This is not a review, because this is the book by david j. moore (no capitals), the guy who did all the NINJA II set interviews for me a while back. So an actual review would be unethical. But I have to make sure everybody knows about this great book because it’s right up most of your alleys. The full title is World Gone Wild: A Survivor’s Guide To Post-Apocalyptic Movies. It’s a beautiful hardcover book, like a textbook. You flip through it and there are capsule reviews of pretty damn close to every post-apocalyptic movie ever made. Not even just obvious ROAD WARRIOR ripoffs but also things you wouldn’t think of right away like I AM LEGEND (and AFTER EARTH, and I think INDEPENDENCE DAY is in there too for some reason. Are all of Will Smith’s movies considered post-apocalyptic? I don’t think I saw SEVEN POUNDS in there).
And then in between are interviews with many of the people involved with movies. All kinds of interesting people, mostly b-movie legends: Michael Pare, Sergio Martino, Vernon Wells, John Hillcoat, Albert Pyun, Dale “Apollo” Cook, Ted Prior, Brian Trenchard-Smith… but I’m most impressed that he interviewed really obscure people that you’d never think you’d see an interview with. For example he talks to the writers of KNOWING and CLASS OF 1999, two pictures I’m very fond of but wouldn’t have even been able to name the writers of. (read the rest of this shit…)
SNOWPIERCER, the Hollywood-stars/English words debut of South Korean director Bong Joon-ho, is the second best train movie I saw on the big screen in June. While UNDER SIEGE 2: DARK TERRITORY is DIE HARD on a boat on a train, SNOWPIERCER is the post-apocalypse on a train. The whole world has been frozen over, eradicating all life except for the lucky bastards that got onto a giant train that has been traveling a globe-spanning track for 17 years.
It has similar themes of class inequality to ELYSIUM and the HUNGER GAMESes, but I liked it quite a bit more than those. The concept is that the poor people live in squalor at the back and the rich people in luxury at the front. It’s a brutal dictatorship; the tail dwellers get threatened and beaten, limbs severed as punishment for defiance, fed nothing but green jelly protein bars. Every once in a while a lady in a pretty yellow dress comes back with a tape measure to size up which of their children to steal. You can just feel the anger and humiliation of the people when this shit happens. It’s easy to hate those motherfuckers. (read the rest of this shit…)
THE WORLD, THE FLESH AND THE DEVIL, which I never heard of until I picked up the Warner Archive dvd box abandoned sideways on top of the Post-Apocalypse section at Scarecrow Video, is an early take on the LAST MAN ON EARTH type of concept. It’s from 1959, making it the earliest one I know of, and it’s based on a book other than I Am Legend. Actually it’s apparently based on two things, The Purple Cloud, a 1901 novel by M.P. Shiel (H.G. Wells was apparently a fan!) that sounds like it has very little in common with the movie other than a last-man type concept, and a story called “End of the World” by Ferdinand Reyher (which I can’t find much information on).
Harry Belafonte plays Ralph Burton, an inspector who gets trapped alone in a collapsed mine. He’s down there a long time and goes stir crazy talking and singing to a radio that never talks back (he assumes it’s broken). Eventually he gives up on anyone rescuing him but is luckily able to dig his own way out of the rubble. (Shoulda tried that before, I guess.) (read the rest of this shit…)
If I had turned off TERMINATOR SALVATION about 2/3 in I would’ve come to you and made a case for it being underappreciated. I mean, I think it is, it doesn’t deserve the worldwide wholesale rejection and scorn it gets. But it has such a crippling case of T.A.P.s (third act problems) that it’s hard to be excited about it after you get to the end.
But let’s talk about what’s good in it, because there’s plenty of it, and nobody ever talks about that. First of all, a good cast. John Avatar himself, Sam Worthington, plays the anti-hero Marcus, a death row inmate (we don’t actually know exactly how Riddick he is – “My brother and two cops are dead because of me” is the only explanation of his crimes) who gets the lethal injection and then wakes up in a post-apocalyptic battle between man and machine. On one hand, hey, I’m alive, and I’m free! On the other hand… (read the rest of this shit…)
Jack Harper (Tom Cruise) is just a working man, you know. After the war with the Scavengers (in which the moon was blown up and shit was fucked up) everybody left Earth for Titan – not the publisher of many fine books but the moon of Saturn that is named after the publisher, from what I understand. Now, I don’t want to stereotype, but alot of humans tend to like Titan for its dense atmosphere and stable bodies of surface liquid. One of the top moons for human life.
Down here we still got drone robots that fly around the wreckage trying to kill off the surviving space-insurgents, and Jack is one of the drone repairmen. By night he stays in a nice little house up on a platform, by day he flies around in his dragonfly shaped bubbleship tracking the drones and fixing them. He seems to like the alone time, but it’s not an I AM LEGEND situation, he does enjoy the company of his partner (wife?) Victoria (Andrea Riseborough) back at home and his boss Sally (Melissa Leo) via satellite from the space station they’ll be going to in a couple weeks before they finally get to go live on Titan with the cool kids. (read the rest of this shit…)
What if there were like a book of maps, only it was made out of the sky? That would be weird.
