Posts Tagged ‘kaiju’
Monday, March 28th, 2022
In 1965, when King of the Monsters Godzilla had already starred in five movies and battled Anguirus, King Kong, Mothra, King Ghidorah and Rodan, a new kaiju hit the scene, a fella by the name of GAMERA, THE GIANT MONSTER. I respect Godzilla, and I concede that he beat Gamera to waking up in the 20th century, and to starring in movies. But we’re told in this movie that Gamera is from Atlantis, and though I’m no historian I’m pretty sure that means he was around before whichever dinosaur era the puny pre-radiation Godzilla came up in. Gamera is the O.G. He’s just a late bloomer.
The Gamera movies were created by Daiei, the studio founded in 1942 that produced Akira Kurosawa’s RASHOMON, Kenji Mizoguchi’s UGETSU and SANSHO THE BAILIFF, and also the Zatoichi, Yokai Monsters and Daimajin series. This one was clearly made to compete with or cash in on Toho’s popular Godzilla series, but that’s odd because it’s a black and white movie where one monster is awakened and attacks Tokyo, not another monster. By this point Godzilla had done three color films and had been fighting other monsters for a decade. And it wasn’t as if most films were black and white then – Daiei’s own Zatoichi movies had switched to color. Was this made for people nostalgic for the original GOJIRA (which was eleven years in the past at that point)? Were they trying to make sure the world had a movie like GOJIRA but not a total bummer inspired by the bombing of Nagasaki and Hiroshima? And is doing that kind of like how KONG: SKULL ISLAND mimics all your favorite Vietnam War movies without all the horrors-of-the-Vietnam-War darkness? Uh, not really. They were just trying to save money. More on that later. (read the rest of this shit…)
Tags: Atlantis, Daiei, Eiji Funakoshi, Junichiro Yamashita, kaiju, Noriaki Yuasa, Yoshiro Uchida
Posted in Monster, Reviews | 9 Comments »
Tuesday, April 13th, 2021
Godzilla picture #3, KING KONG VS. GODZILLA, was such a hit in 1963 that Toho realized their boy really should have an ongoing series where he battles other behemoths, so director Ishiro Honda, composer Akira Ifukube and effects genius Eiji Tsuburaya (plus Haruo Nakajima redonning the Godzilla suit) immediately got to work on the next one.
Getting the rights to another studio’s characters every time wasn’t gonna be sustainable (too bad – GODZILLA VS. CAT PEOPLE would’ve been cool), so this time they decided to pit the big guy against Mothra, the giant moth goddess from Honda’s own 1961 film. I’ve always associated Mothra with Godzilla, so it’s interesting to realize that they weren’t originally intended to cross paths or exist in the same world. In a way, MOTHRA VS. GODZILLA is like if M. Night Shyamalan had made SPLIT unconnected to UNBREAKABLE and then decided to combine them in GLASS. Or if James Cameron made AVATAR VS. THE ABYSS.
Another thing it’s easy to forget is that there was an entire decade where Godzilla was always the bad guy. Here he’s in his fourth movie and the guy is just a total dick still. Only in movie #2 could you argue he was kind of good, because the other guy was so aggressive. Otherwise he’s just causing problems for everybody. For this one he doesn’t show up until a half hour in (such a diva) so Mothra gets top billing. (read the rest of this shit…)
Tags: Godzilla, Ishiro Honda, kaiju, Mothra
Posted in Monster, Reviews | 3 Comments »
Thursday, April 1st, 2021
GODZILLA VS. KONG follows GODZILLA, KONG: SKULL ISLAND and GODZILLA: KING OF THE MONSTERS as the fourth movie in the 21st Century American kaiju series known as The MonsterVerse. When it comes to the giant monsters, as I’ve told you before, I’m a Gamera guy. I’m not trying to be a hipster and choose the less popular thing to show off, it’s just a fact – he’s the Guardian of the Universe. But setting him aside, Godzilla and his Monster Island pals have always interested me more than the King Kong movies, as great as some of those are.
So hopefully that puts some weight behind me saying that this crossover – which stacks the cards for Kong by starting with him, spending much of the movie with him and treating him as the underdog hero – is easily the best of the series.
It got me instantly. Opening with Kong waking up to a perfect needle drop and a sunny day on Skull Island, he scratches his ass as he groggily stumbles to the waterfall for a shower. It’s just a great example of those times I love when monsters just get to live a normal life instead of always leaping through the air and roaring at the camera. (read the rest of this shit…)
Tags: Adam Wingard, Alexander Skarsgard, Ben Serisin, Brian Tyree Henry, Demian Bichir, Eiza Gonzalez, Eric Pearson, Godzilla, Julian Dennison, kaiju, Kaylee Hottle, King Kong, Kyle Chandler, Lance Reddick, Max Borenstein, Michael Dougherty, Millie Bobby Brown, Rebecca Hall, Shun Oguri, Terry Rossio, vs., Zach Shields
Posted in Monster, Reviews | 41 Comments »
Wednesday, March 31st, 2021
I can’
t see the new GODZILLA VS. KONG in a theater, because we still have the pandemic here (and apparently slower vaccine distribution than some other states). But I’m excited to at least get to watch it on TV tonight. I don’t know if it will live up to my hopes, but I’m glad it inspired me to rewatch the original East-meets-West giant monster mashup, 1963’s KING KONG VS. GODZILLA.
