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Posts Tagged ‘Eric Heisserer’

Bloodshot

Monday, December 7th, 2020

Seeing a new Vin Diesel movie brings me joy. They’re usually not gonna be as good as FAST FIVE or RIDDICK, but I can live with that. It doesn’t even need the heart. It can just have the silliness. I can still love a CHRONICLES OF RIDDICK or a xXx: RETURN OF XANDER CAGE. Even seeing a middling one like THE LAST WITCH HUNTER on the big screen (usually without many other people in the theater) is an enriching experience for me.

In many ways Diesel is a throwback. Some people think he’s arrogant and dumb, and that perception (whether true or false) connects him with the action icons of the ‘80s and ‘90s. So does his vanity when it comes to his bodybuilding and the outsized awesomeness of his characters (both in battle and in love). But beneath the macho posturing is a sincere passion for what he sees as the integrity of his creations, for better or worse. He has left and returned to two franchises of his own accord. He’s turned his supporting character in a minor cult movie into an improbable sci-fi franchise, at one point mortgaging his house to somehow keep it going. He’s adapted his Dungeons & Dragons character into a major motion picture. With one performance he turned a silly drag race exploitation movie into a smash hit, and with 20 years of diligence he shepherded its sequels into a massive pop culture institution. So even something like BLOODSHOT – which looked pretty cheesy and lost a ton of shine when the JOHN WICK directors left and a guy who previously just worked in video games (David S.F. Wilson) took over – is an event for me. (read the rest of this shit…)

Arrival

Thursday, November 17th, 2016

tn_arrivalARRIVAL is a new one in that category of serious smart sci-fi where huge momentous things happen between the human race and alien life and/or outer space, yet it’s really about something very intimate and human (see also INTERSTELLAR, CONTACT, THE FOUNTAIN, GRAVITY). In this case it’s about twelve giant alien objects (they look like smooth flat stones you would find on a beach, balanced on the side) that come down and float in various locations around the world, yet also it’s about love and family and tragedy.

Director Denis Villeneuve (PRISONERS, SICARIO, ENEMY) is no chump, so the unfolding of the historic first contact is a powerful oh shit sequence. Perpetually calm language professor Dr. Louise Banks (Amy Adams, CRUEL INTENTIONS 2) ignores the commotion of students gathering around a TV, then the miniscule attendance of her lecture, but when everyone’s phones keep ringing the information finally gets to them. Sorry to interrupt – it’s just that the world has completely changed forever. (read the rest of this shit…)