If I had turned off TERMINATOR SALVATION about 2/3 in I would’ve come to you and made a case for it being underappreciated. I mean, I think it is, it doesn’t deserve the worldwide wholesale rejection and scorn it gets. But it has such a crippling case of T.A.P.s (third act problems) that it’s hard to be excited about it after you get to the end.
But let’s talk about what’s good in it, because there’s plenty of it, and nobody ever talks about that. First of all, a good cast. John Avatar himself, Sam Worthington, plays the anti-hero Marcus, a death row inmate (we don’t actually know exactly how Riddick he is – “My brother and two cops are dead because of me” is the only explanation of his crimes) who gets the lethal injection and then wakes up in a post-apocalyptic battle between man and machine. On one hand, hey, I’m alive, and I’m free! On the other hand… (read the rest of this shit…)
Jack Harper (Tom Cruise) is just a working man, you know. After the war with the Scavengers (in which the moon was blown up and shit was fucked up) everybody left Earth for Titan – not the publisher of many fine books but the moon of Saturn that is named after the publisher, from what I understand. Now, I don’t want to stereotype, but alot of humans tend to like Titan for its dense atmosphere and stable bodies of surface liquid. One of the top moons for human life.
Down here we still got drone robots that fly around the wreckage trying to kill off the surviving space-insurgents, and Jack is one of the drone repairmen. By night he stays in a nice little house up on a platform, by day he flies around in his dragonfly shaped bubbleship tracking the drones and fixing them. He seems to like the alone time, but it’s not an I AM LEGEND situation, he does enjoy the company of his partner (wife?) Victoria (Andrea Riseborough) back at home and his boss Sally (Melissa Leo) via satellite from the space station they’ll be going to in a couple weeks before they finally get to go live on Titan with the cool kids. (read the rest of this shit…)
What if there were like a book of maps, only it was made out of the sky? That would be weird.
Well, anyway. At a climactic point in CLOUD ATLAS a character talks righteously about freedom, and about refusing to accept boundaries. And that’s what Lana and Andy Wachowski (who directed this along with Tom Tykwer) have done with their lives, their careers and this movie in particular. If you haven’t heard what CLOUD ATLAS is, it’s a nearly 3-hour epic based on a supposedly unadaptable book. It takes place in a bunch of different time periods ranging from the age of slavery to a dystopian future to even a post-apocalyptic future after that. But not in order – it jumps around from story to story, like a bunch of unrelated movies edited together as a weird joke on Youtube. (read the rest of this shit…)
Oh, is this what “hipsters” are that everybody’s always worried about? I can never really tell. I definitely don’t think these are “geeks,” unless it’s the honorary kind that have to have somebody on the internet vouch for them, like “no, Vin Diesel really is a geek, he showed me he had Dungeons and Dragons dice in his glove compartment.” No, I get the idea these guys are hip, and therefore hipsters. But they might just be civilians. I’m not very good at this. (read the rest of this shit…)
Have you guys noticed that Paul Bettany looks like Peter Weller? I noticed that while watching this. Bettany plays an unnamed priest. This is a new one based on some Japanese comic book, it’s not that Miramax movie about the child molester. I don’t know if that’s a big problem in the world this takes place in, ’cause these priests probly don’t work with kids that much. See, an animated prologue (a much better one than in JONAH HEX) explains that humans have always been at war with vampires, not the Dracula kind but naked CGI monsters with no eyes that jump around on all fours. So the church created an order of “priests,” vampire hunters recognizable by the cross tattoos on their faces. (read the rest of this shit…)
SAVAGE DAWN is a post-apocalyptic-town-harassed-by-bikers movie very similar to STEEL FRONTIER except way crappier looking and without all the great cars and car stunts. I’d almost give it a very, very lenient semi-pass just because Lance Henriksen, with bleach blond hair, gets one of his rare leading man roles, except… no, I wouldn’t want anybody to think I sort of recommended this movie. The best thing I can say is I’ve seen worse.
But if you insist on seeing it the DVD is #3 on a triple feature with CAGED FURY and DRUG TRAFFIKERS. Don’t say I or the cover didn’t warn you. (read the rest of this shit…)
The Steel Frontier is a post-apocalyptic wasteland, alot like the place in ROAD WARRIOR, but filmed in California. It’s the kind of place where you might find a legless man out in the middle of the desert and have to put the poor guy out of his misery. Or you might find a small town where everybody acts kind of like they’re in a western, and a bunch of asshole bullies on motorcycles and souped up post-apocalypse-mobiles might drive into town and start fucking shit up and laughing about it.