In my mind it seems like this current GODZILLA series rushed to the KING KONG crossover pretty fast, but not really. KING KONG VS. GODZILLA was only the third film in the GODZILLA series (though it also followed the American productions KING KONG and SON OF KONG, both from 1933). As discussed in yesterday’s review, the series started with GOJIRA in 1954, and GODZILLA RAIDS AGAIN six months later. It wasn’t exactly a smash, so seven years passed before they brought the big guy back. Think about that – seven years is almost as long as the gap between BATMAN & ROBIN and BATMAN BEGINS. Or FRIDAY THE 13TH and FRIDAY THE 13TH PART VII. About the same as the gaps between A NIGHTMARE ON ELM STREET and FREDDY’S DEAD: THE FINAL NIGHTMARE, or FREDDY VS. JASON and the ELM STREET remake.
So after that wait Toho brought back original director Ishiro Honda, composer Akira Ifukube and effects director Eiji Tsuburaya (who held KING KONG dear since it had inspired his interest in effects) to revive Godzilla in this big crossover event that marked both monsters’ first appearances in color and in widescreen. Also their first movie that opens with a quote from Hamlet (at least in the American version, which I watched because I didn’t realize the original was hidden in the supplements of the Criterion box set). (read the rest of this shit…)
Tags: Akira Ifukube, Bruce Howard, Godzilla, Ichiro Arishima, Ishiro Honda, kaiju, King Kong, Kinsaburo Furue, Koichi Takano, Michael Keith, Mie Hama, Osamu Sakurai, Paul Mason, Shoichi Hirose, Toho, vs., Willis O'Brien
Posted in Monster, Reviews | 20 Comments »
Tuesday, March 30th, 2021
GODZILLA RAIDS AGAIN seems like an important movie to me because I think it’s the first GODZILLA sequel. GOJIRA was made in response to the popularity of KING KONG and THE BEAST FROM 20,000 FATHOMS, but it was a very somber and elegiac disaster movie intentionally using its monster attacks to mirror the bombing of Hiroshima (as well as an incident less known in the U.S. in which a Japanese fishing vessel was radiated by U.S. atomic bomb tests). Its hero was a scientist who sacrifices himself to stop Godzilla without letting his bomb technology to be replicated, and it climaxes with a choir of 200 women singing sadly over long shots of the ruins of Tokyo.
The sequel came out only six months later and is the only other GODZILLA movie in black and white, but it’s the first one where Godzilla fights another monster, so it’s the first to resemble the specific type of fun we’re generally thinking of when we say we liked GODZILLA movies or kaiju movies.
Here’s one way it’s similar to FRIDAY THE 13TH PART 2: it’s not the same killer as in part 1. The first Godzilla was definitively killed by the oxygen destroyer, and when what appears to be the same creature is spotted, Dr. Kyohei Yamane (Takashi Shimura, returning from the first film) is sure it’s not a resurrection, but another monster of the same species. Everybody still call him Godzilla like it’s his name, though. (read the rest of this shit…)
Tags: Godzilla, Hiroshi Koizumi, kaiju, Minoru Chiaki, Motoyoshi Oda, Takashi Shimura, Toho
Posted in Monster, Reviews | 8 Comments »
Thursday, August 8th, 2019
After this summer’s fun-if-flawed GODZILLA: KING OF THE MONSTERS I must’ve been in need of some spiritual guidance because I was thinking I should look into worshipping Mothra. See what that whole thing was all about. And then, as if by divine intervention, a slick piece of Mothran propaganda – a nice new steelbook Blu-Ray of the original MOTHRA film from 1961- caught my eye. It’s an old school Toho kaiju movie with lots of goofy human shenanigans holding off the good stuff until later, but its imagery and strangeness warm my soul a little.
The structure seems lifted from KING KONG. An expedition to a mysterious island inhabited by strange creatures and primitive, drum-thumping natives brings something exotic back to the city to be exploited in a heavily hyped stage show, but these forces can’t (and shouldn’t) be contained, so this all leads to a giant creature attack on a city. (read the rest of this shit…)
Tags: Ishiro Honda, kaiju, Mothra, Toho
Posted in Monster, Reviews | 10 Comments »
