Archive for the ‘Thriller’ Category
Thursday, January 31st, 2019
Liam Neeson is… The Commuter, starring in his self-titled, totally solid addition to the catalog of Neeson vehicles directed by Jaume Collet-Serra (UNKNOWN, NON-STOP, RUN ALL NIGHT). Written by previously unknown Byron Willinger and Philip de Blasi, this is a gimmicky suspense thriller taking place almost entirely in the limited location of a New York City commuter train, but it manages to also mix in a couple of impressive action exclamation points, not to mention the director’s endlessly playful computer-assisted camera show-offery.
The Commuter is Michael McCauley, an ex-cop who is suddenly fired from his current job at an insurance company, and then finds himself under siege in dark territory on the ride home. It’s the train he’s been riding for ten years, and most of the passengers know him by name, make small talk with him and ask about his wife (Elizabeth McGovern, ONCE UPON A TIME IN AMERICA, CLASH OF THE TITANS) and kid (Dean-Charles Chapman, Game of Thrones). The usual sameness of his mornings is cleverly illustrated in an opening scene that shows him getting up, having breakfast, talking to the family and getting dropped off at the train, jaggedly cutting between seasons, emotions and conversations to show the passage of time without interrupting the flow of the daily routine. (read the rest of this shit…)
Tags: Elizabeth McGovern, Florence Pugh, Jaume Collet-Serra, Jonathan Banks, Letitia Wright, Liam Neeson, Patrick Wilson, Shazad Latif, Vera Farmiga
Posted in Action, Reviews, Thriller | 56 Comments »
Wednesday, January 23rd, 2019
A SIMPLE FAVOR is an entertaining thriller from known-for-comedy director Paul Feig (THE HEAT). He brings to it some humor and his obvious rapport with the great casts he puts together, but if we had to categorize it we’d be forced to put it in with GONE GIRL, because it’s a twisty mystery based on a recent book by a female author and with entertainingly amoral, even wicked female characters.
Stephanie (Anna Kendrick, THE ACCOUNTANT) is a widowed “mommy vlogger” who, in between cooking and crafting demos, has been filling her subscribers in on the disappearance of her “best friend” Emily (Blake Lively, GREEN LANTERN). Even from the bits of vlog we see, before the omniscience of cinema kicks in, this seems fishy, because she admits she’s only known Emily for a few weeks. Their sons are in school together and tried to set up a playdate, causing intimidating fashionable rich mean lady Emily to begrudgingly bring Stephanie to her (extremely modern) house after school for drinks. (read the rest of this shit…)
Tags: Anna Kendrick, Blake Lively, Henry Golding, Linda Cardellini, Paul Feig, Rupert Friend
Posted in Reviews, Thriller | 11 Comments »
Monday, January 21st, 2019
Like many of you I was a pretty big fan of M. Night Shyamalan’s UNBREAKABLE when it came out in 2000. It was a different time. One year after THE SIXTH SENSE, the idea of Shyamalan as a master of suspense was not a punchline, and quiet, sad Bruce Willis characters were fairly new territory. It had only been about a month since the very first X-MEN movie came out, and would be years before Batman began and the Marvel Cinematic Universe followed, so when we were blindsided by the opening title card of oddly useless comic book statistics
, and Samuel L. Jackson (THE SPIRIT)’s character proceeded to make grandiose generalized proclamations about the comic book mythology, it was semi-forgivable. The ads gave no hint of this, but the movie took the idea of super powers and put them in a grounded suspense thriller context that felt like a pretty new combination of flavors at the time.
Sixteen years later Shyamalan had been a laughing stock far longer than he’d been a respected auteur, and the popularity of SPLIT counted as a comeback. Though I found the “oh, this was actually a super villain origin story” ending a little anti-climactic, I thought most of the movie was effectively creepy and I was really impressed by James McAvoy’s playful turn as the many personalities of “The Horde.” And of course I enjoyed the wacko reveal at the end that it was I DON’T THINK THIS IS A SPOILER ANYMORE taking place in the same universe as UNBREAKABLE.
Now, finally, Samuel L. Jackson is… GLASS. Except he gets a “with” credit. McAvoy gets top billing, because he does the most acting, by many different meanings. (read the rest of this shit…)
Tags: Anya-Taylor Joy, Bruce, Bruce Willis, Charlayne Woodard, James McAvoy, M. Night Shyamalan, Samuel L. Jackson, Sarah Paulson, Spencer Treat Clark
Posted in Bruce, Comic strips/Super heroes, Reviews, Thriller | 32 Comments »
Tuesday, December 11th, 2018
I’m more of an action guy than a thriller guy. But I can appreciate different stuff. Martin Campbell’s THE FOREIGNER (2017 – not a remake of the Seagal film) is definitely more on the thriller side, mostly seeking its excitement in a complex web of police, compromised politicians and terrorist groups all dealing with the aftermath of the bombing of a London clothing boutique.