Well, anyway. At a climactic point in CLOUD ATLAS a character talks righteously about freedom, and about refusing to accept boundaries. And that’s what Lana and Andy Wachowski (who directed this along with Tom Tykwer) have done with their lives, their careers and this movie in particular. If you haven’t heard what CLOUD ATLAS is, it’s a nearly 3-hour epic based on a supposedly unadaptable book. It takes place in a bunch of different time periods ranging from the age of slavery to a dystopian future to even a post-apocalyptic future after that. But not in order – it jumps around from story to story, like a bunch of unrelated movies edited together as a weird joke on Youtube. (read the rest of this shit…)
Oh, is this what “hipsters” are that everybody’s always worried about? I can never really tell. I definitely don’t think these are “geeks,” unless it’s the honorary kind that have to have somebody on the internet vouch for them, like “no, Vin Diesel really is a geek, he showed me he had Dungeons and Dragons dice in his glove compartment.” No, I get the idea these guys are hip, and therefore hipsters. But they might just be civilians. I’m not very good at this. (read the rest of this shit…)
Have you guys noticed that Paul Bettany looks like Peter Weller? I noticed that while watching this. Bettany plays an unnamed priest. This is a new one based on some Japanese comic book, it’s not that Miramax movie about the child molester. I don’t know if that’s a big problem in the world this takes place in, ’cause these priests probly don’t work with kids that much. See, an animated prologue (a much better one than in JONAH HEX) explains that humans have always been at war with vampires, not the Dracula kind but naked CGI monsters with no eyes that jump around on all fours. So the church created an order of “priests,” vampire hunters recognizable by the cross tattoos on their faces. (read the rest of this shit…)
SAVAGE DAWN is a post-apocalyptic-town-harassed-by-bikers movie very similar to STEEL FRONTIER except way crappier looking and without all the great cars and car stunts. I’d almost give it a very, very lenient semi-pass just because Lance Henriksen, with bleach blond hair, gets one of his rare leading man roles, except… no, I wouldn’t want anybody to think I sort of recommended this movie. The best thing I can say is I’ve seen worse.
But if you insist on seeing it the DVD is #3 on a triple feature with CAGED FURY and DRUG TRAFFIKERS. Don’t say I or the cover didn’t warn you. (read the rest of this shit…)
The Steel Frontier is a post-apocalyptic wasteland, alot like the place in ROAD WARRIOR, but filmed in California. It’s the kind of place where you might find a legless man out in the middle of the desert and have to put the poor guy out of his misery. Or you might find a small town where everybody acts kind of like they’re in a western, and a bunch of asshole bullies on motorcycles and souped up post-apocalypse-mobiles might drive into town and start fucking shit up and laughing about it.
That’s exactly what happens here, this guy General Quantrell (Brion James) rolls in with his “desert scum,” goes into the barber shop and gets a nice warm shave while his boys terrorize the place. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Franchise Fred on The Inkwell: “Post John Wick Keanu has said he’d do Speed 3 publicly. How Fox didn’t put a writer on that immediately…” May 3, 00:11
grimgrinningchris on Serial Mom (+ intro to my new summer series): “That is likely my least favorite of the 80s-now Waters movies, but I even still like that one a lot.…” May 2, 19:32
Mr. Subtlety on Abigail: “Coming in late, but I think you all are crazy to focus so much on whether this was “spoiled.” Yes,…” May 2, 18:10
Dreadguacamole on Boy Kills World: “I categorically did not like this. Hate it might be too strong a word, but I found it hollow, dumb,…” May 2, 16:05
Inspector Hammer Boudreaux on Boy Kills World: “See, I took the ending as being kind of an OLD BOY rip-off. The LADY SNOWBLOOD assassin from birth finding…” May 2, 14:15
CJ Holden on The Inkwell: “Coming in 2025 to Netflix: THE SPEED, in which Keanu reprises his role as Jack Traven. A copycat killer who…” May 1, 23:53
Franchise Fred on The Inkwell: “Now I want to see the Flintstones attempt even if it was aborted. There is a world where there was…” May 1, 23:15
Glaive Robber on Boy Kills World: “First of all, it is the honor of honors to be mentioned in a Vern review. Thank you for that.…” May 1, 21:35
Ben on Boy Kills World: “@Kaplan I would also be down for that, but lets be real, there is more chance of me being picked…” May 1, 20:04
MaggieMayPie on Boy Kills World: ““Hopefully this is just my own hangup and it won’t bother you as much, if at all.” Vern, I agree…” May 1, 19:25
Kaplan on Boy Kills World: “@Ben They could always make less Star Wars movies. That is an option.” May 1, 18:41
Ben on Boy Kills World: “@kaplan I’m sorry a Star wars version of this would rule pretty hard. We’ve got like 11 classic star war…” May 1, 18:26
Kaplan on Boy Kills World: “Glad this got a review, as I didn’t want to discuss it in the Rebel Moon comments. It mostly worked…” May 1, 18:06
Ben on Boy Kills World: “People keep talking about how this movie is loud and abrasive and the cool fights don’t save it, but as…” May 1, 17:42
Ben on The Inkwell: “ya know in retrospect it’s kinda weird we haven’t gotten a speed reboot or legacy sequel or whatever. Like you…” May 1, 15:11
VERN’S “I RECOMMEND THE SHIT OUT OF THIS PRODUCT” CORNER: