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Archive for the ‘Reviews’ Category

Saint Nick (Sint)

Thursday, December 3rd, 2020

I’ve got this problem that I always want some good Christmas horror movies I haven’t seen before, but also I assume any of them coming out this century are gonna be boring, cheap garbage. Yes, KRAMPUS (2015) is semi-recent and has become an annual tradition for me already, but does that mean I should give a shot to the unrelated KRAMPUS: THE CHRISTMAS DEVIL (2014), KRAMPUS: THE RECKONING (2015), KRAMPUS: THE DEVIL RETURNS (2016), KRAMPUS UNLEASHED (2016) or KRAMPUS: ORIGINS (2018)? So far I have assumed no. In this same spirit, I was curious, but didn’t make it a priority, to watch the 2010 Dutch killer Santa type movie SAINT NICK (also released here as SAINT, originally SINT).

And then this year happened! Not the bad stuff, but the stuff where I finally caught on to the Dutch writer/director/composer Dick Maas. I enjoyed his killer elevator movie DE LIFT/THE LIFT (1983), his scuba-action-slasher AMSTERDAMNED (1988), his killer elevator English-language remake DOWN (2001) and his killer lion loose in Amsterdam movie PROOIL/UNCAGED (2016). So, okay buddy, I trust you to make a Christmas horror movie now. I’m ready. (read the rest of this shit…)

Happiest Season

Wednesday, December 2nd, 2020

I don’t usually review comedies, especially straight forward romance/family ones like HAPPIEST SEASON, nor do I plan to do it often. But I thought this was a pretty good one and I decided to give it a shot. Sharpen my skills.

HAPPIEST SEASON is new on Hulu and takes place at Christmas time, but is not specifically about any holiday celebrations. It has received some attention as a high profile romantic comedy with a same sex couple, and of a much higher quality than the ones starting to pop up on Hallmark and Lifetime. Sony/TriStar had actually intended this for a major theatrical release before the pandemic and its supporters fucked up the country. It was directed and co-written by Clea DuVall, who we of course know as an actress from GHOSTS OF MARS, THE GRUDGE, ZODIAC, etc., so it’s a pretty good in-joke when a character’s teenage bedroom is still decorated with a sexy poster of Josh Hartnett (THE FACULTY). (read the rest of this shit…)

Pandorum

Tuesday, December 1st, 2020

I remember the sci-fi/horror movie PANDORUM coming out – I thought it was more recent than 2009, but that’s how it goes – and I don’t think I heard anything good about it. It was not something that was on my list to see until I found out Cung Le was in it, and then it still took me years to get to it. But now I can report that, though certainly not perfect, this is a very interesting space movie with lots of cool ideas. It’s in English with a decent budget and stars Ben Foster and Dennis Quaid, but director Christian Alvart is the German guy who did the serial killer movie ANTIBODIES. So it’s gonna be a little more off-kilter than most movies produced by Paul W.S.Anderson.

It has some overlap with what I call the Space Loneliness movies, because it’s about some people waking up from hypersleep during a 123 year interstellar trip. It’s different, though, because they’re not just the small crew of one ship like DARK STAR, ALIEN, BLOOD MACHINES, etc. The Elysium is built to carry much of the earth’s population to a new home on the planet Tanis, so it’s enormous, and when they run into other people they’ve never met them before. (read the rest of this shit…)

Body Count

Monday, November 30th, 2020

I’ve known for decades that Ice-T was in one of the many movies called BODY COUNT, but I never considered watching it until my friend Laird mentioned on Letterboxd* that it takes place on Thanksgiving. So thank you Laird, sort of, for inspiring some seasonal viewing. The only other Thanksgiving movie I had rented was HOME SWEET HOME, which I turned off when I immediately realized I’d seen it before. It’s the 1981 movie starring Body By Jake as a psycho, but they tricked me into thinking it was something newer by writing “Vinessa Shaw (Eyes Wide Shut)” on the cover. (She had a small part at about 4 or 5 years old.)

