"I'll just get my gear."

Posts Tagged ‘Eiza Gonzalez’

Cut Throat City

Monday, February 1st, 2021

CUT THROAT CITY may be the capital of CUTTHROAT ISLAND, I’m not sure, but the one I’m here to write about is the crime film set in New Orleans shortly after Hurricane Katrina, and it’s the latest directorial effort of The RZA.

As you may know I’m a fan of RZA’s music (Wu-Tang Clan, GHOST DOG score), acting (THE PROTECTOR 2, BRICK MANSIONS, THE DEAD DON’T DIE) and film scholarship (the commentary track on THE 36TH CHAMBER OF SHAOLIN, his 36films.com livestreams). I’m also a big fan of his first film as a director (and writer and star and composer), THE MAN WITH THE IRON FISTS. I have some issues with the way he shot the fights, but I absolutely love the old school kung fu fantasy world he created and the many characters, clans and weapons within it. So I take him seriously as a filmmaker. (read the rest of this shit…)

Bloodshot

Monday, December 7th, 2020

Seeing a new Vin Diesel movie brings me joy. They’re usually not gonna be as good as FAST FIVE or RIDDICK, but I can live with that. It doesn’t even need the heart. It can just have the silliness. I can still love a CHRONICLES OF RIDDICK or a xXx: RETURN OF XANDER CAGE. Even seeing a middling one like THE LAST WITCH HUNTER on the big screen (usually without many other people in the theater) is an enriching experience for me.

In many ways Diesel is a throwback. Some people think he’s arrogant and dumb, and that perception (whether true or false) connects him with the action icons of the ‘80s and ‘90s. So does his vanity when it comes to his bodybuilding and the outsized awesomeness of his characters (both in battle and in love). But beneath the macho posturing is a sincere passion for what he sees as the integrity of his creations, for better or worse. He has left and returned to two franchises of his own accord. He’s turned his supporting character in a minor cult movie into an improbable sci-fi franchise, at one point mortgaging his house to somehow keep it going. He’s adapted his Dungeons & Dragons character into a major motion picture. With one performance he turned a silly drag race exploitation movie into a smash hit, and with 20 years of diligence he shepherded its sequels into a massive pop culture institution. So even something like BLOODSHOT – which looked pretty cheesy and lost a ton of shine when the JOHN WICK directors left and a guy who previously just worked in video games (David S.F. Wilson) took over – is an event for me. (read the rest of this shit…)