"KEEP BUSTIN'."

Posts Tagged ‘Mark Dacascos’

Sanctuary

Tuesday, May 14th, 2019

SANCTUARY (1998) is not The Great American Mark Dacascos Vehicle, but it’s pretty enjoyable classical DTV (or in this case straight-to-cable, I believe) action, the kind that made me fall in love with the format in the first place. Yes, it’s messy, at times confusing or befuddling. It’s kinda gloomy looking, sometimes there are iffy line deliveries, and there are definitely parts that I laugh at that I’m not supposed to. But also there’s some showcasing of a cool actor I like, pulpy traditions of the genre are exercised, and when something really cool happens there’s a sense of underdog achievement. You’re really pulling for it to be good.

It has a convoluted chronology: it starts with our Catholic priest hero Luke Kovak (Dacascos a year after DRIVE) in a Vatican interrogation room being questioned in Italian about what happened six days ago when he got attacked by some killers from his secret past. From the story of six days ago it keeps flashing back to the larger backstory of his former career doing dirty deeds for the government and why he went into hiding to get away from it. A few times he even remembers his childhood, when a priest was his role model until Dyson (Alan Scarfe, CATHY’S CURSE, IRON EAGLE II, LETHAL WEAPON 3) took him and some other orphans and raised them to be experts in martial arts, guns and spycraft. (read the rest of this shit…)

Kickboxer 5: The Redemption

Monday, May 13th, 2019

“He’s a butcher. A madman. His charm and intelligence make him more dangerous than a cobra.”

Life is cheap in the world of KICKBOXER. Every time the hero doesn’t do a sequel, he gets unceremoniously murdered. It happened to Kurt Sloane (by way of a lookalike) in KICKBOXER 2, and now it happens to David Sloane (through the medium of silhouetted double) in KICKBOXER 5. David (offscreen) refuses to join a new South African kickboxing league, and they have him beaten to death. At least he manages to break the leg of one of his attackers (Tony Caprari, TARZAN AND THE LOST CITY), who will be on crutches for the rest of the movie.

Also worth very little in this series: subtitles. Maybe THE ROAD HOME has legitimate interpretations, and THE ART OF WAR could apply to pretty much anything, but THE AGGRESSOR was a headscratcher and THE REDEMPTION has no practical plot application. Maybe that’s where the American distributors got the idea to rename THE RAID.

But if we follow my usual rule of going by what it says on the opening titles, it’s just THE REDEMPTION, no KICKBOXER in the title at all. And for what it’s worth, the fake David Sloane smashes that title with a flying kick. (read the rest of this shit…)

Drive

Thursday, April 25th, 2019

Unless you count an IMDb listing for an unreleased movie called SIRENS OF THE DEEP (2000), the final (so far) feature film directed by Steve Wang is the 1997 under-the-radar Mark Dacascos action romp DRIVE. Dacascos (ONLY THE STRONG) plays Toby Wong (a RESERVOIR DOGS reference?), reformed Chinese assassin on the run from a corporation trying to reclaim the advanced strength-and-acrobatics-enhancing implant they put in him. Attacked in a bar, he commandeers lonely divorcee Malik (Kadeem Hardison, DEF BY TEMPTATION) and his car, and the two end up becoming buddies, driving around the L.A. area trying to avoid a team of mercenaries led by redneck Vic Madison (John Pyper-Ferguson, who’s also in the Nicolas Winding-Refn movie called DRIVE) and his personal Bob the Goon, Hedgehog (Tracey Walter, CYBORG 2), who when not shooting at them hang out in a mobile home like Justified villains. Vic has long hair, wears a bolo tie and sunglasses seems too proud of his rock ‘n roll cowboy look. I was so relieved when he switched to pony tail and tactical gear. (read the rest of this shit…)

Showdown in Manila

Thursday, January 25th, 2018

SHOWDOWN IN MANILA is the latest from Alexander Nevsky, the Russian bodybuilder turned b-movie actor who starred in and directed BLACK ROSE. This one is the directing debut of Mark Dacascos and it’s much more fun and ambitious than that last one, largely due to an EXPENDABLES-worthy cast of action icons.

Nevsky plays Nick Peyton, the leader of some sort of elite police strikeforce thing in Manila. In the prologue he leads a police raid and his whole team are wearing those giant helmets like in THE RAID – except for him, even though he’s 1-3 heads taller than all of them. Standing there ready to take it like a lightning rod. He doesn’t get shot in the head, but does get shot and fails to apprehend two ultimate b-action bad guys: Cary-Hiroyuki Tagawa (L.A. TAKEDOWN, KICKBOXER 2, SHOWDOWN IN LITTLE TOKYO, MORTAL KOMBAT, BRIDGE OF DRAGONS) and Matthias Hues (NO RETREAT NO SURRENDER 2, I COME IN PEACE, BLACKBELT, MISSION OF JUSTICE, TALONS OF THE EAGLE, TC 2000). C-HT in particular looks like he’s enjoying the hell out of just strutting around in tropical gangster clothes being arrogant.

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Angel Town

Monday, November 2nd, 2015

tn_angeltown“Jacques, as long as I’ve known you you’ve been in deep shit. I expect this.”

Even though I have this weird feeling that French kickboxing champion turned VHS-era action icon Olivier Gruner doesn’t like me, I’m open to watching his movies. I actually didn’t realize while watching it that ANGEL TOWN was his debut, but it makes sense. This is his L.A. gang movie, which came out after COLORS but before BOYZ N THE HOOD or MENACE II SOCIETY (or New York movies like NEW JACK CITY and JUICE). And I’m not saying it’s as good as any of those, but it’s a fun b-action take on the subject, and it makes a decent argument for why Gruner should be in movies.

He plays Jacques, a Frenchman renting a room in a gang neighborhood while attending graduate school in East L.A. He ends up there because he gets into town late and all the student housing is filled up, but also we learn he was born in a French ghetto and lived in one in Hong Kong too. It’s not relevant, but I want to mention why he’s late to school: when he was about to leave he went to visit his father’s grave and then his girlfriend showed up distraught that he was leaving and she took off her fur coat and she was naked so he fucked her right there on his father’s grave. And that must’ve taken a couple days, I don’t know. (read the rest of this shit…)

American Samurai

Monday, June 23rd, 2014

tn_americansamuraiHow the fuck does a guy become an American samurai? Well, in the case of Drew Collins (David Bradley, AMERICAN NINJA 3-V) when he was a baby he and his parents were traveling in a small plane that crashed into a tree, only he survived, and then he was raised by an old Japanese guy named Tatsuya (John Fujioka, ZATOICHI IN DESPERATION, AMERICAN NINJA, AMERICAN YAKUZA). Finders keepers, you know?

Basically it’s exactly like Superman, except being a white man in Asia doesn’t give him super powers. But he does really good in his sword training anyway. I’m not clear why his adopted father was a samurai swordsman in the 1980s, I suppose it’s kind of along the lines of being a civil war buff. In related news I would like to see a Cannon movie called JAPANESE BLUEBELLY. (read the rest of this shit…)

Crying Freeman

Monday, August 27th, 2012

CRYING FREEMAN (1995) is a pretty cool movie that I went back to hoping it would be better than I realized before. I did a brief write-up of it in a column years ago, but I’m not gonna link to it right now because most of the column is angry rants about what was going on in the news at the time and it makes me cringe. Based on a Japanese comic book (or “Japomic Book”) by Kazuo Koike, the same writer as Lone Wolf and Cub, CRYING FREEMAN is a moody, serious assassin movie with Yakuza, mind control, a witch, romance and tragedy. It takes place in 4 different countries (U.S., Canada, China, Japan) with the most convincing, of course, being the part that takes place in Vancouver, B.C.
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Boogie Boy

Thursday, August 9th, 2012

I always root for Mark Dacascos to be in something really good. I love ONLY THE STRONG, and he’s in some other fun ones, like the ridiculous CRADLE 2 THE GRAVE. I’ve watched his movie DRIVE a couple times, not the one with Ryan Gosling but the one with Mark Dacascos. And Kadeem Hardison and Britney Murphy. People used to always try to push that one on me and I never really got into it, but he’s pretty good. He’s a good martial artist. I was always curious about this little known one from 1998 ’cause it’s him starring in some kind of crime movie executive produced by Roger Avary. Could be interesting, right?

Could’ve been. Wasn’t really. But here are a few words about it for the historic record.
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Only the Strong

Thursday, October 1st, 2009

tn_onlythestrongLadies and gentlemen, I present to you the best find of my Back To School Special. Maybe THE SUBSTITUTE is better, but I’d already seen that one before so I knew what to expect. This is a surprisingly natural hybrid of the inspirational teacher movie with the American martial arts star vehicle. It embraces the necessary corniness of both genres and seems a little more sincere about the turning kids around aspect than THE SUBSTITUTE does. And it came out in ’93, three years earlier.

It stars American Iron Chef host Mark Dacascos and it’s directed by long-time Van Damme collaborator Sheldon Lettich. This is his third directational work after LIONHEART and DOUBLE IMPACT. Dacascos plays Louis Stevens, a peace time Green Beret who fell in love with the martial art capoeira while stationed in Brazil. He was apparently some kind of troublemaking kid until a good teacher named Mr. Kerrigan (EVERY WHICH WAY BUT LOOSE sidekick Geoffrey Lewis) turned him around and convinced him to join the military. Once he gets out he returns to the school to see if there’s any way he can work there and try to make a difference in other young people’s lives. The school is a hellhole and he pretty much gets tossed out on his ass. (read the rest of this shit…)

Cradle 2 the Grave

Friday, July 23rd, 2004

From the same director, producer and cast as Romeo Must Die and Exit Wounds comes another exciting pile of disparate elements squooshed together into the same basic shape as an action movie. It’s really more of a booger sculpture than a movie, but for a booger sculpture, it’s not that bad, I guess.

Joel Silver originally announced this as Untitled DMX Project, supposedly a remake of Fritz Lang’s M. If that was the case, then I guess Tom Arnold (our generation’s Peter Lorre) would’ve been playing a perverted child killer whose killing spree had caused the police to clamp down so hard that organized crime would be pretty much put out of business. So the leaders of rival gangs (DMX, Jet Li, Mark Dacascos) would pool their resources to catch Tom Arnold so everything could go back to normal. (read the rest of this shit…)