I didn’t realize I’d never reviewed HOME SWEET HOME. Next year, I guess. It probly would’ve been more fun than BODY COUNT, a thoroughly mediocre and largely uneventful low budget home invasion thriller, its one benefit being its recognizable cast. Daniel (Justin Theroux two years before MULLHOLLAND DR.) is bringing his girlfriend Susanne (Alyssa Milano two years after EMBRACE OF THE VAMPIRE) to meet and spend Thanksgiving with his very rich family, who he hates. They’re all much more snooty than him and ask him condescending questions about his job and if he’s still in “that cult,” which he clarifies was “Buddhist study group.” His drunk brother Justin (Nicholas Walker, Santa Barbara, who I honestly mistook for Linden Ashby the entire time) is particularly insulting, but somehow Susanne is nice about it to the point that it seems like they might end up together. (read the rest of this shit…)

Mimic 3: Sentinel

Wednesday, November 25th, 2020

Neither MIMIC or MIMIC 2 seemed to go over all that well, but that didn’t stop Dimension Films from releasing MIMIC 3: SENTINEL in 2003. This is probly my favorite of the three, and at the very least it deserves high marks for taking advantage of the pre-sold nature of the format to take a weird left turn, not at all the lower-budget-rehash approach of so many DTV sequels. It follows a drastically different template: the Hitchcockian voyeur thriller. It even uses a quasi-Saul Bass movie poster font for the title. But it doesn’t feel like they took an old suspense thriller script and grafted a bug man onto it, because it ties into and builds off of the world of MIMIC in smart and interesting ways.

This one is written and directed by J.T. Petty, whose THE BURROWERS I’ve been meaning to check out forever. He also did SOFT FOR DIGGING (a $5,000 student feature that I believe got him this gig), S&MANand HELLBENDERS. Here he’s made a movie that kind of feels like it comes out of the same school as early Soderbergh or Nolan – the hyper-intelligent indie guys that were more into old noirs than drive-in movies. (read the rest of this shit…)

Mimic 2

Tuesday, November 24th, 2020

One thing we’ve learned from sci-fi and horror films is that monsters and weird things find ways to survive, to evolve, to adapt, to keep coming back. It was true in the case of the Judas Breed, a bug genetically engineered by Dr. Susan Tyler to be a sellout traitor that kills off the diseased roaches of the Manhattan sewers and then dies out, that instead managed to squirt out tens of thousands of generations in a couple years and evolve into a six foot termite-mantis that can mimic the shape of a human to survive on the streets. It was also the case with the MIMIC movie series itself. Guillermo Del Toro and the Miramax marketing department created an identifiable enough brand, the Weinsteins or somebody okayed a direct-to-video sequel, and with a third of the budget and no need to attract box office I suspect it was able to be hatched with less of their scrutiny and meddling. While MIMIC is an interesting movie that doesn’t entirely deliver as slick mainstream entertainment, its sequels are in a good position to exceed expectations. They’re better than you fear and different than you expect, thus fulfilling the potential of the DTV sequel format. (read the rest of this shit…)

Mimic

Monday, November 23rd, 2020

It really didn’t occur to me, when I decided to finally rewatch MIMIC, that it was a movie about a pandemic. One of the main characters is the deputy director of the CDC! But it’s not at all similar to the pandemic we’re currently in – “Strickler’s Disease” seems to only affect children, putting them in comas. Because it’s spread by cockroaches, aforementioned CDC guy Dr. Peter Mann (Jeremy Northam, THE NET, AMISTAD, THE INVASION) recruits a brilliant entomologist, Dr. Susan Tyler (then-recent Oscar winner Mira Sorvino, between ROMY AND MICHELE’S HIGH SCHOOL REUNION and THE REPLACEMENT KILLERS), who comes up with a novel plan: she genetically engineers a new bug called the “Judas Breed” that infiltrates cockroach colonies and pukes up a bunch of enzymes that increase their metabolism so they starve to death. Give the roaches a disease to stop them from giving us one.

