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Posts Tagged ‘Oscar Isaac’

Triple Frontier

Tuesday, March 19th, 2019

TRIPLE FRONTIER is last week’s straight-to-Netflix-no-theaters release from director J.C. Chandor (MARGIN CALL, ALL IS LOST, A MOST VIOLENT YEAR). This one is higher profile than most such releases because it floated around various big name directors and studios before Netflix bought it with the bottomless money supply their CEO famously received by catching a magic fish, and it stars Oscar Isaac (SUCKER PUNCH), Ben Affleck (ELEKTRA, director’s cut only), Charlie Hunnam (KING ARTHUR: LEGEND OF THE SWORD), Garrett Hedlund (TRON LEGACY) Pedro Pascal (THE GREAT WALL) and Adria Arjona (PACIFIC RIM UPRISING). It’s such a big deal for the company that they made the uncharacteristic choice of promoting its existence!

Isaac plays Santiago “Pope” Garcia, an American advising the Colombian military in violent raids on drug gangs. His informant/sometime-girlfriend Yovanna (Arjona) claims to know the location of a jungle fortress where cartel boss Lorea (Reynaldo Gallegos, MONKEY TROUBLE) hides out with all his money. So Pope goes back to the states to recruit some of his old retired spec ops buddies as a team to go in and do reconnaissance and pocket a percentage of the money the police ultimately seize.

At least that’s what he says until they get there, and then it becomes clear that the police don’t know anything about it yet. He wants his buddies to do a heist with him. Ah, shit, Pope. Are you kidding me with this shit? (read the rest of this shit…)

Annihilation

Monday, March 12th, 2018

In ANNIHILATION, the sophomore directorial work of Alex Garland (EX_MACHINA, also author of The Beach and screenwriter of 28 DAYS LATER, SUNSHINE, NEVER LET ME GO and DREDD), Natalie Portman (LEON THE PROFESSIONAL) takes a journey into the heart of weirdness. Her character Lena is a cell-loving ex-Army biology professor at Johns Hopkins University (also the alma mater of Gil Scott-Heron, Wes Craven and Wolf Blitzer) whose presumed-K.I.A. husband Kane (Oscar Isaac, SUCKER PUNCH, THE NATIVITY STORY) suddenly shows up alive and odd and unable to explain anything. Sort of like the also mourning Amy Adams character in the also brainy-adapted-from-an-acclaimed-novel-sci-fi-movie ARRIVAL, she’s taken to a site (Area X) where soldiers and scientists face an unexplained, unprecedented phenomenon. In this case it’s not a spaceship but a sort of slowly expanding spectral bubble they call “The Shimmer” that surrounds a chunk of land and no one who has entered it has ever come back out. Until Kane. (read the rest of this shit…)

X-Men’s Apocalypse

Monday, June 6th, 2016

tn_xmenapocI remember when the first X-MEN movie came out I went to it expecting something stupid but enjoyable, along the lines of MORTAL KOMBAT. Instead it was a fun super hero movie with a star-making performance by Hugh Jackman and a really appealing premise: super-powered mutants are a minority, feared and endangered by the government, and split between two factions led by old friends/bitter rivals (both played by older Shakespearean actors) who have philosophical disagreements about how to deal with that.

The sequels continued to mine this material in interesting ways. Part 2 had me talking about the USA PATRIOT Act in the review. Part 3, though widely hated, has the most interesting gimmick: a “cure” for mutants, so that each of them have to face whether they would be happier just fitting in and being “normal.” The prebootquels FIRST CLASS and DAYS OF FUTURE PAST delved deeper into the relationship and argument between Professor Xavier and Honorary Doctorate Magneto, and continued with what I really liked about the original trilogy, which was that the “bad guys” were always at least kind of right.

Now finally with part 6 we have that movie I originally thought I was going to see in 2000, where you just get to enjoy the people in crazy costumes punching and shooting beams at each other if you can get past how forehead-slappingly stupid the story is.

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Star Wars: The Force Awakens

Monday, December 21st, 2015

tn_forceawakensstarwarsminuslucasWARNING: This is all spoilers, why would you read it without seeing the movie?

