Posts Tagged ‘Tom Cruise’

Mission: Impossible: Ghost Protocol

Wednesday, December 21st, 2011

tn_mi4This review, should you choose to read it, contains some spoilers.

Man, this is the most disappointing movie I’ve seen in a long time, because of the misleading title. Before you waste your money, please know that there are no ghosts in this movie at all. I hope that lady that tried to sue DRIVE for not being THE FAST AND THE FURIOUS will consider throwing some of her legal fund at this one too. It’s just shitty to take advantage of worldwide ghostamania like that. In all other aspects though I really enjoyed it.

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Legend

Wednesday, June 1st, 2011

tn_legendI thought I’d seen Ridley Scott’s LEGEND back in the ’80s, but none of this shit seemed familiar so maybe not. I was never into the hobbity shit and to this day I have no clue why Mr. Scott thinks that unicorns are something that should be used in a medium other than wallpaper for a little girl’s room, so it makes sense that I wouldn’t have gotten around to this one before.

But Mr. Scott has made some good ones over the years and a couple of you once tried to convince me it was acceptable for adult men to watch this, plus they got it on a new blu-ray. So today was the day. The day of Legend.
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Knight and Day

Tuesday, November 30th, 2010

tn_knightanddayKNIGHT AND DAY is that action/comedy/romance deal that came out this summer, one of two or three that were about a guy who’s secretly a government agent taking a girl on an unexpected adventure involving guns and crashing vehicles. Of those, this is the one where it’s Tom Cruise and Cameron Diaz. It’s called KNIGHT AND DAY because Cruise’s character takes a little toy of a knight from the airport gift shop to hide something in, and also because it turns out his last name is Knight, and the ‘Day’ comes from Cameron Diaz because she’s playing a young Sandra Day O’Connor. Well, okay, I made up that last part, or at least if it’s true it isn’t made very clear in the movie. Actually there’s no reason for the ‘Day,’ I don’t think they got that far when they were proofreading the title.

I know nobody had very high hopes for this one, but I kind of figured it would be okay just because it’s James Mangold, director of WALK THE LINE. Not a visionary by any stretch of the imagination, and not to brag but I am a visionary so my imagination stretches really far. But he’s usually a decent director and not known for this type of thing, so it seemed potentially interesting I thought. Incorrectly.
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Mission: Impossible III

Saturday, May 6th, 2006

I like this “Mission Impossible” series. The first one, by Brian DePalma, is the best, a real tight and stylish twisty thriller with amazingly tense suspense scenes and cinematic tricks and surprises. And the occasional show offy special effects action scene. The perfect combination of Brian DePalma and summer event movie.

The second one, by John Woo, is a horrible piece of shit that finally made America realize what they had done to John Woo. But if you don’t hold it to the standards of “being a good movie” it’s pretty fucking funny. The amazing motorcycle chest bump scene comes to mind. In the John Woo filmography I consider this in the same dumb-action category as HARD TARGET and BLACKJACK.

And it was cool that they seemed to be going for an auteur approach like the ALIEN series before the fucking Predators decided to come in and ruin everything. Each installment has a new approach and feel from a different talented director. Even if hiring John Woo turned out to be a big bust they were gonna go for another beloved director with a solid vision, Mr. Dave Fincher of ALIEN 3 and FIGHT CLUB 1 fame. He worked on it for a long time and then left to pursue his other hobby of developing movies that never get made.

Then they tried some other plans and it’s been kind of laying around somewhere and now it finally makes it to the theaters with the directing and co-writing prowess of none other than J.J. FUCKING ABRAMS.

Which is some guy from TV, apparently. If you look him up he doesn’t exactly have a John Woo or Brian DePalma type track record. He never directed for real movies before and he’s written alot of worthless horrible garbage including but not limited to ARMAGEDDON, GONE FISHIN’ starring Joe Pesci and Danny Glover, some Jim Belushi movie, and worst of all, ARMAGEDDON. (more…)

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War of the Worlds

Friday, July 1st, 2005

Sometimes for scientifical type purposes I try to predict what bad puns the hack critics will use in reviews of upcoming movies. For WAR OF THE WORLDS I was leaning toward an “out of this world” or “worlds away from E.T.” type thing. Somebody suggested “Bore of the Worlds” but I was saving that for “Fantastic Bore” and “Fantastic Snore.”

But then I saw WAR OF THE WORLDS and you know what this is? The scariest PG-13 movie of all time. Fuck dinosaurs. Fuck a guy eating monkey brains. This is as hard as Steve Spielberg is gonna get. This is a well put together piece of work in my opinion. Usually making a movie PG-13 when it could be R is a copout, but in this case it’s almost subversive. Sorry about taking the guns out of E.T., to make it up to you I’m gonna give your kids the worst nightmares from now until they turn 16.

So now I’m thinking the pun headline should be CLOSE ENCOUNTERS OF THE KIND WHERE YOU ALMOST SHIT YOUR PANTS. Or maybe E.T. – THE EXTRA-WE’REFUCKED-STRIAL.

This is, you probaly know, unless you’re stupid, the story of aliens invading earth, etc. They drive around in death machines with three giant spindly legs, vaporize people, grab people with tentacles, suck the blood out of people, and that sort of thing. They do not, at least as far as we know in the movie, eat reeses pieces. Or get drunk or dress up like a girl. Maybe on the extended dvd.