At the center of it is Deputy First Minister of Northern Ireland Liam Hennessy (Pierce Brosnan, FINAL SCORE). He’s a former IRA member and seems to be pretty fucked over by this incident because he’s built a reputation as a moderating force, but behind the scenes still has relationships and understandings with the IRA. This bombing was done by some young upstarts calling themselves “The Authentic IRA,” and there’s alot of pressure, including from police captain Richard Bromley (Ray Fearon, BEAUTY AND THE BEAST), to find out who’s responsible. If another bomb goes off it’ll be the end of his political career, so he spends most of the movie desperately asking around and trying to set up traps to out the culprits and stuff like that. (read the rest of this shit…)
Tags: David Marconi, David Tattersall, Jackie Chan, Katie Leung, Martin Campbell, Orla Brady, Pierce Brosnan, Ray Fearon
Posted in Action, Reviews, Thriller | 18 Comments »
Tuesday, November 6th, 2018
Spike Lee’s BLACKkKLANSMAN is out on video today. Back when I saw it in the theater it made me curious about the 1966 movie of the almost same title. THE BLACK KLANSMAN was also released as I CROSSED THE COLOR LINE, and it’s from exploitation director/mustache aficionado Ted V. Mikels (THE ASTRO-ZOMBIES, THE CORPSE GRINDERS, BLOOD ORGY OF THE SHE-DEVILS, THE DOLL SQUAD, ANGEL OF VENGEANCE, APARTHEID SLAVE: WOMEN’S JUSTICE, PARANORMAL EXTREMES: TEXT MESSAGES FROM THE DEAD, etc.)
It all starts when a young black man in Turnerville, Alabama, fed up with the bullshit, decides to exercise his right to go into a still-segregated coffee shop and order some coffee. The white customers stare, then insult him, then all get up and storm out. That night the Klan – led by one of the guys who was in the restaurant – murder him, then firebomb a black church, killing a little girl. She was the daughter of Jerry Ellsworth, a singer in L.A. He’s introduced showing up late to his job at the club because, he claims, he was out heroically helping people during the riots (not pictured). (read the rest of this shit…)
Tags: Harry Lovejoy, Jmes McEachin, Ku Klux Klan, Max Julien, Richard Gilden, Ted V. Mikels
Posted in Drama, Reviews, Thriller | 4 Comments »
Wednesday, September 5th, 2018
August 7, 1998
There’s this conventional wisdom I’ve heard thrown around more than once that if you notice a shot being cool then it’s not really a good shot. Which is to deny the existence of Brian De Palma. SNAKE EYES is an underrated spot on the De Palma timeline when he had just made a huge hit with MISSION: IMPOSSIBLE and was able to cash in and get big studio resources for a much more purely DePalmian thriller that exhibits 36 chambers of filmatistic showboating.
Why not use the suspense thriller format to explore every new or uncommon use of cinematic language De Palma was interested in at the time? Additionally, why not use every new or uncommon use of cinematic language De Palma was interested in at the time to explore the suspense thriller format? There is no why not. This movie is great.
Nicolas Cage, not long after FACE/OFF, plays Rick Santoro, not the stick-up-his-ass homophobe former GOP senator and presidential candidate from Pennsylvania, but an obnoxious, bribe-taking bad lieutenant, port of call Atlantic City, who wears loud clothes, bets on boxing matches, and is gonna have to stop fucking around and be a hero this time. See, Santoro is standing close enough to get blood on him when the secretary of defense (Joel Fabiani, BRENDA STARR) gets shot at the fight. Santoro bulldozes his way into investigating so he can cover the ass of his old war hero buddy Gary Sinise, REINDEER GAMES), who was in charge of security. (read the rest of this shit…)
Tags: Brian De Palma, Carla Gugino, David Koepp, Gary Sinise, Kevin Dunn, mega-acting, Nicolas Cage, Stan Shaw, Summer of '98
Posted in Reviews, Thriller | 56 Comments »
Thursday, August 30th, 2018
July 29, 1998
THE NEGOTIATOR is a monument to that too-brief window of time when there were big budget Samuel L. Jackson vehicles. He’d been acclaimed in supporting roles including JUNGLE FEVER, then said that line in JURASSIC PARK, then became a superstar with PULP FICTION. I always thought it was unfair that Travolta was nominated for best actor and Jackson for supporting, but that’s mostly where he stayed. He was still kind of a sidekick in DIE HARD WITH A VENGEANCE or THE LONG KISS GOODNIGHT or a scene-stealer in JACKIE BROWN. And technically even this one is a two-hander with another star, but it starts on Jackson and keeps the two separated for most of the movie so I’d put it in a rare Samuel-L.-Jackson-vehicle category along with SHAFT, THE 51st STATE and SNAKES ON A PLANE.