That’s exactly what happens here, this guy General Quantrell (Brion James) rolls in with his “desert scum,” goes into the barber shop and gets a nice warm shave while his boys terrorize the place. (read the rest of this shit…)
I confess: I didn’t really know who Gary Daniels was. Turns out he’s a British kickboxer who’s been in about 50 movies since the late ’80s. I heard the name before but never watched any of his pictures. A couple people gave me shit about it when I reviewed Seagal’s SUBMERGED and didn’t mention that Daniels was in it. I guess that was a historic meeting of martial arts stars, but I didn’t even notice because I didn’t know who the fuck that was. Sorry, fellas. Like Brakus I am human. I can be defeated. (read the rest of this shit…)
Everybody loves Denzel Washington, including me, but I’m not 100% sure why. I mean, he’s a real good actor. Shoulda got an Oscar for MALCOLM X. Was good at chewing it up in TRAINING DAY when he did get the Oscar. He’s just so great at playing intelligent, strong, capable. But the weird part for someone as popular as him is that he’s not so big on playing likable heroes. His usual character is intense but mostly humorless. Kind of self righteous. Kind of a dick, if you think about it.
So it was pretty brilliant to cast him as a lone samurai walking through a post-apocalyptic wasteland on a mission of faith. The Denzel persona is much more endearing when he doesn’t just give verbal beatdowns, but full-on swordsman massacres. Actually he’s a little different in this one too – quiet and kind of crazy from being alone. (read the rest of this shit…)
THE ROAD is a good movie, better book. If you’re thinking about reading it but haven’t got to it yet I’d say read it, then see the movie. The movie (directed by John Hillcoat, who did THE PROPOSITION) is very faithful to the book (by Cormac McCarthy, who did No Country For Old Men) and illustrates it well, but it can’t really do the same thing.
In case you don’t watch Oprah, the story is about a man and his son after civilization has been destroyed by some unnamed disaster. They’re cold, hungry and worn out and trying to push their little cart of belongings across the United States to the coast. They don’t even really know what they expect when they get there, they just don’t know what else to do. (read the rest of this shit…)
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Jack Harper (Tom Cruise) is just a working man, you know. After the war with the Scavengers (in which the moon was blown up and shit was fucked up) everybody left Earth for Titan – not 
What if there were like a book of maps, only it was made out of the sky? That would be weird.
Oh, is this what “hipsters” are that everybody’s always worried about? I can never really tell. I definitely don’t think these are “geeks,” unless it’s the honorary kind that have to have somebody on the internet vouch for them, like “no, Vin Diesel really is a geek, he showed me he had Dungeons and Dragons dice in his glove compartment.” No, I get the idea these guys are hip, and therefore hipsters. But they might just be civilians. I’m not very good at this. 
Have you guys noticed that Paul Bettany looks like Peter Weller? I noticed that while watching this. Bettany plays an unnamed priest. This is a new one based on some Japanese comic book, it’s not that Miramax movie about the child molester. I don’t know if that’s a big problem in the world this takes place in, ’cause these priests probly don’t work with kids that much. See, an animated prologue (a much better one than in 
SAVAGE DAWN is a post-apocalyptic-town-harassed-by-bikers movie very similar to 
The Steel Frontier is a post-apocalyptic wasteland, alot like the place in ROAD WARRIOR, but filmed in California. It’s the kind of place where you might find a legless man out in the middle of the desert and have to put the poor guy out of his misery. Or you might find a small town where everybody acts kind of like they’re in a western, and a bunch of asshole bullies on motorcycles and souped up post-apocalypse-mobiles might drive into town and start fucking shit up and laughing about it.
I confess: I didn’t really know who Gary Daniels was. Turns out he’s a British kickboxer who’s been in about 50 movies since the late ’80s. I heard the name before but never watched any of his pictures. A couple people gave me shit about it when I reviewed Seagal’s SUBMERGED and didn’t mention that Daniels was in it. I guess that was a historic meeting of martial arts stars, but I didn’t even notice because I didn’t know who the fuck that was. Sorry, fellas. Like 
Everybody loves Denzel Washington, including me, but I’m not 100% sure why. I mean, he’s a real good actor. Shoulda got an Oscar for MALCOLM X. Was good at chewing it up in TRAINING DAY when he did get the Oscar. He’s just so great at playing intelligent, strong, capable. But the weird part for someone as popular as him is that he’s not so big on playing likable heroes. His usual character is intense but mostly humorless. Kind of self righteous. Kind of a dick, if you think about it.
THE ROAD is a good movie, better book. If you’re thinking about reading it but haven’t got to it yet I’d say read it, then see the movie. The movie (directed by John Hillcoat, who did THE PROPOSITION) is very faithful to the book (by Cormac McCarthy, who did No Country For Old Men) and illustrates it well, but it can’t really do the same thing.