Three years later, Strickler’s disease has been wiped out, the two doctors are married, and everything seems fine, except weird shit is happening under Manhattan. A mysterious vagrant type guy drags a priest underground, and only an autistic kid named Chuy (Alexander Goodwin) witnesses it. Chuy’s guardian Manny (Giancarlo Giannini, BLACK BELLY OF THE TARANTULA) is a shoe shiner, so the kid has become affixed on people’s footwear, and for some reason he calls this attacker “Mr. Funny Shoes.” I don’t know why, but that’s one of my favorite details in the movie. (read the rest of this shit…)

His House

Thursday, November 19th, 2020

HIS HOUSE is a horror movie that recently went straight to Netflix. The kind that played Sundance and that critics love (I just checked and it’s still 100% fresh on Rotten Tomatoes after 82 reviews). That’s about all I knew about it, which is a luxury we have during this time when many of the big movies go straight to streaming. I like and recommend watching movies blind when you can, but this is a review, so here we go.

It’s about a refugee couple who escape South Sudan and are given a temporary home on the outskirts of London, only to find something evil there. It’s one of these stories that relates supernatural happenings to trauma and makes the line sort of blurry for the characters so they don’t at first know which one they’re experiencing. It benefits from great leads and strong direction by rookie Remi Weekes (also writer, with a story credit to Felicity Evans & Toby Venables). (read the rest of this shit…)

Jiu Jitsu

Wednesday, November 18th, 2020

There’s something going on in the world of indie action that I don’t think gets enough attention. It started in 2016 with KICKBOXER: VENGEANCE, a fun remake of the Cannon classic, with stuntman Alain Moussi in the lead and JCVD himself, in eccentric character actor mode, playing the mentor. It was directed by John Stockwell, who did pretty good with IN THE BLOOD and some of his other movies, so when the screenwriter took over as director for the sequel that didn’t seem like a good sign to me.

I was so wrong! KICKBOXER: RETALIATION turned out even better than the first one, with much more ambitious and assured direction, including complex choreography with great long take camera work. Of course, writer/director Dimitri Logothetis wasn’t some screenwriter getting his first shot at directing – he’d had a long and unusual filmmaking history that started in ’80s b-movies, producing HARDBODIES 2 and directing SLAUGHTERHOUSE ROCK, and included the 1989 boxing documentary CHAMPIONS FOREVER. Incidentally he’s also a blackbelt in Kenpo karate, having been taught by Ed Parker (he says he got to train with Elvis three times).

Now Logothetis has reunited with Moussi for another action vehicle, not a remake but a sci-fi story he first tested out as a comic book. And since it has a crazy premise and a good supporting role for Nicolas Cage maybe more people will notice this time. (read the rest of this shit…)

You Got Served: Beat the World

Tuesday, November 17th, 2020

“You know dancing is our only way out.”

I was under the misimpression that YOU GOT SERVED was a big franchise like STEP UP. Unfortunately it turns out YOU GOT SERVED: TAKE IT TO THE STREETS (2004) is just an hour-long instructional dance video, and YOU GOT SERVED: BEAT THE WORLD (2011) is really an unrelated Canadian dance movie that they rebranded as a YOU GOT SERVED here in the states. (Elsewhere you might find it as BEAT THE WORLD or THIS IS BEAT.) So we don’t get to find out what happens after they shoot the Li’l Kim video.

Think of how many unlikely phenomenons could’ve been cut down with an unrelated part 2! This could have easily been the fate of THE FAST AND THE FURIOUS, UNDISPUTED and so many others.

The good news is that this one is honestly more fun than YOU GOT SERVED. I knew that would be the case when it opened with a parkour chase across the rooftops. It seems very intense but turns out to be a demonstration. “You know we’re gonna be the first crew to bring free running to hip hop.” Yuson (Tyrone Brown, BEWARE THE GONZO) has recruited Justin (Chase Armitage, DEATH RACE 2), a freerunner from London, to help his crew, Fusion, create a unique routine for the impending Beat the World international dance competition.

(read the rest of this shit…)