What’s really smart about the movie is that it’s from the point of view of the poor saps on the ground. Usually in an alien invasion movie you sit in the halls of power with the world leaders and the military strategists and whoever else has a big screen with maps on it to point to. And you see scenes from god’s point of view, all over the world, famous landmarks getting destroyed. And you’re right there with the biggest hero in the world when he figures out how to stop the aliens. This is the opposite. You get none of that shit. You just get what happens to some guy in a leather coat. How he happens to survive. What he sees. Which is the same as what everybody else sees: some fucked up shit. Bodies floating, those things walking over, people dying, buildings dropping. (more…)

Only 1 person likes this post. Kinda sad.

Vanilla Sky

Saturday, January 1st, 2005

Vanilla Sky is an american remake of OPEN YOUR EYES, the second picture by the young spanish gentleman Alejandro Amenabar, who also did THESIS and THE OTHERS. After the movie I was saying to a gal that the ending was kinda different on the original, and the guy next to me was saying the same thing to his friend. Except he was just getting out of OCEAN’S 11.

Everything is fucking remakes now, huh? The above took place in Seattle, Washington, where as we speak the Dreamworks company is hard at work on an unneccesary remake of (the) RING. History has not been kind to american remakes of foreign pictures. Even when you get the same guy to remake it – like with THE VANISHING or NIGHTWATCH – the movie will piss everybody off and the director will be forgotten forever.

Well I didn’t like VANILLA SKY as much as OPEN YOUR EYES (which, by the way, I didn’t like as much as THESIS) but it is surprisingly good for an americanization of a spanish picture. The director is Cameron Crowe, who always does the pictures about what music people listen to when they’re falling in love. It shows improvement in the filmatism in my opinion. It is a very good use of sound and music, and cinematographing. There are some subtle touches here and there and more emotion in the character that Cameron Diaz plays, the woman Tom Cruise casually dates who goes nuts on him and tries to kill him. In OPEN YOUR EYES she was more of a nut, here she makes a pretty good point about even if you make it clear you’re not serious about this woman, when you fuck her you gotta realize it means something to her. Come on, don’t be an asshole Tom Cruise. (more…)

Collateral

Saturday, January 1st, 2005

First off I gotta say, Michael Mann is what you call overrated. What did he do, fucking Miami Vice – some asshole who forgot to shave fighting drug dealers in a pink shirt and no socks – we’re supposed to give the guy a fucking medal? I mean yeah it seemed like a pretty good tv show at the time but it’s not the fucking Parthenon. You belong to the city, you belong to the night. Let’s be a little more humble there, Michael Mann.

(To be honest I’m not sure what the Parthenon is, but what I mean is something good enough to last the ages and always stand as a proud beacon of achievement, etc. i.e. not Everybody Loves Raymond or even Miami Vice.)

And you think his tv shows are overblown and pretentious, just watch his movies. I guess I liked Ali more than most (by which I mean sort of), but there’s something about this fucking guy. He did a good job trying to do the impossible (having an actor play Muhammad Ali). But anybody else woulda known not to try, because it’s impossible. Not Michael Mann. He probaly thinks he did it.

And I know every male under the age of 35 has a hard on for that movie Heat, but I don’t know. Maybe I should watch it again. All I remember is a couple amazing shootouts and 3 hours of nothing. Remember when Natalie Portman killed herself? What was that about? Maybe you guys are right. I’ll give it another shot. But I’m saying this to give you my general impression of Michael Mann: talented, but not as talented as many would have you believe. And full of himself. His movies give the impression that they think they are more Important than they actually are. (more…)

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Minority Report

Friday, June 21st, 2002

Like PLANET OF THE APES, INVASION OF THE BODY SNATCHERS and soon STAR WARS PART 2, MINORITY REPORT is a sci-fi picture that will mainly be discussed in context with the politics of the time. (the time being now. because it came out today.)

Again like the Yoda picture, it has been in the planning stages long enough that director Steven Spielberg (JAWS) and co-writer Scott Frank (I only remember him because he did OUT OF SIGHT. who knows who the other writer is) couldn’t have known how timely it would turn out to be. The movie takes place in Washington DC, 2056, where Tom Cruise is an agent in the flagship “Pre-Crime Deparment” – cops who use three water-submerged psychic “precogs” to track crimes of passion that haven’t even happened yet.

So the most timely question the picture asks is – can you really bust somebody for something they haven’t even done yet? Is it okay to lock somebody up forever, with no trial, because you think they were GOING to do something? I mean, what if you’re wrong? And one thing I liked about the picture is that it doesn’t stack the deck. Of course you get an ominous feeling about the very idea of “Pre-Crime”, but you can see why the people go along with the system. As you see little Mr. Cruise at a day on the job, controlling windows of digitized precognitions like an orchestra conductor, you understand why he enjoys and believes in his job, even before you find out his backstory. And since the system has brought the murder rate down to zero without anyone knowing about any mistakes, it’s not an easy black or white question. So it’s a fair analogy to our current “lock people up if John Ashcroft says he has secret evidence about them” methods of “terrorism” “prevention”, or even the rising controversy about our country’s love of a good execution despite case after case after case after case after case of executed and almost executed individuals proven to be innocent. (more…)

Only 1 person likes this post. Kinda sad.