Previously on Disney’s Star Wars™: When it was announced that George Lucas had sold Lucasfilm to Disney and other people were gonna make new Star Wars movies, the world celebrated like the end of RETURN OF THE JEDI special edition but with the song from the original end of RETURN OF THE JEDI. I wasn’t so sure. I thought Lucas was a one-of-a-kind visionary whose works couldn’t be duplicated without his oversight, and I would rather see a flawed idiosyncratic Star War like his prequels than the potential mediocre one made by somebody else. But on the other hand as a huge Star Wars trekkie to the bone I couldn’t help but be excited to see Luke, Leia, Han, Sebulba and Chewbacca on the big screen again, something I never expected to happen. So when the trailers came out I was as down as anyone. (read the rest of this shit…)

Ex Machina

Tuesday, April 28th, 2015

tn_exmachinaHere’s one of those classical science fictional tales, like THE ISLAND OF DR. MOREAU or JURASSIC PARK, where an outsider comes to a remote estate or island and sees the game-changing technological breakthrough of an eccentric genius working outside of the constraints of societal and ethical norms. You know what, I’m gonna go ahead and make the generalization that if a helicopter is required to get to the location of the experiment then you’re in trouble. That’s what I’ve learned.

Caleb (Domhnall Gleeson, TRUE GRIT) is a lowly code-writer for the giant search engine Bluebook who wins a contest and/or is mysteriously summoned to spend two weeks with the reclusive company founder Nathan (Oscar Isaac, THE NATIVITY STORY) at a high tech laboratory/compound/bachelor pad out in The Middle of Fuckin Nowhere, Norway. It turns out here’s there because Nathan has built an artificially intelligent robot and wants someone to talk to it and test if he considers it to be conscious or not. (read the rest of this shit…)

The Bourne Legacy

Wednesday, January 2nd, 2013

THE BOURNE LEGACY is a sequel with the uphill task of replacing its title character. Not recasting, like James Bond, but creating a new hero, like when Valerie Harper got fired from Valerie and they brought in Sandy Duncan as her sister-in-law. I actually think that’s more interesting than if they just made another Matt Damon BOURNE. I liked those movies but I think they’re pretty repetitive, and they wrapped up that storyline anyway. Enough of that, I say. But I’m surprised the studio thought there were enough people like me to justify making this movie.

(And I thought they were wrong, based on the reviews I’d heard. I know at least a couple of you guys hated it, and I assumed not many went to see it. But I just looked it up and it turns out it made more money than they expected it to and they might do another one.)
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The Nativity Story

Saturday, December 24th, 2011

tn_nativitystoryWhy do we gotta prequelize everything? We already know the backstory in THE PASSION OF THE CHRIST, does it really gotta be spelled out for us who the guy’s mom was and what the tax rate was when he was born and all that shit? I mean come on.

THE NATIVITY STORY is the movie version of the Nativity story, from the director of TWILIGHT, adapted from the book by God featuring Luke and Matthew. Academy Award nominee, whale rider and Queen Amidala successor Keisha Castle-Hughes plays Mary, the mother of Jesus. Some baby plays Jesus. I’m not sure if it’s a baby that has done anything else. It wasn’t a particularly memorable baby or anything. I mean, it was fine, I’m not criticizing the baby. (read the rest of this shit…)

Drive

Wednesday, September 28th, 2011

tn_driveRemember how the driver in Walter Hill’s THE DRIVER didn’t get a name, he was just “The Driver”? The driver in Nicolas Winding Refn’s DRIVE is so minimalistic he doesn’t even get a ‘the.’ Or an ‘r’. Ryan Gosling plays said driver, a mysterious toothpick-chewing dude who’s a masterful getaway driver and does stunt driving for the movies. He also works at a garage for Brian Cranston, who helps set up his jobs and prepare his getaway cars. When not working Drive is sparking up a relationship with his neighbor, Carey Mulligan and her son. He’s better with the kid than you might think – even offers him a toothpick. (read the rest of this shit…)