Also going on in the late ’90s: Kevin Spacey. Like Jackson, he was a veteran character actor who suddenly caught the world’s eye with an indelible performance in a breakout indie crime drama. And he actually won his Oscar. After SE7EN and L.A. CONFIDENTIAL he was one of the most respected dramatic actors in Hollywood.
So THE NEGOTIATOR had a pretty catchy thriller hook (hostage negotiator gets framed by crooked cops, takes hostages in a desperate ploy to find out the truth and prove his innocence), but it was definitely that heavyweight actor showdown that lured us in. Two enormously respected actors, also known for hip movies, actoring the shit off each other in a studio thriller. That had appeal back then. (read the rest of this shit…)
Tags: David Morse, F. Gary Gray, Graeme Revell, J.T. Walsh, Kevin Spacey, Michael Cudlitz, Paul Giamatti, Paul Guilfoyle, Regina Taylor, Ron Rifkin, Samuel L. Jackson, Siobhan Fallon, Summer of '98
Posted in Reviews, Thriller | 17 Comments »
Tuesday, August 7th, 2018
REVENGE (the 2018 release with the pink logo, not the Kevin Costner/Tony Scott one) is a great rape-revenge movie. Not a subversive one in my opinion, just a really good version of the form that goes mercifully light on the first r-word and entertainingly extravagant on the second. Obviously the very idea of the genre is upsetting, but as far as these things go, it’s a fun time. It has no interest in gritty realism or wiping your nose in the shit. It’s not even about any “dig two graves” or LAST HOUSE ON THE LEFT don’t-stoop-to-their-level anti-revenge moralism. It has alot of symbolism and poetic exaggeration and exists in a world where human bodies have an impressive capacity for withstanding severe injuries and extreme blood loss.
(NOTE: If this sounds like something you can dig, I suggest seeing it and not reading the rest of this review yet, because I will be using SPOILERS to discuss alot of what I find most interesting in it.) (read the rest of this shit…)
Tags: Coralie Fargeat, Guillaume Bouchede, Kevin Janssens, Matilda Lutz, rape-revenge, revenge, Vincent Colombe
Posted in Horror, Reviews, Thriller | 18 Comments »
Monday, July 30th, 2018
On the way home from the new MISSION: IMPOSSIBLE I mentioned to a grocery store checker that I had just seen and enjoyed it. He asked if I was a big fan of “the original series” and as we discussed this I realized that he just meant the other movies. He’d forgotten it started as a TV series until I mentioned it.
This is one of those things as you get a little older, you lose track of how much time has passed. It also happened with JURASSIC WORLD a few years ago. In my mind JURASSIC PARK was an ongoing series that had made it to part 4. But to a whole generation it was holy shit remember that movie we saw in our youth, now a million years later can you believe they’re bringing it back for a new version, oh the nostalgia?
And lately I’ve noticed people declaring the stealth greatness of the MISSION: IMPOSSIBLE series, as if this wasn’t a thing you would be aware of just from watching popular mainstream movies. It reminded me of when FAST FIVE came out and suddenly a whole bunch of critics picked up that those movies were fun. Yeah, no shit. The only other people in on this secret are the, you know, however many paying customers it takes to get a series to part 5. (read the rest of this shit…)
Tags: Alec Baldwin, Christopher McQuarrie, Lorne Balfe, Michelle Monaghan, Rebecca Ferguson, Sean Harris, Simon Pegg, Tom Cruise, Ving Rhames, Wade Eastwood
Posted in Action, Reviews, Thriller | 82 Comments »
Tuesday, June 19th, 2018
June 5, 1998
I thought I had reviewed A PERFECT MURDER before, but for some reason it didn’t come up when I searched for it, so I watched it again. Then when I searched for my DIAL M FOR MURDER review to refresh my memory I did find a review of A PERFECT MURDER from five years ago. But that review wasn’t that good so fuck that review. This is the first time I’ve reviewed it in my opinion.
A PERFECT MURDER is the first of two Viggo-Mortensen-co-starring Hitchcock remakes that came out in 1998. The other is Gus Van Sant’s PSYCHO, which is not a summer movie, but is worth bringing up as a comparison. While that was a complete anomaly – an audience-provoking experiment infused with bright colors and stylized costuming – this loose, updated remake of DIAL M FOR MURDER is an expensive, high gloss star vehicle. Remember? They used to make R-rated thrillers that were A-movies, sometimes by top directors. Michael Douglas’s movie before this was David Fincher’s THE GAME. For co-star Gwyneth Paltrow it was part of a prolific period – after being in SE7EN and then really blowing up with EMMA she starred in five 1998 movies: SLIDING DOORS, GREAT EXPECTATIONS, HUSH, this, and best picture winner SHAKESPEARE IN LOVE. (read the rest of this shit…)
Tags: Andrew Davis, David Suchet, Gwyneth Paltrow, Michael Douglas, Patrick Smith Kelly, Summer of '98, Viggo Mortensen
Posted in Reviews, Thriller | 26 Comments »
