not very well known to civilians. Sure enough it was a hit, though only enough to get a spin-off and not multiple sequels like Blade, the X-Men and Spider-Man got. (read the rest of this shit…)

Assault on Precinct 13 (2005)

Wednesday, February 8th, 2023

Recently, events converged to remind me there was a (sort of) remake of John Carpenter’s ASSAULT ON PRECINCT 13 back in 2005. Well, really what happened was that movie PLANE came out – the Gerard Butler one with the plane – and that’s from the same director, Jean-François Richet. He did a couple gritty French crime movies in the ‘90s and then his phone rang and Hollywood said, “Hello, this is Hollywood, would you be interested in remaking ASSAULT ON PRECINCT 13, or as you call it in France, ASSAUT?” I imagine he very thoughtfully said “Oui” and then hung up.

According to his commentary track they didn’t have the script yet when they hired him. He chose James DeMonaco to write it because he’d just seen THE NEGOTIATOR, a movie this does seem kinda similar to. DeMonaco had also written a film for Francis Ford Coppola*. (read the rest of this shit…)

The Negotiator

Thursday, August 30th, 2018

July 29, 1998

THE NEGOTIATOR is a monument to that too-brief window of time when there were big budget Samuel L. Jackson vehicles. He’d been acclaimed in supporting roles including JUNGLE FEVER, then said that line in JURASSIC PARK, then became a superstar with PULP FICTION. I always thought it was unfair that Travolta was nominated for best actor and Jackson for supporting, but that’s mostly where he stayed. He was still kind of a sidekick in DIE HARD WITH A VENGEANCE or THE LONG KISS GOODNIGHT or a scene-stealer in JACKIE BROWN. And technically even this one is a two-hander with another star, but it starts on Jackson and keeps the two separated for most of the movie so I’d put it in a rare Samuel-L.-Jackson-vehicle category along with SHAFT, THE 51st STATE and SNAKES ON A PLANE.

Also going on in the late ’90s: Kevin Spacey. Like Jackson, he was a veteran character actor who suddenly caught the world’s eye with an indelible performance in a breakout indie crime drama. And he actually won his Oscar. After SE7EN and L.A. CONFIDENTIAL he was one of the most respected dramatic actors in Hollywood.

So THE NEGOTIATOR had a pretty catchy thriller hook (hostage negotiator gets framed by crooked cops, takes hostages in a desperate ploy to find out the truth and prove his innocence), but it was definitely that heavyweight actor showdown that lured us in. Two enormously respected actors, also known for hip movies, actoring the shit off each other in a studio thriller. That had appeal back then. (read the rest of this shit…)

Mighty Morphin Power Rangers: The Movie

Thursday, July 2nd, 2015

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RELEASE DATE: June 30
RELEASE DATE: June 30

MIGHTY MORPHIN POWER RANGERS: THE MOVIE is easily the crappiest movie in my Summer of ’95 retrospective so far. Maybe less offensive than BATMAN FOREVER, since it doesn’t seem to be made by professionals who should know any better, but it’s really something. I know it’s an extension of a cheesy kids TV show made up partly of stock footage from Japanese shows, but it’s amazing that a soundtrack album and a little bad CGI was enough to get this into theaters alongside real movies. APOLLO 13 and

JUDGE DREDD came out the same day. Watching it 20 years later POWER RANGERS does not seem like it belongs in the company of either, and the dark, low quality transfer on the DVD isn’t helping things. It didn’t get completely killed at the box office, though. That weekend it came in below APOLLO 13, POCAHONTAS and BATMAN FOREVER, but above JUDGE DREDD.

Like APOLLO 13 this is the story of an elite team of squares chosen to put on uniforms and helmets and fly into space. The Power Rangers are five teenagers chosen by a giant face in a glass tube named Zordon (Nicholas Bell, DARK CITY) to “transform into a superhuman fighting force” and defend the Australian-looking city of Angel Grove, California. That means morphing into masked and color-coded martial arts super heroes and piloting robotic dinosaurs called Zords that combine into a bigger, humanoid robot called Megazord to fight giant monsters. In their spare time the Power Rangers like to skydive, rollerblade and act as role models to local children who don’t know they’re the Power Rangers because it’s a secret identity, although that is never relevant to the story. As far as we see, none of them have parents, schools, jobs, homes or alone time. (read the rest of this shit…)