Human Nature

This is a story about the dude who Wrote BEING JOHN MALKOVICH and how if that movie alone didn’t prove that he was some kind of demented genius, then this one does. HUMAN NATURE is the story of a woman with a hormonal problem causing her whole body to be covered with hair, who lives among the animals until she falls in love with a scientist whose life work involves teaching mice the difference between a salad fork and a regular fork. Together they try to civilize a feral man who grew up in the woods thinking he was an ape.

Sounds completely silly and random, right? But what surprised me, a film expert, was the amount of Substance in there. If this were just a regular, make you laugh kind of comedy it would still be the most original, and funniest, in a long time. There were less than ten people at the showing I went to and I was embarassed because I was laughing harder than anyone else. But believe me, I’m the one that’s right. This movie is fuckin hilarious.

Human NatureAt the same time it’s pretty fuckin sad. Like in BEING JOHN MALKOVICH the characters all think they know what they want, and where they belong, but when they get it it doesn’t make them happy, or it turns around to bite them on the ass. And they all play a sort of relationship musical chairs, switching partners in repeated acts of betrayal that never turn out well for anyone involved. And they all try to get what they want by pretending to be what they think the other person wants them to be, and then they get stuck pretending. Holy jesus this Charlie Kaufman dude must be fucked up, but I’m glad he is able to Write about it. Hey Charlie if you need somebody to talk to about it, I would talk for a little while a guess, if you tell me a couple jokes or something.

But it was actually the civilization vs. living in the woods crap that impressed me the most in this movie. Mr. Kaufman and his accomplice, the video director Michel Gondry, show the preposterousness of both. You have to laugh at hairy Patricia Arquette, living in the woods, singing about squirrels, getting pelted by rain storms at night and Writing bestselling books about it. But it’s a much better life than Tim Robbins’ character Dr. Bronfman lives, obsessing over senseless human rules about salad forks, substituting references to canonical type works (Moby Dick, Monet) for real life or appreciation of culture. In his simple mindset, you either read Moby Dick once and you’re cultured or you haven’t, and you’re a savage. No grey area there.

More than anything this movie reminds me of the works of Mr. Bunuel, who we last discussed in my review of Van Damme & Rodman’s DOUBLE TEAM. But I think Kaufman and Gondry’s target is bigger than just the bourgiouse – it’s humanity itself. (That’s us, boys.) There are parts in this movie where you feel like you’re laughing at other people, but to be frankly honest some of it made me very uncomfortable. The sight of Patricia Arquette’s body covered in hair is repulsive, but it has to occur to you at some point in the movie that shaving it all every day is completely unnatural and tragic. I mean honestly I don’t like to look at a woman with hairy legs or a gigantic bush, but why they fuck should they be shaving that much hair anyway? Isn’t it a waste of time and effort, a daily failed attempt to thwart nature? What is wrong with us people?

Well maybe it’s human nature to try, and fail, to defy human nature. Once he’s completely “civilized”, the feral man Puff spends his days in a tuxedo, making presentations and receiving honorary degrees, and his evenings drinking, compulsively buying porn and screwing whores. Dr. Bronfman uses shock therapy to teach Puff to control his sexual urges (so he won’t masturbate in public or dry hump a stranger’s ass) but he himself can’t stop from having an affair with his assistant.

But I must reiterate that all this is real fuckin funny. There are so many stupid little details that make you laugh. Like the solitary, pathetic tree inside Puff’s plexiglass cage that apparently is supposed to represent his natural habitat. Or the artificial fireplace that’s added to his cage to represent a more civilized lifestyle. There’s also alot of playing with movie conventions. A childhood flashback shows how Dr. Bronfman got his obsession with proper fork etiquette, but when his psychiatrist points out the connection, the doctor completely denies it. A character narrates from beyond the grave, but has very little insight to offer. Other characters tell their story to police interrogators and the United States Congress, but none of them seem at all interested. Rosie Perez plays that standard supportive friend character for Patricia Arquette, but she spends most of her scenes pulling hairs out of Patricia’s back or feet.

If you can’t stand movies where the main characters aren’t completely sympathetic, you might want to sit this one out. Also if you are pretty stupid, I mean not to put too fine a point on it or whatever, but this one ain’t for you either. There is masturbating and what not but this is definitely a smart people comedy. It’s a movie that not so much pushes the envelope of standard comedy as just tears open the envelope, spits in it, reseals the envelope and marks it return to sender. Kind of like FREDDY GOT FINGERED, but way smarter, funnier and with better filmatism. The point is, HUMAN NATURE is the best comedy I’ve seen in a real long time. It is destined to make no money and be discussed and dissected for years to come.

This entry was posted on Saturday, April 13th, 2002 at 5:13 pm and is filed under Comedy/Laffs, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

4 Responses to “Human Nature”

  1. You never did Write about Synecdoche, New York, did you? Not that you don’t have a million and one other things to do, but would love your opinion of it if you have the chance. And it seems like you’re a Kaufman fan.

    As for Human Nature, I have to check it out. It isn’t easy to find.

  2. I’m afraid that Tim Robbins’ assistant being really hot is about all I remember about this movie, I wonder who that actress was?

  3. Yo. That’s Miranda Otto, who played Eowyn in the Tolkein pictures.

    This movie has a terrible reputation even among some of Kaufman’s biggest fans. It was for a while the only Kaufman movie I hadn’t seen, and I was saving it for a rainy day, which ended up being today… dude what the hell is the matter with people? I thought this was vintage C.K.: savagely, hilariously observant of what fuckups people be. It provoked more belly laughs from me than, say, Tropic Thunder or The Hangover or a number of other contemporary comedies with a shitty joke-to-laugh ratio. Like: the reveal of Otto’s American accent, the congressman’s promise to pass legislature to address the issues raised by Puff’s narrative, Robbins’ little adopted brother chasing his woman up the stairs, the women getting their hair done and reacting in unison to Arquette’s book, and cetera.

    I suppose it tries to muster an unearned seriousness in Puff’s diatribe about words before Robbins snuffs it, but in retrospect of seeing Synecdoche and understanding more fully what Kaufman was getting at, it struck me as rather profound. So if you all have been avoiding this one because of the word on the street, I offer my dissenting opinion.

    Also, a film critic I quite respect wrote the following: “It’s a film that thinks it a good idea for Rhys Ifans to appear either full monty or in a diaper for the majority of his performance, likewise that Patricia Arquette have a pelt of hair covering every curve of her Romanesque physique.” Are you fucking kidding me? Das sexist dude!

  4. Finally watched this and immediately fell in love with it. After catching up with this movie and WET HOT AMERICAN SUMMER, I have to say that this was a good week to discover comedies, that are much better than they have every right to be. (Although for completely different reasons.)

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